Blog Tour/Review: The Million Dollar Duchesses by Julie Ferry

I recently read Edith Wharton’s The House of Mirth and glimpsed just a little of the complexities of navigating a path through the upper echelons of American society in the so-called Gilded Age.  So I was thrilled when the opportunity arose to learn about the fact behind the fiction and join the blog tour for Julie Ferry’s The Million Dollar Duchesses.  Subtitled How America’s Heiresses Seduced the Aristocracy, you can read my review of this fascinating book below.

Do check out the tour schedule at the bottom of this post for details of the other great book bloggers taking part in the tour.


The Million Dollar DuchessesAbout the Book

‘The American girl has the advantage of her English sister in that she possesses all that the other lacks…’ – Titled Americans

On 6th November 1895, the young and brilliant heiress Consuelo Vanderbilt wedded the near-bankrupt Charles Spencer-Churchill, 9th Duke of Marlborough. A dazzling yet miserable match was made – one which glittered above all others for high society’s unofficial marriage brokers who, in a single year, initiated and manipulated a series of spectacular transatlantic pairings. Injecting millions of dollars into the ailing aristocracy; fame, money, power and prestige were all at play.

Characterised by scandal, illicit affairs, spurned loves and unexpected deaths, The Million Dollar Duchesses reveals the machinations which led to these most influential matches between America’s heiresses and Britain’s elite. The Gilded Age was a tumultuous period for society’s most eligible.

(The book was previously published under the title The Transatlantic Marriage Bureau)

Format: Paperback (320 pp.)         Publisher: Aurum Press
Published in UK: 3rd May 2018     Genre: Non-Fiction, History

Pre-order/Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Million Dollar Duchesses on Goodreads


My Review

The Million Dollar Duchesses focuses on the events of a single year – 1895 – in which a number of transatlantic marriages took place between wealthy American heiresses and not so wealthy but titled British aristocrats.   Unfortunately for the participants, very few were love matches but more akin to business transactions, negotiated by a select band of very influential society ladies, including the redoubtable Alva Vanderbilt, Consuelo Manchester and Minnie Paget.

Manoeuvring young American heiresses into situations where they could encounter potential marriage partners was a strategic operation.  ‘All of London society was a convoluted and never-ending performance.  The unremitting rounds of formal functions were littered with the great and the good of the aristocracy, whom Minnie saw simply as props to be manoeuvred into the best position to produce a breathtaking show.’  It was also a lucrative, albeit clandestine, business for these society ‘matchmakers’, who would be rewarded with gifts or might have their dressmaker’s or milliner’s accounts settled by grateful relatives.

I came across some fascinating nuggets of information in the book, such as the fact that those fortunate enough to have the Prince of Wales stay with them would be obliged to install in their home a ‘Post Office to meet his communication needs’.   I was also frankly in awe of the stamina of these society ladies who not only underwent up to six changes of outfit a day during the Season but were expected to attend a dizzying round of activities.  For example, the ‘strict timetable’ of a day in the summer Season at Newport, Rhode Island might involve breakfast, dealing with correspondence, a morning call at the Casino for tennis or bowling, bathing at the exclusive Bailey’s Beach, luncheon on a yacht moored in the harbour, an afternoon carriage parade, visits to other ladies followed by preparing for the evening’s formal dinner party or ball and then dancing the night away.   On the other hand, I could not admire the vast sums of money spent on flowers, gifts, jewellery and dresses that might only be worn once, which seemed to verge on the grotesque.  No, actually, it was grotesque.

As the author notes, at a time when ‘men were rulers of Wall Street and women were discouraged from asserting themselves in business or politics, marriage was their only route to power’.  I have to say I was left with the impression that, in many cases, the women featured were more intelligent, cultured and accomplished than the supposedly eligible bachelors they were destined to marry and might well have proved equal to those men in business or politics.

We talk today about ‘celebrity culture’ but I also found it interesting that scrutiny by the media of these society figures seemed as prevalent then as it is today and that there was a degree of mutual dependence.  The great society ladies needed their entertainments, costume balls and the like to be featured in the newspapers and gossip columns of the day to confirm their position in society.  ‘It was a chance to be seen by reporters, society watchers and the general public.  An opportunity to be talked about, written about and remain a constant presence in public consciousness.’   Finding and sustaining your position in the ‘pecking order’ was a competitive endeavour worthy of the Olympic Games!

The book is clearly the product of extensive research by the author, as witnessed by the comprehensive notes and detailed bibliography at the end of the book.  Also included is a helpful dramatis personae and family trees of the key players.   The book includes quotes from contemporary newspaper articles, gossip columns, letters and memoirs although the author freely admits that there are limited primary sources because many of the heiresses’ personal recollections have not survived, possibly because they were deliberately destroyed after their deaths.    From time to time, the author indulges in speculation about the feelings and emotions of some of the characters meaning those sections are sprinkled with phrases such as ‘must have’, ‘would have’ and ‘in all probability’.

The Million Dollar Duchesses is a fascinating insight into the lives of women who changed the face of British society at the end of the 19th century and inspired fictional counterparts in novels such as Edith Wharton’s The Buccaneers and The House of Mirth.

I received a review copy courtesy of the author, publishers Aurum Press and Anne Cater at Random Things Tours in return for an honest and unbiased review.

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In three words: Fascinating, detailed, informative

Try something similar…The Buccaneers by Edith Wharton


Julie FerryAbout the Author

Julie Ferry is a freelance journalist who has written for the Guardian, Sunday Times, Sunday Telegraph and the Independent, among others. She writes on subjects ranging from protecting women’s rights to discovering Paris alone. She graduated from Cardiff University with a degree in English Literature and then upped sticks and moved to a tiny island between Japan and South Korea to teach English, where she quickly got used to being followed around the supermarket by her students. It was in Japan that she got her first by-line and was quickly hooked. Since then, she’s been fortunate to write for most of her favourite publications, but always harboured dreams of seeing her name on the front of a book. Now, she’s managing to combine her love of writing and an obsession with interesting and largely unknown women from history, with the school run in Bristol, where she lives with her husband and two children.

Connect with Julie

Website  ǀ  Facebook  ǀ  Twitter  ǀ  Goodreads

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Blog Tour/Guest Post: The Concubine’s Child by Carol Jones

I’m delighted to be hosting today’s stop on the blog tour for The Concubine’s Child by Carol Jones.  Described as perfect for fans of Amy Tan, Dinah Jefferies, Julia Gregson or Kate Morton, The Concubine’s Child is an evocative, multi-generational tale of a family haunted by the death of a young concubine in 1930s Malaysia.

And if that description doesn’t already have you with your finger hovering over the ‘Buy’ button, I have a fantastic guest post from Carol about how her first trip to Malaysia provided the inspiration for the setting of her novel. Oh, and her experiences with naughty macaques.

Do check out the tour schedule at the bottom of this post to see the other great book bloggers taking part in the tour.  Visit them for reviews, interviews and book extracts.

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The Concubine's ChildAbout the Book

In 1930s Malaya a sixteen-year-old girl, dreaming of marriage to her sweetheart, is sold as a concubine to a rich old man desperate for an heir. Trapped, and bullied by his spiteful wife, Yu Lan plans to escape with her baby son, despite knowing that they will pursue her to the ends of the earth.

Four generations later, her great-grandson, Nick, will return to Malaysia, looking for the truth behind the facade of a house cursed by the unhappy past. Nothing can prepare him for what he will find.

This exquisitely rich novel brings to life a vanished world – a world of abandoned ghost houses, inquisitive monkeys, smoky temples and a panoply of gods and demons. A world where a poor girl can be sold to fulfil a rich man’s dream. But though he can buy her body, he can never capture her soul, nor quench her spirit.

Format: ebook, hardcover (384 pp.)                                  Publisher: Head of Zeus
Published: 1st April 2018 (ebook), 1st June (hardcover) Genre: Historical Fiction

Pre-order/Purchase Links*
Amazon.co.uk ǀ  Amazon.com  ǀ Kobo | Google Play | iBooks | Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Concubine’s Child on Goodreads


Guest Post: ‘Gods, Ghosts and Monkeys in Old Kuala Lumpur’ by Carol Jones

I first visited Malaysia, the setting for The Concubine’s Child, on my honeymoon in 1991. It was my first trip to Asia, and the first time I stepped inside a Chinese temple, or witnessed people making offerings to the gods. Hailing from Queensland originally, the tropical weather was nothing new to me but I was accustomed to backyard wildlife such as possums, lorikeets or the occasional duck in the swimming pool, not monkeys sitting on walls watching me hang out the washing.

Everything about that first visit to Kuala Lumpur was strange and exotic but having returned every year since to stay with my husband’s family, the exotic has become familiar. So much so that I have wanted to write a novel set there for some time, saving up impressions and experiences, collecting memoirs and historical references. But it was a chance remark that my mother-in-law didn’t attend school in the 1930s, instead learning to read and write (Chinese) at her local clan house, which gave me my beginning. The first chapter of The Concubine’s Child introduces Yu Lan, a sixteen year old girl whose father doesn’t think it worthwhile sending her to school but finally allows her to attend lessons at the Chan Clan house.

The Chan See Shue Yuen is a real place, the stunning hall and lineage temple of the Chan clan society in Kuala Lumpur. It has typical Chinese temple architecture and shines with brilliant turquoise tiles. It and many other temples and shop houses in the old Chinatown area were built in the mid- to late-nineteenth century.  It is an area I love to return to for all its colour and history, and it is where the first few chapters of my novel are set.

It was a visit to another temple, this time in China, which inspired the antagonist in the novel. Madam Chan is the childless wife of the wealthy tin miner who buys Yu Lan from her apothecary father. She has a tricky relationship with the gods. She argues and blames them for her troubles, and she is based upon an elderly woman I witnessed tossing moon blocks at a temple in Quanzhou. Moon blocks are a divining tool and this woman wasn’t at all happy with the answers she was receiving. Hence she was complaining and arguing with the gods, who she expected to be far more obliging after all the offerings she had made.

On my earlier trips to Kuala Lumpur I noticed a nearby house had been empty and abandoned for years. It was a perfectly good house but was going to rack and ruin in the tropical climate. When I asked my sisters-in-law why it was empty, they replied nonchalantly that it was a ghost house. As if that were self-evident. I soon discovered that ghost houses are quite common in Malaysia, where people of many faiths believe in ghosts. In fact, when I began researching the phenomenon on the Internet I discovered dozens of websites devoted to the topic, and hundreds of photos of abandoned buildings and reputed ghost houses.

To this day it’s not unusual to read newspaper articles about schoolgirls becoming hysterical after seeing ghosts, or pawangs (traditional Malay healers and shamans) being called in to help bring rain, or find something that has been lost. The pawangs were called in to help locate missing flight MH370. They were far less expensive than the costly undersea exploration carried out by Australia. Of course, neither found very much. Nevertheless, in the 1930s, when much of my novel is set, pawangs reputedly helped miners locate tin, fishermen catch more fish, and they blessed just about anything.

MacaqueMonkeys feature several times in The Concubine’s Child, inspired in part by my encounters with macaques. The macaques near my in-law’s house live in a narrow strip of remnant jungle and roam backyards and local parks searching for food. They live in family groups, usually with at least one large male and several babies. Years ago, I was bailed up by a very large monkey while hanging out washing. He was hissing and snarling at me and his teeth didn’t look at all pleasant. My elderly father-in-law saved me by running out shouting and throwing slippers at it. On another occasion, I came downstairs to find a young macaque sitting on the family altar, snacking on the offerings to the gods. It had snuck in between the window bars.

Twenty-five years of impressions and experiences have gone into the writing of The Concubine’s Child, coupled with thousands of pages of research into the history and culture of the Chinese people in Malaysia, and not a little reminiscing from family.
© Carol Jones


Autosave-File vom d-lab2/3 der AgfaPhoto GmbHAbout the Author

Born in Brisbane, Australia, Carol Jones taught English and Drama at secondary schools before working as an editor of children’s magazines.

She is the author of several young adult novels as well as children’s non-fiction.

Connect with Carol

Website ǀ  Goodreads

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