#BookReview News of the Dead by James Robertson

News of the DeadAbout the Book

‘To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records – a place such as Glen Conach – may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .’

Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time.

In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach.

Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community.

In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own.

Format: Hardback (384 pages)       Publisher: Hamish Hamilton
Publication date: 5th August 2021 Genre: Historical Fiction

Find News of the Dead on Goodreads

Purchase links
Bookshop.org
Disclosure: If you buy a book via the above link, I may earn a commission from Bookshop.org, whose fees support independent bookshops

Hive | Amazon UK
Links provided for convenience only, not as part of an affiliate programme


My Review

News of the Dead is this year’s winner of the Walter Scott Prize for Historical Fiction. You can watch its author, James Robertson, talking about the book on the Walter Scott Prize’s YouTube channel, where you’ll also find interviews with all the other shortlisted authors.

Because News of the Dead moves frequently between three different storylines, there is a danger of it feeling like three books squeezed into one.  However, the author manages to create sufficient connections between the three to make it a cohesive whole, although the storyline set in the present day feels the least connected. Having said that, Maja’s story, when it is finally revealed near the end of the book, I found the most compelling and I think in expanded form would have made a fine novel in itself.

For me the character who leapt off the page was Charles Kirkliston Gibb. He’s an unapologetic rogue and chancer, admitting ‘From the age of ten my life has been an unbroken campaign of not being found out’, and happy to describe himself as ‘a kind of intellectual vagabond’. His journal provides an insight into his work of transcribing and translating the Book of Conach, his desire to string this out for as long as possible in order to keep a comfortable roof over his head and details of life in the ‘Big House’, the home of Lord and Lady Glen Conach, and their daughter, Jessie. For Charles, his journal also acts as documentary proof of his existence, even if not everything in it is necessarily true.

Storytelling is a pervading theme of the book, whether that’s individuals’ own personal histories – the stories they tell about themselves – or how they are remembered by others. The book also explores the notion of what is true and what is invention, and how easy (or difficult) it is to tell the difference. Since the Book of Conach was later destroyed in a fire along with Charles Gibb’s transcription, only his translation (which became a joint endeavour with Jessie) remains. But who is to say that translation was faithful? After all, as Jessie asks at one point, ‘Do you think history must always be duller than fiction?’

News of the Dead is certainly far from dull and the author manages to pull off several different styles, including passages in Scots dialect for the stories told by the irrepressible and accommodating Geordie Kemp, who never likes to disappoint a listener.

In the interview mentioned above, the author explains how he sought to make Glen Conach, although an invented location, feel as real as possible. Although from the outside it might appear isolated and remote, its inhabitants have no reason to leave. This is neatly mirrored by the contemporary story being set during the Covid pandemic so Glen Conach’s residents are unable to leave even if they wanted to. Harking back to earlier days, they must rely on the support of their little community for their needs.

News of the Dead is my first experience of the writing of James Robertson but it has made me keen to search out his other books. It’s an example of why I look forward to the announcement of the Walter Scott Prize longlist every year because it invariably introduces me to authors and books I would otherwise never have come across.

In three words: Engrossing, thoughtful, authentic

Follow this blog via Bloglovin


James RobertsonAbout the Author

James Robertson is the author of The Fanatic, Joseph Knight, The Testament of Gideon Mack, And the Land Lay Still, The Professor of Truth and To Be Continued.  Joseph Knight won the Saltire Society Scottish Book of the Year and the Scottish Arts Council Book of the Year;  The Testament of Gideon Mack was longlisted for the 2006 Man Booker Prize; and And the Land Lay Still won the Saltire Society Scottish Book of the Year Award. Robertson is also the author of four short-story collections and numerous children’s books written in Scots. He runs an independent publishing house, and is co-founder and contributing editor of Itchy Coo, which produces books in the Scots language for young readers. (Photo: Goodreads author page)

Connect with James
Website | Goodreads

#BookReview Fortune by Amanda Smyth

FortuneAbout the Book

1920s Trinidad. Eddie Wade’s truck breaks down and he’s offered a ride by businessman, Tito Fernandez. So begins Fortune, a novel based on a real-life event about love, money, greed and ambition.

Eddie has spent the last years in the oilfields of the US and now he has returned home and is looking to sink his own well and make his fortune. He knows how dangerous it can be, but he feels lucky and Trinidad is rich in oil. Over the last months, like other oilmen, he has been wooing Sonny Chatterjee, a difficult man whose failing cocoa estate, Kushi, in South Trinidad, is so full of oil you can put a stick in the ground and see it bubble up. The morning before Eddie meets Tito, Sonny has finally given him the go-ahead to see what he can do. Unlike the big corporations drilling nearby, in his gut, Sonny trusts Eddie. Now all he needs is someone foolhardy enough to invest.

The fortuitous meeting between Eddie and Tito, leads to a business deal and a friendship that will make and break them both. Tito invests in Eddie’s confidence and although they are hindered by mosquitoes, heat, terrific rains, and superstitious fears, they find their fortune shooting out of the ground in thousands of barrels of oil, not once but three times. But their partnership also brings Eddie into contact with Ada, Tito’s beautiful wife, and as much as they try, they cannot avoid the attraction they feel for each other. With everything in the balance and everything to lose Tito and Eddie decide to go for one more well before Sonny sells the estate. How can this end well?

Format: Paperback (266 pages)   Publisher: Peepal Tree
Publication date: 15th July 2021 Genre: Historical Fiction

Find Fortune on Goodreads

Purchase links
Bookshop.org
Disclosure: If you buy a book via the above link, I may earn a commission from Bookshop.org, whose fees support independent bookshops

Hive | Amazon UK
Links provided for convenience only, not as part of an affiliate programme


My Review

Fortune is one of the four books on the shortlist for the Walter Scott Prize for Historical Fiction 2022.

Fortune, in the many senses of the word, is a recurring theme of the book. The most obvious is the chance meeting between Eddie and Tito that opens the book.  It brings about a partnership that offers the possibility for both of them to make a fortune through exploiting the oil reserves to be found beneath the soil of Trinidad.  For Tito, it offers the opportunity to address his precarious financial situation, one which he has kept hidden from his wife, Ada, and wider society who see only a cigar-smoking, luxury loving man of the world.  For Eddie, an instinctive risk-taker, it appeals to his ambitious nature. ‘In Trinidad you can be the first, a pioneer.’

The cocoa trees on Sonny Chatterjee’s estate are dying and though he is reluctant to allow drilling for oil on his land – he has repeatedly resisted offers from a large oil corporation – he wonders if perhaps this is the opportunity he has been waiting for. ‘What if, through meeting Eddie, his luck had changed?… What if he could show her [his wife, Sita] is was her good fortune to be married to him?’

Tito is keen to include Eddie in his social circle which eventually leads to Eddie being introduced to Tito’s  family. You sense the immediate attraction between Ada, disillusioned with her relationship with Tito and her life in general, and Eddie, starstruck by the beautiful, bewitching Ada. For Eddie, Ada is ‘a woman who could make people stop what they are doing to look at her’.  Eddie, with his energy and film star looks, is like no-one Ada’s  ever met before. ‘It seemed to Ada he could have fallen out of the sky.’

However, there’s also a sense of foreboding as their relationship seems reckless on both their parts: Ada, because it threatens her marriage, and Eddie, because it threatens his lucrative business partnership with Tito. I felt there was a real The Great Gatsby vibe to the triangular relationship.  Drawn together by a seemingly irresistible force, the risk of discovery is a game of chance that Ada in particular seems willing to play.  The author injects a real sense of eroticism into the descriptions of their sexual encounters. ‘He searched her body like a thief, looking for something.’

Of course, drilling for oil is a risky venture – a game of chance – and not without its dangers as is demonstrated when a small act, provoked by an act of betrayal, has unintended consequences. ‘The little things you do sometimes change your destiny.’

Based on real events, Fortune is a fascinating glimpse into an aspect of Trinidad’s history that was completely new to me. It’s a skilfully crafted story that explores how strong emotions – passion, despair, ambition – can make people risk everything.

In three words: Eloquent, compelling, immersive

Follow this blog via Bloglovin


Amanda SmythAbout the Author

Amanda Smyth is Irish-Trinidadian. Born in Ireland, she is the author of Black Rock (2009) and A Kind of Eden (2013).  Black Rock won the Prix du Premier Roman prize, was shortlisted for the McKitterick Prize and selected as an Oprah Winfrey Summer Read. Amanda teaches creative writing at Arvon, Skyros in Greece, and at Coventry University. She lives in Leamington Spa with her husband and daughter. (Photo/bio: Publisher author page)

Connect with Amanda
Twitter