#BookReview The Dictionary of Lost Words by Pip Williams

The Dictionary of Lost WordsAbout the Book

In 1901, the word ‘bondmaid’ was discovered missing from the Oxford English Dictionary. This is the story of the girl who stole it.

Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary.

Esme’s place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word ‘bondmaid’ flutter to the floor unclaimed.

Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. She begins to collect words for another dictionary: The Dictionary of Lost Words.

Format: Audiobook (11h 11m)    Publisher: Random House Audio
Publication date: 6th April 2021 Genre: Historical Fiction

Find The Dictionary of Lost Words on Goodreads

Purchase links
Bookshop.org
Disclosure: If you buy a book via the above link, I may earn a commission from Bookshop.org, whose fees support independent bookshops

Hive | Amazon UK
Links provided for convenience only, not as part of an affiliate programme


My Review

The Dictionary of Lost Words is one of the five books on the shortlist for The Walter Scott Prize for Historical Fiction 2021, the winner of which is due to be announced soon. I listened to the audiobook version, expertly narrated by Pippa Bennett-Warner.

Although the detail of how the first complete edition of the Oxford English Dictionary was compiled was fascinating, I found the pace of the story a little slow to begin with, albeit not as slow as the production of the dictionary which commenced in 1884 and wasn’t completed until 1928! However, once Esme embarks on her mission of collecting words that have been excluded or will never make it into the dictionary, and the reader is introduced to characters such as market stall holder Mabel, and actress and campaigner Tilda, the book started to come alive for me.

Esme’s devoted father can teach her the meaning of any word she comes across but can’t provide the guidance and support of the mother she lost. Instead, Esme is reliant on letters from her Aunt Editha and Lizzie, the kitchen maid at Sunnyside, to provide womanly advice. Even that doesn’t protect Esme from making a decision that will have long-term consequences.

Partly a coming of age story told from the perspective of the fictional Esme, gradually national and world events, such as the women’s suffrage movement, emerge from the background and begin to shape the lives of the characters. Later, the First World War brings both tragedy but also new opportunities.

The book raises interesting questions about the words that get included or excluded from dictionaries, about gender and social bias, and censorship.  For example, the Oxford English Dictionary‘s editor, Dr. Murray, refuses to include what he considers ‘vulgar’ words, such as the names used for parts of women’s bodies, or words ‘ordinary’ people might use whose definitions cannot be backed up by quotations from ‘authoritative’ sources.

Later, the book also addresses the treatment of the indigenous people of Australia, whose language early settlers made no attempt to learn. Interestingly, it’s an issue explored in another of the shortlisted books, A Room Made of Leaves by Kate Grenville.  In fact, this year’s shortlist has a distinctly Australian flavour with many of the books having been published there first.

Those familiar with Oxford will recognize many of the places that feature in The Dictionary of Lost Words – the Bodleian Library, the Eagle & Child pub and the area known as Jericho. Although I enjoyed the book, particularly the latter part, and learned a lot along the way (such as the word ‘fascicle’ – look it up!), I regret I couldn’t quite share the Walter Scott Prize judges’ level of enthusiasm.

In three words: Thought-provoking, insightful, engaging

Follow this blog via Bloglovin


Pip WilliamsAbout the Author

Pip was born in London, grew up in Sydney and now calls the Adelaide Hills home. She is co-author of the book Time Bomb: Work Rest and Play in Australia Today (New South Press, 2012) and in 2017 she wrote One Italian Summer, a memoir of her family’s travels in search of the good life, which was published with Affirm Press to wide acclaim. Pip has also published travel articles, book reviews, flash fiction and poetry. (Bio/photo credit: Goodreads author page)

#BookReview A Room Made of Leaves by Kate Grenville

A Room Made of Leaves audioAbout the Book

It is 1788. Twenty-one-year-old Elizabeth is hungry for life but, as the ward of a Devon clergyman, knows she has few prospects. When proud, scarred soldier John Macarthur promises her the earth one midsummer’s night, she believes him.

But Elizabeth soon realises she has made a terrible mistake. Her new husband is reckless, tormented, driven by some dark rage at the world. He tells her he is to take up a position as lieutenant in a New South Wales penal colony and she has no choice but to go. Sailing for six months to the far side of the globe with a child growing inside her, she arrives to find Sydney Town a brutal, dusty, hungry place of makeshift shelters, failing crops, scheming and rumours.

All her life she has learned to be obliging, to fold herself up small. Now, in the vast landscapes of an unknown continent, Elizabeth has to discover a strength she never imagined and passions she could never express.

Inspired by the real life of a remarkable woman, this is an extraordinarily rich, beautifully wrought novel of resilience, courage and the mystery of human desire.

Format: Audiobook (9h 21m)         Publisher: Canongate Books
Publication date: 6th August 2020 Genre: Historical Fiction

Find A Room Made of Leaves on Goodreads

Purchase links
Bookshop.org
Disclosure: If you buy a book via the above link, I may earn a commission from Bookshop.org, whose fees support independent bookshops

Hive | Amazon UK
Links provided for convenience only, not as part of an affiliate programme


My Review

Shortlisted for The Walter Scott Prize for Historical Fiction 2021, A Room Made of Leaves opens with that oft-used literary device, the discovery of a hidden cache of documents. Adopting the guise of editor, Kate Grenville explains how she came into possession of a box containing the hitherto secret memoirs of Elizabeth Macarthur, the wife of one of the most famous and wealthy entrepreneurs of late 18th/early 19th century New South Wales. I’ll confess it had me immediately searching online to find out whether Elizabeth was a real or invented character. As it happens, she did exist in real life.

I listened to the audiobook version narrated by Valerie Bader and was initially daunted when I saw it had 131 chapters. However, most are very short helping to give the impression of diary entries.

Elizabeth Veale grows up in Cornwall, her social and financial position giving her limited options in life. Marriage to soldier John Macarthur initially seems to offer a form of escape but she soon discovers she has shackled herself to a man unable to show tenderness and that she is no nearer to being in control of her destiny. What she does demonstrate is a shrewd insight into John’s character: his love of grandiose schemes, of the ‘long game’, his need to be proved right, his delight in catching other people out, and his sensitivity to any suggestion of insult. Generously, she attributes his behaviour to the traumatic experiences of his youth and a sense of inferiority.

Forced to reveal to Elizabeth the existence of a large debt, Jack announces he has accepted a posting to the penal colony in New South Wales as it comes with promotion. As usual, he’s full of confidence, dismisses reports of troubles in the colony and seems to have no concerns about taking wife and young son half way across the world.

I’ve only read one previous book by Kate Grenville, Sarah Thornhill the final book in her trilogy that started with The Secret River (although I didn’t realize it was part of a trilogy at the time). A theme it shares with A Room Made of Leaves is colonization and the exploitation of the indigenous people. Indeed most of the people Elizabeth encounters regard the indigenous people as ‘savages’, referring to them as ‘our sable brethren’. Only Lieutenant Dawes, a keen astronomer, makes any effort to communicate with them in their own language and understand their customs.

I think your reaction to this book will depend on how much you knew about the real Elizabeth Macarthur before reading it. If, like me, you knew absolutely nothing then your judgment of the book will be based solely on the quality of the writing and the skill with which the story is told. Unfortunately, I found the pace of the book slow at times with scenes of significance recounted only briefly and others, such as Elizabeth’s tea parties (her ‘Antipodean salons’) described in detail. It really only picked up for me towards the end when the reader is finally introduced to the ‘room made of leaves’. And, although I appreciate the author is exploring the line between truth and invention, I continue to find the artificiality of the ‘secret journal’ device unconvincing. Would anyone really keep copies of every letter they sent? Would even the most diligent diarist be able to recall conversations in such detail they could reproduce them verbatim years later?

Readers familiar with the life of Elizabeth Macarthur will be in a better position to judge the ‘playful dance of possibilities between the real and the invented’ described in the book’s blurb. Regrettably, I couldn’t feel the same enthusiasm for the book as the judges of the Walter Scott Prize – which probably means it might well win!

In three words: Assured, well-crafted, measured

Try something similar: Mr Peacock’s Possessions by Lydia Syson

Follow this blog via Bloglovin


kate grenvilleAbout the Author

Kate Grenville is one of Australia’s best-known authors. She’s published eight books of fiction and four books about the writing process. Her best-known works are the international best-seller The Secret River, The Idea of Perfection, The Lieutenant and Lilian’s Story. Her novels have won many awards both in Australia and the UK, several have been made into major feature films, and all have been translated into European and Asian languages. (Photo credit: Publisher author page)

Connect with Kate
Website | Goodreads