Book Review: Beyond the Thirty-Nine Steps – A Life of John Buchan by Ursula Buchan

Beyond the Thirty-Nine StepsAbout the Book

John Buchan’s name is known across the world for The Thirty-Nine Steps. In the past one hundred years the classic thriller has never been out of print and has inspired numerous adaptations for film, television, radio and stage, beginning with the celebrated version by Alfred Hitchcock.

Yet there was vastly more to ‘JB’. He wrote more than a hundred books – fiction and non-fiction – and a thousand articles for newspapers and magazines. He was a scholar, antiquarian, barrister, colonial administrator, journal editor, literary critic, publisher, war correspondent, director of wartime propaganda, member of parliament and imperial proconsul – given a state funeral when he died, a deeply admired and loved Governor-General of Canada.

His teenage years in Glasgow’s Gorbals, where his father was the Free Church minister, contributed to his ease with shepherds and ambassadors, fur-trappers and prime ministers. His improbable marriage to a member of the aristocratic Grosvenor family means that this account of his life contains, at its heart, an enduring love story.

Ursula Buchan, his granddaughter, has drawn on recently discovered family documents to write this comprehensive and illuminating biography. With perception, style, wit and a penetratingly clear eye, she brings vividly to life this remarkable man and his times.

Format: Hardcover (512 pp.)    Publisher: Bloomsbury Publishing
Published: 18th April 2019        Genre: Biography

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My Review

Ursula Buchan’s biography of her grandfather does exactly what its title suggests.  It looks beyond the author of the well-known novel to the man whose career encompassed politics, the law, publishing, journalism and public office as well as authorship of over a hundred books. It also provides a touching portrait of John Buchan the family man and husband.

There is limited exposition of Buchan’s works of fiction and non-fiction but what there is is even-handed, offering both praise and criticism where appropriate. For example, Ursula Buchan describes Prester John as ‘well-nigh unreadable now’, confirming my opinion of the book which I re-read and reviewed recently. On the other hand, she is an enthusiastic advocate for John Buchan’s historical novels, such as Midwinter and The Blanket of the Dark (her own personal recommendations), regretting they are not more widely read and appreciated.

The author addresses the accusations of ‘jingoism’ that have been directed at John Buchan’s books (I suspect by those who have not read many of them) producing convincing evidence to rebut them. She also presents a similarly stout defence of the claims of anti-Semitism made against him, pointing out he was friends with many prominent Jews, including the first President of Israel.  On the other hand, she is not afraid to criticize where appropriate. For instance, noting John Buchan’s propensity for small acts of vanity and that on occasions his sense of family duty could cloud his judgment.

The author rejects the notion that John Buchan married Susan Grosvenor for social position, arguing it was a true love match. This becomes evident from the excerpts from their touching letters to each other. In fact, one of the many things I liked about the book is the way Ursula Buchan brings Susan ‘into the light’, as she puts it. For example, she writes sensitively about Susan’s initial problems adjusting to her very public role as wife of the Governor-General of Canada and her struggles with depression.

The chapter covering the First World War encompasses both John Buchan’s official roles in intelligence and propaganda and the tragic personal losses his family, like so many others, experienced. One of my favourite Buchan novels, Mr. Standfast, was his personal literary contribution to the propaganda effort, intended to influence public opinion at home. 

What I always find amazing about John Buchan is his sheer industry and I loved this description of a typical day whilst living at Elsfield, the family’s country home near Oxford. ‘In the spring and summer, at weekends, he would ride out in the early morning but be back for family prayers before breakfast… On Saturdays, he started writing punctually at nine o’clock and worked steadily until lunchtime… He did not work in the afternoons – that was the time for walking, playing with the children or energetic gardening – but he would go back to his desk after tea for a couple of hours… On Sundays after church, if no-one was staying, he would go for a very long walk, wearing his oldest tweeds.  A thirty-mile round trip via Brill was not unusual.’  This is on top of taking the train to London each morning during the week to pursue his business interests.

He also possessed the gift of a remarkable memory.  For example, whilst Governor-General of Canada, the author describes how he would dictate speeches to his secretary which would be typed up and given to the press in advance of speaking engagements.  He would then deliver the speech, without notes, rarely diverging from the printed script.

The author describes how John Buchan’s travels to the north of Canada whilst Governor-General provided inspiration for, in my opinion, his finest book, Sick Heart River, featuring the final appearance of Sir Edward Leithen (who Ursula Buchan revealed is her favourite of her grandfather’s characters).  At the time he was writing the book, he was suffering from particularly poor health and world affairs were dominated by the threat of war.  Ursula Buchan describes how Buchan’s extensive network of contacts and behind the scenes influence resulted in, for example, a visit by the King and Queen to Canada and, importantly, to the United States.  As she notes, ‘The mutual regard and respect between King and President [Roosevelt] were to prove very beneficial during the war years’. 

Although you know it’s coming, I still found myself deeply moved by the description of John Buchan’s sudden death and the outpouring of national grief that followed.  Given the ending of Mr. Standfast always leaves me slightly teary, you can imagine how affected I was by learning that the address given at John Buchan’s funeral ended with the description of Mr Valiant-for-Truth  in Bunyan’s The Pilgrim’s Progress which Richard Hannay reads over the grave of a friend in Mr. Standfast: ‘So he passed over and all the trumpets sounded for him on the other side.’ 

Beyond the Thirty-Nine Steps is clearly the product of diligent and exhaustive research, witnessed by the extensive notes and references that account for over 80 pages of the book. Even for someone like myself familiar with John Buchan’s life from previous biographies by Janet Adam Smith and Andrew Lownie, Beyond the Thirty-Nine Steps still gave me fresh perspective and fascinating nuggets of new (to me) information. For example, that there might have been film adaptations of other Buchan books had not his appointment as Governor-General of Canada put an end to any discussion of film deals. Or that the book Alfred Hitchcock initially wanted to adapt for film was Greenmantle rather than The Thirty-Nine Steps.  

For those whose only knowledge of John Buchan is from the book The Thirty-Nine Steps or the film adaptations of it, I can wholeheartedly recommend this fascinating, very readable biography of a man who packed a massive amount into a relatively short life.

20190417_135123I was lucky enough to hear Ursula talk about her book at this year’s Oxford Literary Festival and to have a few words with her afterwards as she signed my copy of her book.  During the Q&A session that followed Ursula’s talk, she was asked the very good question (not by me, I regret) whether she’d found it hard to retain the objectivity required of a biographer given her personal connection to her subject.   She said she liked to think that she hadn’t held back where her grandfather may have fallen short, although it will be plain she admired him and had been inspired by his hard work, high principles and courage in the face of illness.  Ursula Buchan concluded her talk by saying that, although her grandfather died before she was born, through writing his biography, she’d felt she could almost touch him ‘across the void of time and space’.  I have to say I got the same feeling from reading this book.

20190328_133810I received an advance review copy courtesy of publishers, Bloomsbury Publishing.

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Try something similar…Memory Hold-the-Door by John Buchan (read my review here)


Ursula BuchanAbout the Author

Ursula Buchan studied modern history at New Hall, Cambridge, and horticulture at the Royal Botanic Gardens, Kew.  She is an award-winning journalist and author, having written eighteen books and contributed regularly to the Spectator, Observer, Independent, Sunday Telegraph, Daily Telegraph and The Garden.

She is a daughter of John Buchan’s second son, William. (Photo credit: Author Twitter profile)

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Book Review: Take Courage by Samantha Ellis

TakeCourageAbout the Book

Anne Brontë is the forgotten Brontë sister, overshadowed by her older siblings – virtuous, successful Charlotte, free-spirited Emily and dissolute Branwell. Tragic, virginal, sweet, stoic, selfless Anne. The less talented Brontë, the other Brontë. Or that’s what Samantha Ellis, a life-long Emily and Wuthering Heights devotee, had always thought. Until, that is, she started questioning that devotion and, in looking more closely at Emily and Charlotte, found herself confronted by Anne instead. Take Courage is Samantha’s personal, poignant and surprising journey into the life and work of a woman sidelined by history. A brave, strongly feminist writer well ahead of her time – and her more celebrated siblings – and who has much to teach us today about how to find our way in the world.

Format: Hardback Publisher: Chatto & Windus Pages: 344
Publication: 12th Jan 2017 Genre: Biography

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My Review

I have my husband to thank for this absolutely fascinating book which was a very well-chosen birthday present. (Like all prolific readers, I am notoriously difficult to buy books for.) Unfortunately, it’s taken me quite a while to get around to reading it but I’m very glad I now have.

Anne’s last letter is the impetus for Samantha Ellis’s exploration of the life of Anne Brontë because it suggests a woman very different in character from the established portrayal. As her research progresses, Anne’s life and undervalued status seems to have a very personal resonance for the author. She sets out to prove Anne should not have been overlooked as a writer or in favour of her more famous siblings and that she has been mischaracterised. Samantha Ellis becomes Anne’s champion, determined to bring her out of the shadows and her position as the literary equivalent of ‘the third Beatle’.

The author examines Anne’s life through the prism of the people – principally the women – around her, and the heroines of her books, Agnes Gray and The Tenant of Wildfell Hall.   In some cases, this involves a fair amount of speculation. For instance, Anne never knew Maria, her mother, because she died when Anne was only twenty months old. However, the author sees similarities in their appearance, piety and argues that Maria’s fledgling literary ambitions may have influenced her daughter. Similarly, there is very little known about Tabby, the Brontë’s cook and housekeeper, but the author surmises that it was Tabby who introduced Anne to the moors and inspired her love of nature.

There is more material to work with when it comes to Anne’s relationship with her sisters, Emily and Charlotte. Emily and Anne’s relationship was based on their shared literary endeavours, working together on creating the imaginary world of Gondal. Anne’s relationship with Charlotte comes across as altogether more complex and in fact Charlotte’s behaviour to her sister does not come out particularly well when placed under the spotlight. Anne’s public legacy was largely shaped by Charlotte who had control of Anne’s unpublished poems and published work. The author sees Charlotte as ‘more than anyone, responsible for Anne being seen as ‘the other Brontë’.

Sections of the book I particularly enjoyed were the author’s close readings of Anne’s two novels, Agnes Grey and The Tenant of Wildfell Hall. Although it’s not always reliable to read the author through the character, Ellis makes some persuasive arguments. She also argues that Anne’s novels ‘fiercely’ rewrite Charlotte’s in terms of the realism of her heroines.  The author contends that Agnes Grey is a much more accurate portrait of life as a governess than Jane Eyre, and that Anne’s flawed heroes are more true to life than the Byronic figures – think Rochester and Heathcliff – imagined by her sisters.

The other standout section of the book is its closing chapter in which the author recounts very movingly the circumstances of Anne’s final days and death. What a potential literary powerhouse the world was robbed of by Anne’s early death. It’s interesting to ponder whether, had she lived longer, she might have been the Brontë sister everyone remembers and not her older sisters.

Samantha Ellis admits the documentary evidence that remains about Anne’s life is slight and although the arguments she advances are reasonable it’s fair to say they are based on a lot of supposition. The book is littered with ‘might’, ‘maybe’ and ‘perhaps’.  I’m in no position to judge the scholarly worth of this book (nor do I want to) but I found it utterly absorbing and it has made me determined to reread Anne’s novels (in editions that are not ‘hatchet jobs’).

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SamanthaEllisAbout the Author

Samantha Ellis is a playwright and journalist. Her first book How To Be A Heroine was published in 2014. Her plays include Cling to Me Like Ivy, Operation Magic Carpet and How to Date a Feminist. She has written for the Guardian, Observer, TLS, Spectator, Literary Review, the Pool, Exeunt and more. She lives in London.

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