About the Book
‘You will live beyond one lifetime and beyond even two in the painting he makes of you.’
In the Rijksmuseum of Amsterdam, there is a painting called Woman in Blue Reading a Letter. Each day a man visits to gaze at it. He is irresistibly drawn to it. Obsessed by it. He studies the painting, in search of resolutions to his past and present loves, and the Woman in Blue studies him back. For there is more to the Woman in Blue than any of the men who gaze upon her realise. She has a story of her own to tell.
Format: Paperback (144 pages) Publisher: Fairlight Books
Publication date: 20th February 2025 Genre: Fiction
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My Review
I recently read the author’s book Blue Postcards, which was longlisted for the Walter Scott Prize for Historical Fiction in 2021, and enjoyed its ingenious and unconventional structure: 500 numbered paragraphs each including the word ‘blue’. The author continues his fascination (I hesitate to call it obsession) with the colour blue in this his latest book which is inspired by a painting by Vermeer that hangs in the Rijksmuseum in Amsterdam.
Each day a man visits the Rijksmuseum to gaze at the painting Woman in Blue Reading a Letter by Vermeer. Only that painting, and for hours on end. Initially we don’t know quite why, and we’re not alone because the museum attendants wonder too. So does his wife. Does the model remind him of someone? Is it just a distraction from other aspects of his life? Is he seeking inspiration for a book? It did our author, after all.
The man’s fascination with the picture and the long hours he spends looking at it, observing it, wondering about small details in it – the significance of the map on the wall behind her or the box of pearls on the table – has an intensity to it, a meditative quality that draws you in. How often nowadays do we sit and look at anything for longer than a few minutes?
Gradually it becomes clear that it is the Woman in Blue who possesses most control over events and that this is not entirely coincidental. She is not the passive artist’s model we might have first thought. In the author’s imagination, her influence extends beyond the picture. She can sense the thoughts of the man viewing the picture, is amused by how often his ideas are wrong and luxuriates in her ability to captivate him as she has Vermeer. She even becomes a little impatient at his attempts to make sense of things in the painting, to discover the artist’s intentions. ‘Just look, like you did at the start,’ she says.’
The book explores the boundaries between reality and illusion in art. The man notes the Woman in Blue casts no shadow on the wall behind her as she would in real life. He recalls reading that in another of Vermeer’s paintings, View of Delft, he shifted buildings a little to suit his composition. The blue bedjacket the Woman in Blue is wearing gives the impression of a gently swollen belly but she is not pregnant. It is Vermeer who, at that moment, is in the process of bringing things into the world: a painting and a child by his wife.
We also see how a painting can live on in other forms, some quite crude or mundane. For example, the man notes that it’s possible to purchase a tea towel with the Woman in Blue on it in the museum gift shop although he’s perturbed that the blue is not exactly the same as that in the painting and fears it will fade after multiple washes.
For a short book, Woman in Blue contains a remarkable number of ideas and I suspect more will come to you, as they did to me, once you’ve finished reading it. Predictably, the book brought to mind Tracy Chevalier’s novel The Girl with the Pearl Earring, also inspired by a Vermeer painting. Playfully, the author has the man complain Vermeer has painted the Woman in Blue’s hair in such a way that it conceals her ear and that ‘had it not he might have painted a wonderful pearl earring there’.
In addition to its inclusion in the title, the author manages to sneak in a few more references to the colour blue. (I like to think this was for the amusement of those who’ve read Blue Postcards.) For example, the man writes a letter to the Woman in Blue on blue lined paper and is particular in using a blue pen. He buys his wife a blue Delft tile with a blue tulip on it.
Woman In Blue is a delightfully clever novel that will make you think about the relationship between artist, subject and viewer next time you visit a gallery or look at a painting.
‘That is what great art does: it allows the viewer in and the viewer brings something new to the painting, something of their own story and life and love.’
I received a digital review copy courtesy of Fairlight Books via NetGalley.
In three words: Thought-provoking, playful, contemplative
About the Author
Douglas Bruton is the author of five previous novels: The Chess Piece Magician (2009), Mrs Winchester’s Gun Club (2019), Blue Postcards (2021), With or Without Angels (2022) and Hope Never Knew Horizon (2024). Blue Postcards was longlisted for the Walter Scott Prize for Historical Fiction 2021. His short fiction has appeared in various publications including Northwords Now, New Writing Scotland, Aesthetica, The Fiction Desk and the Irish Literary Review, and has won competitions including Fish and the Neil Gunn Prize. He lives in the Scottish Borders. (Photo: Publisher author page)
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