Book Review – Piranesi by Susanna Clarke

About the Book

Book cover of Piranesi by Susanna Clarke

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house — a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Format: Paperback (245 pages) Publisher: Bloomsbury
Publication date: 15th September 2020 Genre: Fantasy, Mystery

Find Piranesi on Goodreads

Purchase Piranesi from Bookshop.org [Disclosure: If you buy books linked to our site, we may earn a commission from Bookshop.org, whose fees support independent bookshops]


My Review

Piranesi was the book chosen for the October edition of BBC Radio 4’s Bookclub, hosted by broadcaster and author Jim Naughtie. I attended the recording of the programme on 25th September and joined an audience of readers to hear its author Susanna Clarke answer questions about the book. The programme will be transmitted on Sunday 6th October 2024 and is available after that on BBC Sounds (as are all previous episodes of the programme). My review is a combination of my own thoughts about the book and my recollections of the conversation that took place during the recording.

I’ll confess that for the first 80 or so pages of the book I felt completely lost, as if I was in some sort of labyrinth myself. I found myself wondering was Piranesi in an actual building? If so, how did he get there, and why? Perhaps it was all in his head and the House was some sort of analogy for mental illness? I think I was actually trying too hard to make sense of things and when I let myself go with the flow, as it were, I found myself drawn into this strange world the author has created. She admitted her favourite books as a child were C. S. Lewis’s Narnia series and one can see how this would have inspired her conception of the House. Susanna is also an admirer of the works of Jorge Luis Borges. If you’re looking for other intertextual links – as I often find myself doing – than the legend of the Minotaur is certainly one and I also found myself thinking of The Palace of Green Porcelain the Time Traveller discovers in H. G. Wells’ The Time Machine.

Piranesi, which he knows instinctively is not his real name but is the one given to him by the mysterious Other, has a childlike innocence. (The choice of the name Piranesi is no accident. Giovanni Battista Piranesi was an 18th century Italian architect who, amongst other things, produced a series of prints depicting fantastical subterranean prisons.) Where others might find the House forbidding, “our” Piranesi finds it a nurturing entity. It provides him with shelter and food – fish and shellfish – and seaweed which he dries and uses to create all manner of things. He spends his days exploring the various floors and vast halls that make up the House – some of which are derelict – and meticulously recording his findings in journals, his only means of recording the passing of time. Amongst the artefacts in the house are hundreds of statues depicting human figures and animals.

He believes himself to be alone in the House and one of only two living people in the world, the second being the man he knows as the Other. The Other arrives promptly every Tuesday and Thursday in the main vestibule of the House but never ventures any further in. Piranesi looks upon him as a kindly presence because of the useful things he sometimes brings him, such as a pair of shoes or a new supply of multivitamins. I don’t think I’ll be alone in regarding the Other’s intentions as distinctly sinister and manipulative.

Having initially struggled a bit with the fantasy element of the book, surprisingly I found myself regretting when it became more of a mystery as we gradually discover how and why Piranesi came to be in the House. Having said that, in Piranesi the author has created a character you won’t forget, and in the House, the sort of place you might encounter in your dreams.

In three words: Imaginative, fantastical, mysterious
Try something similar: The Ten Thousand Doors of January by Alix E. Harrow


About the Author

Author Susanna Clarke

Susanna Clarke’s debut novel Jonathan Strange & Mr Norrell was first published in more than 34 countries and was longlisted for the Man Booker Prize and shortlisted for the Whitbread First Novel Award and the Guardian First Book Award. It won British Book Awards Newcomer of the Year, the Hugo Award and the World Fantasy Award in 2005. 

The Ladies of Grace Adieu, a collection of short stories, some set in the world of Jonathan Strange & Mr Norrell, was published by Bloomsbury in 2006. Piranesi was a New York Times and Sunday Times bestseller, was shortlisted for the Costa Novel of the Year Award and the RSL Encore Award and won the Women’s Prize for Fiction 2021. Susanna Clarke lives in Derbyshire. (Photo: Amazon author page)

Book Review – The Glassmaker by Tracy Chevalier

About the Book

Book cover of The Glassmaker by Tracy Chevalier

Venice, 1486. Across the lagoon lies Murano. Time flows differently here – like the glass the island’s maestros spend their lives learning to handle.

Women are not meant to work with glass, but Orsola Rosso flouts convention to save her family from ruin. She works in secret, knowing her creations must be perfect to be accepted by men. But perfection may take a lifetime.

Skipping like a stone through the centuries, we follow Orsola as she hones her craft through war and plague, tragedy and triumph, love and loss.

The beads she creates will adorn the necks of empresses and courtesans from Paris to Vienna – but will she ever earn the respect of those closest to her?

Format: Hardcover (400 pages) Publisher: The Borough Press
Publication date: 12th September 2024 Genre: Historical Fiction

Find The Glassmaker on Goodreads

Purchase The Glassmaker from Bookshop.org [Disclosure: If you buy books linked to our site, we may earn a commission from Bookshop.org, whose fees support independent bookshops]


My Review

I’ve read several of Tracy Chevalier’s previous books: her most well-known novel, The Girl with the Pearl Earring, but also The Last Runaway, A Single Thread, At the Edge of the Orchard and New Boy. What those books demonstrated is her ability to create stories that draw you in and to capture the essence of a period, whether that’s 17th century Delft, 1930s Winchester or 19th Century Ohio.

In The Glassmaker she attempts to do more than that with a story that encompasses centuries but focuses on a set of characters (chiefly the Rosso family but also a few others in their ‘bubble’) who age at a slower rate than the world around them. The author likens this to skipping a stone over water meaning that we see the history of Murano glassmaking and of Venice evolve through the centuries whilst remaining with the same small cast of characters. The book thus takes the reader from the 15th century to almost the present day. I confess I struggled with the concept as we got further away from the fifteenth century and modern technology became more of a feature. The last section set in a flooded Venice in 2019 felt like a bit of an add-on in order to introduce the impact of climate change.

The book’s main character, Orsola Rosso, daughter of a family who have been involved in glassmaking for centuries, faces the obstacle experienced by pretty much all women at the time: her gender prevents her pursuing her ambitions and restricts her independence. It even removes her freedom to choose with whom she should spend her life, the interests of the family coming before her own desires. The prospect of a life filled with household chores fills her with dismay.

However, encouraged by a woman who has defied convention, Orsola begins to learn the craft of glass beadmaking, work that doesn’t require a furnace like the other objects produced in the family’s factory. Her brother Marco considers beads an inferior product although as time goes on Orsola’s work proves its value to the family when tastes change and Murano no longer has a monopoly on glassmaking.

The 16th century sees the arrival of the plague in Venice and this, for me, was the most gripping section of the book. The inhabitants of Murano pray that the stretch of water that divides them from the city will protect them, but it is not to be. The Rosso family experience loss, separation and the rigors of quarantine on an island that is not self-sufficient. Some members of the family are never quite the same afterwards, physically or psychologically.

I loved learning about the process of glassmaking which the author has clearly researched in exhaustive detail. Although Murano is easily accessible today, for its inhabitants in earlier times it was very separate from Venice, not just geographically but culturally. When Orsola makes her first visit to Venice she feels very much an outsider, confused by the layout of the city and its busy streets and waterways. And the notion of visiting the mainland – terrafirma – fills her with terror despite her curiosity.

Even if the structure didn’t completely work for me, The Glassmaker is an intriguing story of a family, of a city and a craft over the centuries and entwined within it is a bittersweet romance.

I received an advance reader copy courtesy of The Borough Press via NetGalley.

In three words: Fascinating, imaginative, emotional
Try something similar: The Outcasts of Time by Ian Mortimer


About the Author

Author Tracy Chevalier

Tracy is the author of 11 novels, including the international bestseller Girl With A Pearl Earring, which has sold over 5 million copies and been made into an Oscar-nominated film starring Scarlett Johansson and Colin Firth. American by birth, British by geography, she lives in London and Dorset. Her latest novel, The Glassmaker, is set in Venice and follows a family of glass masters over the course of 5 centuries.

Connect with Tracy
Website | Facebook | X | Instagram