#BookReview The Settlement by Jock Serong

The SettlementAbout the Book

On the windswept point of an island at the edge of van Diemen’s Land, the Commandant huddles with a small force of white men and women.

He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them—from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country.

The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the Commandant’s will. The wind, the spread of disease, the strange black dog that floats in on the prow of a wrecked ship…

But above all the Chief, the leader of the exiles, before whom the Commandant performs a perverse, intimate dance of violence and betrayal.

Format: ebook (320 pages) Publisher: Text Publishing
Publication date: 30th August 2022 Genre: Historical Fiction

Find The Settlement on Goodreads

Purchase link
Amazon UK
Link provided for convenience only, not as part of an affiliate programme


My Review

The Settlement is one of the books on the longlist for the Walter Scott Prize for Historical Fiction 2023. It’s probably not a book I would have come across had it not appeared on the list.  In the Acknowledgments section, the author refers to The Settlement as the third book in a trilogy – the previous books being (I think) Preservation and The Burning Island. As I didn’t discover this until I finished it, I can say with confidence that The Settlement can be read as a standalone.

I think we’re probably all aware of terrible injustices perpertrated on indigenous people over the centuries, particularly as a result of colonialism. (Arguably, they are still going on today.) In The Settlement the author focuses on one particularly heinous one, the true story of the forced resettlement of tribespeople from their traditional homeland in van Diemen’s Land (the colonial name for Tasmania) to Flinders Island by George Augustus Robinson.  Many of the events are drawn from Robinson’s own journal in which he recorded in meticulous detail events on the island.

Ostensibly aimed at protecting the tribespeople from murder by white settlers, the purpose of his so-called ‘Friendly Mission’ is to ‘Christianise and civilise’ them. Leaving aside the possibility that this is driven by genuine religious zeal (which actually doesn’t make it any more forgiveable) he believes success will bring him political advancement. What the book also reveals is Robinson’s involvement in frankly quite disgusting acts of desecration, purportedly in the name of science.  And the settlement turns out to be a place of disease and death for many of the tribespeople with the area of the graveyard set aside for them soon overflowing.  As one character remarks, ‘This place eats human lives’.

The only character with any redeeming features is the Storekeeper. (A clever feature of the book is that the non-indigenous characters are referred to only by the role they perform in the settlement – the Surgeon, the Commandant, the Overseer, etc – whereas the indigenous people retain their given names.) But even the Storekeeper turns a blind eye for a long while to the evil taking place.  Some of this involves the utterly vile Catechist, a violent and perverted individual who may even not be who he professes to be. The Storekeeper distracts himself with rum and by spending hours building a wall until he cannot stand by any longer.  Cleverly, the wall also acts as a metaphor for the colonialist’s desire to demonstrate proprietorship of land by creating artificial boundaries. ‘The wall, indeed all of the settlement’s fences, were lines that followed no contour in nature: in fact, they fought the contours, dividing one man’s ground from another’s, and some creatures from others. The old people, who’d lived in the other world, must have been baffled. Offended, even, since drawing lines on the land was where it all started.’

At the heart of the book is a betrayal, the breaking of a promise to Mannalargena, the leader of the tribe, that they will eventually be returned to their traditional homelands. History tells us Robinson’s enterprise ultimately resulted in failure; The Settlement graphically reveals the human cost of that failure.  However, two acts of resistance introduced into the novel stand as examples of the fight against oppression.

In three words: Uncompromising, intense, compelling

Try something similar: Mr Peacock’s Possessions by Lydia Syson


Jock SerongAbout the Author

Jock Serong’s novels have received the ARA Historical Novel Prize, the Colin Roderick Award, the Ned Kelly Award for First Fiction and, internationally, the inaugural Staunch Prize (UK) and the Historia Award for Historical Crime Fiction (France).  He lives with his family on Victoria’s far west coast. (Photo: Goodreads author page)

#TopTenTuesday One Word Book Titles

Top Ten Tuesday

Top Ten Tuesday is a weekly meme created by The Broke and the Bookish and now hosted by Jana at That Artsy Reader Girl.

The rules are simple:

  • Each Tuesday, Jana assigns a new topic. Create your own Top Ten list that fits that topic – putting your unique spin on it if you want.
  • Everyone is welcome to join but please link back to That Artsy Reader Girl in your own Top Ten Tuesday post.
  • Add your name to the Linky widget on that day’s post so that everyone can check out other bloggers’ lists.
  • Or if you don’t have a blog, just post your answers as a comment.

WalterScottPrizeThis week’s topic is a Top Ten Tuesday Rewind. In other words, pick a previous topic you missed or would like to do again. I’ve gone for one from March 2020 – One Word Book Titles – but I’ve given it a twist by choosing only books nominated for the Walter Scott Prize for Historical Fiction. Links from the titles will take you to my review or the book description on Goodreads.

Ancestry by Simon Mawer (2023 longlist)
Fortune by Amanda Smyth (2022 shortlist)
Learwife by J.R. Thorp (2022 longlist)
Hamnet by Maggie O’Farrell (2021 shortlist)
Hinton by Mark Blacklock (2021 longlist)
Afterlives by Abdulrazak Gurnah (2021 longlist)
Shadowplay by Joseph O’Connor (2020 shortlist)
Warlight by Michael Ondaatje (2019 shortlist)
Little by Edward Carey (2019 longlist)
Tombland by C J Sansom (2019 longlist)