#BookReview The Unquiet Heart by Kaite Welsh

The Unquiet HeartAbout the Book

Sarah Gilchrist has no intention of marrying her dull fiancé Miles, the man her family hope will restore her reputation and put an end to her dreams of becoming a doctor, but when he is arrested for a murder she is sure he didn’t commit she finds herself his reluctant ally.

Beneath the genteel façade of upper class Edinburgh lurks blackmail, adultery, poison and madness, and Sarah must return to Edinburgh’s slums, back alleys and asylums as she discovers the dark past about a family where no one is what they seem, even Miles himself.

It also brings her back into the orbit of her mercurial professor, Gregory Merchiston – he sees Sarah as his protegee, but can he stave off his demons long enough to teach her the skills that will save her life?

Format: Hardcover (288 pages)    Publisher: Tinder Press
Publication date: 30th May 2019 Genre: Historical Fiction, Mystery, Crime

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My Review

The Unquiet Heart is the second in the author’s historical mystery series featuring medical student turned detective, Sarah Gilchrist. Like its predecessor, The Wages of Sin, it is set in Victorian Edinburgh. There are some references to events and characters in the previous book but it would be possible to read The Unquiet Heart as a standalone.

Sarah Gilchrist continues to resist the expectations of her family – and of society – that she will marry and give up her ambition to qualify as a doctor. She frequently rails against the restrictions placed upon her as a woman. ‘I’m sick of being told that women are weak – too weak for surgery, too weak for intellectual thought.’ And she is roused to anger by the double standards that mean, had she been a man, her medical studies would be ‘the object of praise rather than disgust’. Added to this is the unfairness that, because of previous traumatic events, she is considered ‘damaged goods’, including by her family, even though the damage in question was not of her own making and has had lasting consequences.  

Despite a number of suspicious deaths early on, the pace of the book is a little on the slow side for those interested mainly in the mystery element. In addition, for a lot of the time the action moves largely between the houses of Sarah’s friend, Elizabeth Chalmers, her aunt Emily and the University where Sarah attends lectures, meaning it’s only later in the book that one gets a glimpse of the seamier side of Edinburgh. I would have liked a bit more of the latter, to be honest.

However, readers like me who were intrigued by the relationship between Sarah and Professor Gregory Merchiston that featured in the first book will enjoy the simmering sexual tension between them that continues in this one. But will it ignite into a conflagration or fizzle out?  And are they destined to remain merely pupil and tutor?

Despite the prejudice displayed by others, Merchiston is willing to introduce Sarah to the techniques of forensic medicine, even if this does demand a strong stomach. “Our bodies tell stories, Miss Gilchrist. The language may be foreign to most but learn to translate it and you will be privy to all the secrets of our species, living or dead.”  By the way, I think we really need to learn more about how Merchiston’s housekeeper, Mrs Logan, came to be, in her words, ‘in a music hall dressing room stripped down to my unmentionables armed with nothing but a prop knife’.

By the end of the book, Sarah seems faced with a choice between marriage to a wealthy if unremarkable man and the end of her medical career before it’s even begun, or a less socially acceptable relationship with a man who will preserve, even actively encourage, her ambitions. Unfortunately the latter is also likely to cause a potentially irreconcilable breach with her mother. But are those the only choices available to Sarah?

I received a review copy courtesy of Headline via NetGalley.

In three words: Well-crafted, engaging, intriguing

Try something similarA Corruption of Blood by Ambrose Parry

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Kaite WelshAbout the Author

Kaite Welsh is an author, critic and journalist and the former Literature Officer at Creative Scotland. Her work has appeared in various newspapers and magazines from The Times Literary Supplement to Cosmopolitan. Her short fiction, featuring roller derby, Greek myths and ghosts, has been published in several anthologies and she guest lectures on Creative Writing at universities around the UK. She is the author of the Sarah Gilchrist series, and lives in Edinburgh with her wife, cats and a lot of books (Bio/photo: Agent author page)

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#BookReview The Last of Our Kind by Adélaïde de Clermont-Tonnerre

The Last of Our KindAbout the Book

Werner Zilch was adopted as an infant, and knows nothing of his biological family. But when, in 1970s New York, he meets the family of Rebecca, the woman he has fallen in love with, a mysterious link means he must uncover the truth of his past, or run the risk of losing her.

Spanning 1945 Dresden, the Bavarian Alps and uncovering Operation Paperclip, this is a riveting novel of family and love that seamlessly blends fact with fiction.

Format: Paperback (352 pages)   Publisher: Hodder & Stoughton
Publication date: 12th July 2018 Genre: Historical Fiction

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My Review

I’ve been attempting to continue the good work started through taking part in NetGalley November by reading some of the older books on my NetGalley To-Read shelf. The Last of Our Kind is one of those, having been on my shelf for longer than I care to mention.

The plot of the novel depends on a huge helping of coincidence, starting with a chance encounter between Werner Zilch and Rebecca Lynch in a New York restaurant in 1969. From the moment he sees Rebecca, Werner becomes convinced she is the woman for him, christening her ‘the love of my life’ (TLOML) and frequently referring to her by that moniker or as ‘my beauty’. They embark on an affair which sees them hanging out in trendy bars and restaurants, listening to Jimi Hendrix, Frank Zappa and Nina Simone perform on stage, and hobnobbing with Andy Warhol at his studio, The Factory. ‘At the Electric Circus, evening gowns mingled with flowery sundresses, men with slick-backed hair talked with guys covered in tattoos, and a man dressed as a Roman emperor could come on to a model in a sequinned minidress.’   

The relationship between Werner and Rebecca is a torrid affair and at one point Rebecca disappears from Werner’s life after a particularly uncomfortable meeting with her family. He professes himself bereft although he manages to find consolation elsewhere before long.

Despite the tragic circumstances of his birth, I didn’t find Werner a particularly likeable character. He is brash, arrogant and self-obsessed, seemingly motivated by a combination of ambition and lust, and completely convinced he is irresistible to women. The fact he was adopted and knows little about his birth parents didn’t seem to me to entirely excuse his behaviour and his attitude towards women. His sister, Lauren, and best friend and business partner, Marcus, do their best to control Werner’s worst excesses with, it has to be said, limited success.

Alternating between the story of Werner’s relationship with Rebecca are chapters set in Germany during World War 2 in which we learn about Werner’s birth and his early life in the care of Magda, the sister of his birth mother. Through her harrowing story the reader witnesses the horrors of the Nazi regime. I thought these sections of the book were much more compelling and powerful than Werner’s story in the later timeline.

The two storylines are written in very different styles and for a lot of the time they felt like two separate books stapled together only in the final few chapters. The point at which the storylines come together introduces the element of mystery referred to in the book description but again this relies on a generous  amount of coincidence. I found myself agreeing with Werner when he observes, ‘It’s impossible that out of all four billion people who live on this planet we managed to meet…’.

The Last of Our Kind had many elements I admired but overall I was left a little disappointed. In this respect I seem to be out of step with critical opinion as the book won the Académie Francaise Grand Prix du Roman 2016, one of the most prestigious literary awards in France.

I received a review copy courtesy of Hodder & Stoughton via NetGalley.

In three words: Dramatic, emotional, uneven

Try something similarThe Lost Girl in Paris by Jina Bacarr

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Adelaide de Clermont-TonnerreAbout the Author

Adélaïde de Clermont-Tonnerre’s first novel, Fourrure, won five literary prizes in France. Le Dernier des Nôtres (The Last of Our Kind) was the winner of both the Académie Francaise Grand Prix du Roman and the 2016 inaugural Filigranes prize, awarded to the book with the widest general appeal. It was on the longlist for the 2016 Renaudot prize, on the shortlist of four for the 2016 Landerneau prize, and longlisted for the Prix de Flore. (Photo: Twitter profile)

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