Book Review – Brick Dust by Craig Jordan-Baker

About the Book

This sprawling saga of family and class is told by an enigmatic narrator, a hoarder of documents, who is trying to lay out a history of the Nacullian family.

As the jumble of their lives is pieced together we witness them migrate, marry, work up library fines, die, build bridges and Morris dance.

Brick Dust is a comedic tale about the struggle to make something solid, when all we have is dust.

Format: ebook (183 pages) Publisher: époque press
Publication date: 1st October 2025 Genre: Contemporary Fiction

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My Review

The author’s debut novel, The Nacullians, was published in 2020 and revolves around three generations of one Irish family living in an unnamed city, which other reviewers have identified as Southampton. I haven’t read The Nacullians and, to be honest, found this a disadvantage. The members of the Nacullian family who feature in the book were strangers to me and at times I had to remind myself how one character was related to another. Having said that, if I had read The Nacullians at various points I guess I might have found myself thinking, I know a lot of this.

The book is essentially a series of vignettes related by an unnamed narrator, a self-styled ‘archivist’ whose flat is so full of stuff – old newspapers, notices about local events, bills, receipts – that he (or she) fears eviction by the council. Sometimes actual documents are quoted from but the rest of the time it’s unclear how the narrator has acquired the information about the characters, unless by omniscience. I also found myself wondering why the narrator was so particularly interested in the Nacullians. Is he/she a member of the family or are their stories just one small element of the detritus they have collected, randomly selected for recounting?

The unnamed narrator inserts him or herself into the story at certain points, talking to us the reader. For instance, protesting that although we might be thinking one particular segment is a digression, ‘it’s a narrator’s privilege to talk about whatever they want to, and it’s your privilege to stop reading if you want to.’ Or threatening to withhold information ‘because there are things we storytellers choose not to tell’, before going on to say, ‘Except I will tell you, because I’m nice like that’. There’s also reflection on the act of acquisition itself and the many possible ways of organising items, notably a collection of business cards from all over the world the narrator has inherited. (Book lovers can probably identify with the multiple possibilities when it comes to arranging your books.)

The blurb refers to the book as ‘a comedic tale’ and there are some very amusing parts, such as the repeated mentions of Nordic Crispy Pancakes. (You have to be of a certain age to remember that particular delicacy.) I also enjoyed the narrator’s references to the location of particular documents: ‘Airing Cupboard Floor’, ‘Foot of Bed’, ‘Under Bedroom Window’. A bit that made me chuckle was the minutes of the meeting of the Titanic Morris Men, especially the apologies for absence. And another was a letter about overdue library books.

However, there is a distinctly tragic aspect to many of the characters’ stories, for example that of young Betty Nacullian. People die, become estranged, experience prejudice, despair of their lives, reinvent themselves and struggle to navigate the challenges of everyday life. Arguably, it’s for situations like these the Nordic Crispy Pancake was invented. Failing that, search out your nearest Morris dancing club.

Brick Dust is an entertaining mix of acute observation and dark humour.

I received a digital review copy courtesy of époque press.

In three words: Spirited, funny, imaginative

About the Author

Author Craig Jordan Baker

Craig Jordan-Baker is a Senior Lecturer in Creative Writing at The University of Brighton. He has published fiction in New Writing, Text, Firefly Magazine and the époque press é-zine, among others. His drama has been widely performed, including his adaptation of Beowulf and he has had dramatic work commissioned from organisations such as The New Forest National Park, The National Archives and The Booth Museum of Natural History. He is contributing co-editor of Writing Landscape and Setting in the Anthropocene-Britain and Beyond and regularly runs nature-based writing events and courses.

The Nacullians, Craig’s debut novel was published by époque press in 2020, followed by If the River is Hidden in 2022, co-authored with Cherry Smyth. 

Connect with Craig
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#WWWWednesday – 10th September 2025

Hosted by Taking on a World of Words, this meme is all about the three Ws:

  • What are you currently reading?
  • What did you recently finish reading?
  • What do you think you’ll read next?

Why not join in too?  Leave a comment with your link at Taking on a World of Words and then go blog hopping!


I’m reading Venetian Vespers on my Kindle, a physical copy of All the Lives We Never Lived and I’m listening to the (very long) audiobook of Tombland.

Venetian Vespers by John Banville (Faber & Faber via NetGalley)

Everything was a puzzle, everything a trap set to mystify and hinder me. . .

Winter 1899, and strange things are afoot. As the new century approaches, English hack writer Evelyn Dolman marries Laura Rensselaer, the daughter of a wealthy American plutocrat. But in the midst of a rift between Laura and her father, Evelyn’s plans for a substantial inheritance look to be dashed.

Arriving in Venice for their belated honeymoon at Palazzo Dioscuri – the ancestral home of the charming but treacherous Count Barbarigo – the couple are met by a series of seemingly
otherworldly occurrences, which exacerbate Evelyn’s already frayed nerves. Is it just the sea mist blanketing the floating city, or is he really losing his mind?

Front cover of All the Lives We Never Lived by Anuradha Roy

All the Lives We Never Lived by Anuradha Roy (MacLehose)

“In my childhood, I was known as the boy whose mother had run off with an Englishman.”

So begins the story of Myshkin and his mother Gayatri, who is driven to rebel against tradition and follow her artist’s instinct for freedom.

Freedom of a different kind is in the air across India. The fight against British rule is reaching a critical turn. The Nazis have come to power in Germany. At this point of crisis, two strangers arrive in Gayatri’s town, opening up to her the vision of other possible lives.

What took Myshkin’s mother from India to Dutch-held Bali in the 1930s, ripping a knife through his comfortingly familiar universe? Excavating the roots of the world in which he was abandoned, Myshkin comes to understand the connections between the anguish at home and a war-torn universe overtaken by patriotism.

Tombland by C. J. Sansom (Mantle)

Spring, 1549. Two years after the death of Henry VIII, England is sliding into chaos.

The nominal king, Edward VI, is 11 years old. His uncle, Edward Seymour, Lord Hertford, rules as Edward’s regent and Protector. In the kingdom, radical Protestants are driving the old religion into extinction, while the Protector’s prolonged war with Scotland has led to hyperinflation and economic collapse. Rebellion is stirring among the peasantry.

Matthew Shardlake has been working as a lawyer in the service of Henry’s younger daughter, the lady Elizabeth. The gruesome murder of one of Elizabeth’s distant relations, rumored to be politically murdered, draws Shardlake and his companion Nicholas to the lady’s summer estate, where a second murder is committed.

As the kingdom explodes into rebellion, Nicholas is imprisoned for his loyalty, and Shardlake must decide where his loyalties lie – with his kingdom, or with his lady?

The Blazing Sea (The Whale Road Chronicles #8) by Tim Hodkinson (Head of Zeus)

Front cover of The Story of a Heart by Rachel Clarke

The Story of a Heart by Rachel Clarke (Abacus)

The first of our organs to form, the last to die, the heart is both a simple pump and the symbol of all that makes us human: as long as it continues to beat, we hope.

One summer day, nine-year-old Keira suffered catastrophic injuries in a car accident. Though her brain and the rest of her body began to shut down, her heart continued to beat. In an act of extraordinary generosity, Keira’s parents and siblings agreed that she would have wanted to be an organ donor. Meanwhile nine-year-old Max had been hospitalised for nearly a year with a virus that was causing his young heart to fail. When Max’s parents received the call they had been hoping for, they knew it came at a terrible cost to another family.

This is the unforgettable story of how one family’s grief transformed into a lifesaving gift. With tremendous compassion and clarity, Dr Rachel Clarke relates the urgent journey of a young girl’s heart and explores a history of remarkable medical innovations , stretching back over a century and involving the knowledge and dedication not just of surgeons but of countless physicians, immunologists, nurses and scientists.