#BookReview The Wanderers by Tim Pears

9781408892305About the Book

Two teenagers, bound by love yet divided by fate, forge separate paths in England before World War I.

1912. Leo Sercombe is on a journey. Aged thirteen and banished from the secluded farm of his childhood, he travels through Devon grazing on berries and sleeping in the woods. Behind him lies the past and before him the West Country, spread out like a tapestry. But a wanderer is never alone for long, try as he might – and soon Leo is taken in by gypsies, with their wagons, horses, and vivid attire. Yet he knows he cannot linger and must forge on toward the western horizon.

Leo’s love, Lottie, is at home. Life on the estate continues as usual, yet nothing is as it was. Her father is distracted by the promise of new love and Lottie is increasingly absorbed in the natural world: the profusion of wild flowers in the meadow, the habits of predators, and the mysteries of anatomy. And of course, Leo is absent. How will the two young people ever find each other again?

Format: Audio book (8h 38m)                  Publisher: Bloomsbury/Isis Audio
Publication date: 2nd November 2018 Genre: Historical fiction

Find The Wanderers (The West Country Trilogy #2) on Goodreads

Purchase links*
Amazon UK| Hive (supporting UK bookshops)
*links provided for convenience not as part of an affiliate programme


My Review

The Wanderers is the second novel in Tim Pears’s West Country trilogy. Like the first book, The Horseman, it was longlisted for The Walter Scott Prize for Historical Fiction. (The author recently made it three out of three when the final book in the trilogy, The Redeemed, made the shortlist for the 2020 prize.) I listened to the audiobook version, superbly narrated by Jonathan Keeble, who really captured the rhythm of the writing and created distinct voices for the various characters.

The end of The Horseman saw young Leo leaving his home to head westward, filled with guilt that an innocent act should have resulted in dramatic consequences for his family. Penniless and without the means to sustain himself, he is rescued by a band of gypsies. There follows a wonderful section of the book in which Leo is introduced to gypsy culture and travels with the Orchard ‘tribe’. Once again, his bond with horses and his riding ability form a key part of the storyline. Learning that the gypsies do not intend to travel further westward, he parts company with them in a thrillingly opportunistic way. Once more Leo finds himself travelling alone, reliant on his own enterprise or the kindness of strangers to feed him and provide him with shelter.

Throughout the book, the author populates Leo’s journey with a wonderful cast of characters, such as the patriarch of the Orchard family and an old shepherd. Often he meets people living on the margins of society. For example, an ailing hermit, a veteran of the Boer War who senses the country is moving towards war once again.

During his travels Leo is educated in country ways such as the care of sheep, and how to forage and live off the land. These are described in realistic detail – in some cases, perhaps rather too realistic for those on the squeamish side! As in The Horseman, there are wonderful descriptions of the landscape through which Leo passes. The author vividly depicts a way of life that progresses at a very different pace to our own, one much more aligned with the seasons. Of course, the reader knows it’s a way of life that will shortly be changed forever by the coming of war.

Meanwhile, back on the estate, Lottie feels increasingly invisible as her father’s attention is diverted elsewhere. She fears being sent away from the estate and the countryside she loves so much and being unable to pursue her interest in nature and biology, not considered suitable subjects for a young lady in her position. She clings to the hope that Leo, the only person who seems to understand her passion for the natural world, will keep his promise to return.

The book ends at a turning point for Leo, and for the country. I’m looking forward to finding out what happens in The Redeemed, the final book in the trilogy, which will pick up Leo’s and Lottie’s story in 1916.

In three words: Lyrical, immersive, evocative

Try something similar: The Offing by Benjamin Myers

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Time Pears authorAbout the Author

Tim Pears is the author of eight novels: In the Place of Fallen Leaves (winner of the Hawthornden Prize and the Ruth Hadden Memorial Award, In a Land of Plenty (made into a ten-part BBC series), A Revolution of the Sun, Wake Up, Blenheim Orchard, Landed (shortlisted for the IMPAC Dublin Literary Award 2012 and the 2011 Royal Society of Literature Ondaatje Prize, winner of the MJA Open Book Awards 2011) Disputed Land and In the Light of Morning.

He has been Writer in Residence at Cheltenham Festival of Literature and Royal Literary Fund Fellow at Oxford Brookes University, and has taught creative writing at Ruskin College and elsewhere. He lives in Oxford with his wife and children. (Photo credit: Goodreads author page)

Connect with Tim
Website | Goodreads

#TopTenTuesday Books That Would Make Great Movies

Top Ten Tuesday newTop Ten Tuesday is a weekly meme created by The Broke and the Bookish and now hosted by Jana at That Artsy Reader Girl.

The rules are simple:

Each Tuesday, Jana assigns a new topic. Create your own Top Ten list that fits that topic – putting your unique spin on it if you want. Everyone is welcome to join but please link back to That Artsy Reader Girl in your own Top Ten Tuesday post. Add your name to the Linky widget on that day’s post so that everyone can check out other bloggers’ lists. Or if you don’t have a blog, just post your answers as a comment.

from-page-to-screenThis week’s topic is Books That Should Be Adapted Into Movies. I’ve picked ten books that I think would make great films or TV series, with one or two casting suggestions for good measure. Links from each title will take you to my review.


Old BaggageWhen I reviewed Old Baggage by Lissa Evans in 2018, I remember thinking it would make a great play or one-off drama and suggesting Dame Maggie Smith and Dame Judi Dench would perfect to play Mattie and Florrie.

TheMusicShopThese next two – The Unlikely Pilgrimage of Harold Fry and The Music Shop – are a bit of a cheat because I learned from watching a recent online interview with Rachel Joyce that she is working on screenplays for both of them.

MunichBecause it’s set over the course of only a few days, I think Munich by Robert Harris would make a superb film or TV drama. Kenneth Branagh comes to mind, although I’m not quite sure for which part.

Next, three books by Jim Kelly – The Great Darkness, The Mathematical Bridge and The Night Raids – that are part of a historical crime series set in World War 2. Think TV’s Foyle’s War transported from Hastings to Cambridge.

Staying with historical thrillers set in World War 2, I’d love to see one or more of Rory Clements’ Tom Wilde series adapted for TV. Let’s go with the first one, Corpus.

Patrol by Fred Majdalany is one of the books in the Imperial War Museum’s Wartime Classics series. Set over one night in the North African desert in 1943, I think it would make a great film because of the near-real time narrative and the small group that make up its characters. There are a few flashbacks as well for a director to get creative with.

JohnBuchanThrillersI can’t call myself a John Buchan fan without suggesting one of his books for the small or big screen treatment. I’d go with Mr. Standfast because it is set in some great locations, contains some terrific action scenes and includes (unusually for Buchan) a romantic storyline featuring a strong female character (so a director wouldn’t be forced to invent female characters as Alfred Hitchcock had to do for his film version of The Thirty-Nine Steps.) Mr. Standfast also has a very poignant ending and who doesn’t like a good weep as the credits roll?

What books do you think would make great movies? (P.S. Personally, I don’t believe we need any more versions of Rebecca, Jane Eyre or Pride and Prejudice.)