#BookReview Mouth to Mouth by Antoine Wilson

Mouth To MouthAbout the Book

A struggling author is stuck at the airport, his flight endlessly delayed. As he stares at the departure board and browses the shops, he bumps into a former classmate of his, Jeff, who is waiting for the same flight. The charismatic Jeff invites the narrator to drinks in the First Class lounge, and there, swearing him to secrecy, begins telling him the fascinating and disturbing story of his life, starting with a pivotal incident from his youth.

Alone on the beach, he noticed a man drowning in the rough surf, his fate resting in Jeff’s hands. Overwhelmed but ultimately determined to help, Jeff rescued and resuscitated the unconscious man. Unexpectedly traumatized by the event, Jeff develops a fixation on the man he saved, sure that they are now inextricably linked. Upon discovering that the man, Francis, is a renowned art dealer, Jeff finds a job at his gallery in hopes of connecting with Francis and processing the event. Even though Francis seems to have no recollection of the incident, he takes Jeff under his wing, and Jeff becomes increasingly involved in Francis’s life, dating his daughter and attending important art world parties. As the two grow closer, Jeff notices some of Francis’s more unsavoury characteristics – his tendency to cheat artists and carry on affairs – but, convinced that their encounter on the beach is fated, brushes his concerns aside and continues to pursue a deeper connection with Francis, even as the nature of their relationship grows darker…

Format: Hardback (192 pages)      Publisher: Atlantic Books
Publication date: 3rd March 2022 Genre: Contemporary Fiction, Mystery

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My Review

My first thought is that I’m not sure the long blurb does the book any favours – personally, I would have limited it to the first paragraph – as it discloses quite a lot of what happens although, admittedly, not the final climactic reveal. Having said that this is a novel which exudes a pervading air of menace and in which the author skilfully ratchets up the tension bit by bit.

Jeff’s perhaps natural desire to find out more about the man whose life he saved becomes more than mere curiosity but something bordering on obsession. Jeff finds himself drawn closer and closer to Francis Arsenault, an art dealer with a supposed remarkable ‘eye’ for what will sell, a skill that doesn’t seem to extend to recognising the man who saved his life.  However, as Jeff discovers, Francis is a master in the art of maintaining a double life (Francis Arsenault isn’t even his real name) and of using others for his own ends. The world of art dealing thus makes the ideal environment for him to inhabit. ‘The only reason Francis is in this business is because it’s the most easily manipulated market in the world, and he’s a master manipulator.’

The book is in essence about consequences as Jeff finds himself carried along by the train of events, events in a way he enabled by saving Francis’s life. As he confides, ‘I wanted him to be good, though, I wanted to feel that I had done a good thing not only for him but for all the people he came in contact with.’ As Jeff’s life becomes more closely intertwined with Francis’s through his relationship with Francis’s daughter, Chloe, he finds his loyalties tested and begins to wonder just what he unleashed when he saved Francis’s life. What if Francis is far from good? Is Jeff then implicated in Francis’s deceit?

But, of course, we only have Jeff’s word for all of this. The narrator begins to wonder about Jeff’s motivation for telling him the story. ‘Was it excavation, though, Jeff getting everything off his chest? Or was he painting for me a kind of self-portrait? And what is a self-portrait if not self-serving?’

Mouth to Mouth is a compulsively readable, deliciously disquieting little novel with a sting in its tail.

I received a review copy courtesy of Atlantic Books via Readers First.

In three words: Taut, compelling, dark

Try something similarThe Executioner Weeps by Frédéric Dard

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Antoine WilsonAbout the Author

Antoine Wilson is the author of the novels Panorama City and The Interloper. His work has appeared in the Paris Review, StoryQuarterly, Best New American Voices and the Los Angeles Times, among other publications, and h is a contributing editor for A Public Space.  A graduate of the Iowa Writers’ Workshop and recipient of a Carol Houck Smith Fiction Fellowship from the University of Wisconsin, he lives with his family in Los Angeles.

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#BlogTour #BookReview Sell Us the Rope by Stephen May @SandstonePress

Sell Us The Rope Tour BannerWelcome to today’s stop on the blog tour for Sell Us The Rope by Stephen May. My thanks to Ceris at Sandstone Press for inviting me to take part in the tour and for my digital review copy via NetGalley.


Sell Us The RopeAbout the Book

May 1907. Young Stalin – poet, bank-robber, spy – is in London for the 5th Congress of the Russian Communist Party.

As he builds his powerbase in the party, Stalin manipulates alliances with Lenin, Trotsky, and Rosa Luxemburg under the eyes of the Czar’s secret police.

Meanwhile he is drawn to the fiery Finnish activist Elli Vuokko and risks everything in a relationship as complicated as it is dangerous.

Format: Paperback (288 pages)    Publisher: Sandstone Press
Publication date: 1st March 2022 Genre: Historical Fiction

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My Review

Sell Us The Rope is an inventive, very clever play on actual historical events. The 5th Congress of the Russian Communist Party really did take place in London in 1907 and Joseph Vissarionovich Stalin, the man we would later come to know simply as Stalin but who at the time preferred to be known as Koba, did attend along with other famous Communist party members such as Lenin (referred to as Ulyanov in the book), Trotsky, Maxim Gorky and Rosa Luxemburg.  The Conference itself was dominated by internal wrangling and a conflict between the Bolshevik and Menshavik wings of the party over its future direction, however it’s not necessary to know any of this to enjoy the book which is much more about the characters than the politics.

The young Stalin we meet in the book is a wily, formidably determined figure, propelled by a sense of destiny. ‘His country will always need him, there will always be a national emergency.’ The son of a violent father, there are already signs of the inner ruthlessness and capacity for violence that will later be unleashed on the world. ‘Anyone can learn to kill. It’s learning to live with having killed that is the difficult part.’ It’s clear that Koba has already learned to live with it and lots of other things besides. He definitely has a short fuse, having to be restrained from assaulting a journalist who attempts to take a photograph of him quite soon after his arrival in London.

It would probably be overstating it to say we a ‘softer’ side to Koba in the book but his relationship with Finnish activist, Elli Vuokko, does show he has a capacity for affection, albeit it represents a betrayal of his wife.  And the way Koba befriends young Arthur Bacon, the son of the owner of his lodgings, is rather touching, even if Arthur does appear to be an entrepreneur, perhaps even a capitalist, in the making.

It was interesting to witness Koba’s and Elli’s impressions of London as they walk the streets of the city. They are appalled by the poor housing, poverty and the lack of sanitation they see and the city’s downtrodden population. ‘The under-sized, misshapen people, the tired and skinny livestock. The children still, dead-eyed and sullen, or, alternatively, running and pushing or shrieking like supercharged geese through the crowds.’ Elli is particularly conscious of the demeanour of the women she sees. ‘They are so wan, so many with a curious bluey-yellow patina to the skin, so many with a haunted look. So many muttering to themselves. So many coughing.’  Asked what’s the matter with them, Koba replies, ‘Work. Children. Degradation. All three.’

In case you’re getting the impression the book is a depressing read, I can assure you there are plenty of moments of, often deadpan, humour.  For example, Koba’s reaction to an English cup of tea: ‘I think I can’t drink this grandmother’s piss’. Or when describing Rosa Luxemburg: ‘Elli could listen to her talk about anything for hours. Which is probably just as well’.  Or when lured to alternative lodgings by the prospect of a flushing toilet, Koba and his companions are disappointed to learn they may only flush it once a day, at 10pm to be precise – except in case of ‘special need’. Asked to elaborate, Arthur explains, ‘Da says if it’s proper disgusting, you can pull the handle’.

For those who crave an element of intrigue there is Koba’s sparring with agents of the Okhrana, the Tsar’s secret police, who are attempting to use their hold over him to force him to denounce influential members of the Communist party who threaten their interests.  But perhaps it’s not so easy to get one over on Koba?

The author’s historical note provides fascinating background detail. I was surprised by how many of the characters, including ones I had thought might be the product of the author’s imagination, were actually drawn from real life, such as Arthur Bacon who really did run errands for Stalin. The same goes for many of the locations, some of which still exist albeit in a different form. By the way, for those wondering about the book’s title, let Koba explain. ‘You know the old saying that when it comes time to hang the capitalists, they will sell us the rope.’

Sell Us The Rope is a rather chilling insight into the complicated and violent history of Russia, especially given current events. However, as a work of fiction it’s a wonderfully immersive read, full of atmosphere and with a delicious thread of dark humour.

In three words: Witty, clever, spirited

Try something similar: Sergeant Salinger by Jerome Charyn

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Stephen May credit Jonathan RingAbout the Author

Stephen May is the author of five novels including Life! Death! Prizes! which was shortlisted for the Costa Novel Award and The Guardian Not The Booker Prize. He has also been shortlisted for the Wales Book of the Year and is a winner of the Media Wales Reader’s Prize. He has also written plays, as well as for television and film. He lives in West Yorkshire.

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