Book Review – The Book of Secrets by Anna Mazzola

About the Book

Book cover of The Book of Secrets by Anna Mazzola

Rome, 1659. Months after the plague has ravaged Rome, men are still dying in unnatural numbers, and rumour has it that their corpses do not decay as they should. The Papal authorities commission prosecutor Stefano Bracchi to investigate, telling him he will need considerable mettle to reach the truth.

To the west of the Tiber, Girolama and her female friends are at work, helping other women with childbirths and foretelling their futures. Elsewhere in the city, a young wife, Anna, must find a way to escape her abusive husband. But in a city made by men for men, there are no easy paths out.

Stefano’s investigation at the Tor di Nona prison will introduce him to horror, magic and an astonishing cast of characters. He will be left wondering if certain deeds should remain forever unpunished…

Format: eARC (384 pages) Publisher: Orion
Publication date: 21st March 2024 Genre: Historical Fiction

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My Review

The Book of Secrets alternates between three points of view: Stefano Bracchi, judge turned inquisitor, keen to prove he is not the weak character his father believes him to be; Anna, wife of a failed artist whose disappointments are expressed in violence; and Girolama, a Sicilian woman skilled in midwifery and the creation of herbal remedies. One particular ‘remedy’ of hers has become sought after, a recipe handed down and recorded in the ‘book of secrets’ of the title and distributed via a network of female associates to women in need of escape.

Although Stefano knows only that he has been asked to investigate a series of suspicious deaths amongst men of Rome, all of which exhibit unusual features, the reader knows from pretty early on what Girolama and her assistants are doing and why. It becomes less a mystery more an interesting moral question about whether the women’s actions are justified, but no less absorbing for that. It’s a question that even Girolama begins to ask herself, especially once many of her assistants are rounded up as part of the investigation. And can she be sure that in every case, the action was justified, that every man who died was an abuser or merely an obstacle standing in the way of financial gain? She’s strong but can her associates exhibit similar strength?

Stefano also faces a dilemma as he is forced by his superiors to use more and more severe methods – many of which are harrowing to read about – to try to extract confessions from Girolama and her associates. Is the suffering he is inflicting on the women justified merely in order to further his career? He finds himself wondering what kind of man has he become and wishing he had listened to his sister, Lucia, who warned him about the dark place his investigation might take him, and that it was a poisoned chalice.

Although inspired by real events, the author freely admits in the Historical Note that she has allowed herself a degree of artistic licence in places. That didn’t bother me at all as the book immerses the reader in the sights, sounds and smells of 17th century Rome. It’s a male-dominated society, though, one ‘preoccupied with honour, status and vendetta’. Women have few, if any, rights meaning they must find their own way to fight back. And it’s a society in which if you have power and influence you need not fear being brought to justice. I found it a compelling story and, even though it involves an investigation and a trial, more nuanced than a straightforward historical mystery.

I received an advance reader copy courtesy of Orion via NetGalley.

In three words: Intriguing, immersive, absorbing
Try something similar: The Poison Keeper by Deborah Swift


About the Author

Anna is the award-winning and bestselling author of four Gothic historical novels. Her debut novel, The Unseeing, won an Edgar Allan Poe award. Her third novel, The Clockwork Girl, set in 18th century Paris, has been nominated for two CWA Dagger awards as well as the Dublin Literary award. Her fourth novel, The House of Whispers, a ghost story set in Fascist Italy, reached number 7 in the Saturday Times Chart and is a Sunday Times historical fiction pick for 2023.

Her novels explore the impact of crime and injustice and her influences include Sarah Waters, Daphne du Maurier and Shirley Jackson. Anna also writes legal thrillers under the name Anna Sharpe, the first of which will be published in 2024.

When not writing or tutoring, Anna is a human rights and criminal justice solicitor, working with victims of crime. She lives in South London with her husband, their two children, a snake and a cat. (Photo/bio: Amazon author page)

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Book Review – Diva by Daisy Goodwin

About the Book

Book cover of Diva by Daisy Goodwin

In the glittering and ruthlessly competitive world of opera, Maria Callas is known simply as la divina: the divine one. With her glorious voice, instinctive flair for the dramatic and striking beauty, she’s the toast of the grandest opera houses in the world. Yet her fame has been hard won: raised in Nazi-occupied Greece by a mother who mercilessly exploited her, Maria learned early in life how to protect herself.

When she meets the fabulously rich shipping magnate, Aristotle Onassis, her isolation melts away. For the first time in her life, she believes she’s found a man who sees the woman rather than the legendary soprano. Desperately in love, Onassis introduces her to a life of unbelievable luxury, mixing with celebrities like Elizabeth Taylor, Richard Burton and the Duke and Duchess of Windsor.

And then, suddenly, it’s over. The international press announce that Onassis will marry the most famous woman in the world, former First Lady Jacqueline Kennedy, leaving Maria to pick up the pieces.

Format: eARC (336 pages) Publisher: Head of Zeus
Publication date: 14th March 2024 Genre: Historical Fiction

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My Review

It’s 1956 and Maria Callas is at the height of her fame but conscious that her extraordinary vocal ability cannot last forever. Her life is a whirlwind: travelling to different cities across the globe for performances, having dress fittings with her couturier and attending glamorous parties – the sort of parties where Cary Grant greets you as he walks past your table, Maurice Chevalier comes over to wish you happy birthday, and the Duke and Duchess of Windsor pop over for a chat.

But maintaining the persona of la divina comes at a cost. Conscious of having been overweight as a child, Maria seemingly subsists on a diet of steak tartare and green salad in order to maintain an unnaturally trim figure, hides her shortsightedness behind sunglasses and avoids anything that might risk damaging her voice.

The author shows us Maria the woman, not just the diva. Maria’s relationship with her mother – never strong because of Maria’s suspicion that she always favoured her sister – has broken down completely and will later descend into a war of words and accusations. She’s in a stale marriage in which her husband has become more a manager of her theatrical engagements than a lover. (He, however, remains fiercely devoted to her and I felt great sympathy for him.) Although surrounded by people, she comes across as rather lonely, with her maid the only person she can truly rely on or confide in.

It’s no surprise then that Maria is attracted to Aristotle Onassis, who showers her with attention and a constant stream of expensive gifts. She believes it is Maria Callas the woman he desires, not Maria Callas the opera star. They embark on a passionate affair, under the nose of Onassis’s wife who is finding her own pleasure elsewhere. (I confess I found the sex scenes between Onassis and Maria a little squirmy.) Ignoring the warnings of others and despite being aware of Onassis’s many past dalliances, she believes their relationship is different. ‘Maria knew that she was not some conquest, she was his equal: a Greek of humble origins who had made herself into a world-famous star but who, underneath, was like him – a simple soul.’

Oh dear, how wrong can she be… As she eventually discovers – and only after an act of the utmost cruelty and a very public humiliation – she’s just one in a long line of conquests. Another notch on his bedpost, if you like. While he’s servicing the current conquest, he’s already grooming the next one. And setting his sights higher than the world’s most famous opera singer, as it turns out.

In the end, all Maria is left with is what dignity she can muster and her ability to hold an audience spellbound with that glorious voice, a thing that only time can take away.

Diva gives us the highs and lows, the triumphs and tragedies of Maria’s life. It’s an absorbing work of fiction but necessarily departs from fact in some places.

Book cover of The Callas Imprint: A Centennial Biography by Sophia Lambton

If you’re keen to learn more about the life and career of Maria Callas, The Callas Imprint: A Centennial Biography by Sophia Lambton contains never-before-seen correspondence, including letters between Callas and her manager, and interviews with friends of Callas, many of whom have rarely spoken before.

The Callas Imprint was published on 2nd December 2023, the 100th anniversary of Maria Callas’ birth. You can find more details about the book here.

I received a digital review copy of Diva courtesy of Head of Zeus via NetGalley.

In three words: Romantic, glamorous, compelling
Try something similar: The Second Marriage by Gill Paul


About the Author

Author Daisy Goodwin

Daisy Goodwin’s work as a TV producer and presenter includes Reader I Married HimBookworm and The Nation’s Favourite Poems; she is also the creator of Grand Designs and the hit Itv drama Victoria, which has sold to 134 countries. She has edited numerous poetry anthologies, including the bestselling 101 Poems That Could Save Your Life, and is the author of Silver River, a memoir, as well as three bestselling novels: My Last DuchessThe Fortune Hunter and Victoria. Her work has been translated into seventeen languages. (Photo/bio: Publisher author page)

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