Book Review – Heart, Be at Peace by Donal Ryan @TransworldBooks

About the Book

Book cover of Heart, Be At Peace by Donal Ryan

Some things can send a heart spinning; others will crack it in two.

In a small town in rural Ireland, the local people have weathered the storms of economic collapse and are looking towards the future. The jobs are back, the dramas of the past seemingly lulled, and although the town bears the marks of its history, new stories are unfolding.

But a fresh menace is creeping around the lakeshore and the lanes of the town, and the peace of the community is about to be shattered in an unimaginable way. Young people are being drawn towards the promise of fast money whilst the generation above them tries to push back the tide of an enemy no one can touch… 

Format: Hardcover (224 pages) Publisher: Transworld Books
Publication date: 8th August 2024 Genre: Contemporary Fiction

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My Review

I first heard about this book when I attended a recording of BBC Radio 4’s Bookclub to listen to Donal talk about his first novel, The Spinning Heart and answer questions from the audience of readers. In response to one reader worried about Bobby’s fate at the end of the book, Donal said they would get reassurance in the sequel.

Like The Spinning Heart, Heart, Be at Peace consists of a series of internal monologues by twenty-one different characters – men and women – each with a distinctive voice.  It’s described by the publishers as a ‘companion novel’ to The Spinning Heart that can be read as a standalone. Personally, I think you get a richer reading experience if you’ve read The Spinning Heart because you’re learning about the continuing impact of events in the earlier book, as well as catching up with characters who are already familiar to you and seeing what they have made of their lives in the intervening years.

For some of the characters, what they’ve made of themselves is not much. Others have come out of their experiences stronger and wiser. Their stories sometimes involve dark themes, such as mental illness and there’s often violence, or its legacy, just under the surface.

Bobby was essentially the ‘hero’ of The Spinning Heart and he has pretty much the same role here. He is almost universally admired by his community. ‘Bobby is one of those rare men who measures himself against the wellbeing of the people around him. If there’s a problem he takes it personally and does his damnedest to solve it.’ He worked hard to help the town recover from the failure of the local building company that was the focus of the first book. He’s a regular visitor to his ailing mother-in-law and a faithful husband, despite seeming evidence to the contrary. He’s also shown forgiveness towards a man who, given the circumstances, you’d think he should hate. Perhaps it’s because Bobby came so close to acting in the same way himself.

Pokey Burke, the man responsible for the bankruptcy of the building company is still around and has found a new outlet for his devious ways, aided by an unwitting dupe. His role as villain of the piece has been usurped by Augie Penrose, the local drug dealer. Bobby feels a responsibility to take action out of fear for his children. In fact the urge to act is so strong it risks taking him down a path he has tried to resist, haunted by the memory of his violent father. As it turns out, there is someone with an even stronger motivation for ridding the community of the purveyors of the vile trade, just one of the many connections between characters and events.

If this sounds like the book is all about Bobby, it’s not. Each of the other characters has something to contribute although, as is to be expected, some resonate more than others. We learn about their hopes and fears, doubts and regrets, their successes and failures. We also get insights into other characters, and to events past and present. There are confessions, revelations and new perspectives. And there’s the odd touch of humour too since, let’s face it, most of us have some funny little ways unique to us.

As in The Spinning Heart, the final voice we hear is Bobby’s wife, Triona, the woman who knows him best. ‘I know what he’s capable of and what’s beyond him. I know his goodness better than he knows it himself.’ Full of compassion and understanding it means the book concludes on a note of optimism.

I appreciate the polyphonic structure of the book may not work for every reader, but it did for me. I felt the characters really came alive on the page even, possibly especially, the flawed ones. My introduction to Donal Ryan’s writing was From A Low and Quiet Sea. Now, having read The Spinning Heart and this book, I’m eager to explore the rest of his back catalogue.

I received a review copy courtesy of Transworld via NetGalley. Heart, Be at Peace is book 7 of my 20 Books of Summer 2024.

In three words: Immersive, authentic, moving
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About the Author

Author Donal Ryan

Donal Ryan is an award-winning author from Nenagh, County Tipperary, whose work has been published in over twenty languages to major critical acclaim. The Spinning Heart won the Guardian First Book Award, the EU Prize for Literature (Ireland), and Book of the Year at the Irish Book Awards; it was shortlisted for the International IMPAC Dublin Literary Award, longlisted for the Man Booker Prize and the Desmond Elliott Prize, and was voted ‘Irish Book of the Decade’.

His fourth novel, From A Low and Quiet Sea, was longlisted for the Man Booker Prize, shortlisted for the Costa Novel Award, and won the Jean Monnet Prize for European Literature. His novel Strange Flowers was voted Novel of the Year at the Irish Book Awards, and was a number one bestseller, as was his most recent novel, The Queen of Dirt Island, which was also shortlisted for Book of the Year at the Irish Book Awards.

Donal lectures in Creative Writing at the University of Limerick. He lives with his wife Anne Marie and their two children just outside Limerick City.

Book Review – The Instrumentalist by Harriet Constable @BloomsburyBooks

About the Book

Book cover of The Instrumentalist by Harriet Constable

Venice. 1704. In this city of glittering splendour, desperation and destitution are never far away. At the Ospedale della Pietà, abandoned orphan girls are posted every through a tiny gap in the wall every day.

Eight-year-old Anna Maria is just one of the three hundred girls growing up within the Pietà’s walls – but she already knows she is different. Obsessive and gifted, she is on a mission to become Venice’s greatest violinist and composer, and in her remarkable world of colour and sound, it seems like nothing with stop her.

But the odds are stacked against an orphan girl – so when the maestro selects her as his star pupil, Anna Maria knows she must do everything in power to please this difficult, brilliant man. But as Anna Maria’s star rises, threatening to eclipse that of her mentor, the dream she has so single-mindedly pursued is thrown into peril…

From the jewelled palaces of Venice to its mud-licked canals, this is a story of one woman’s irrepressible ambition and rise to the top, of loss and triumph, and of who we choose to remember and leave behind on the path to success.

Format: Hardcover (336 pages) Publisher: Bloomsbury
Publication date: 15th August 2024 Genre: Historical Fiction

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My Review

Anna Maria della Pietà (all the orphan girls are given the surname della Pietà) has an innate talent for music. She is determined to become a member of the Ospedale’s famous orchestra – an intensely competitive environment – to become first violinist of the orchestra and, eventually, be acclaimed maestro. The alternative is either marriage when she reaches child-bearing age or a life of drudgery. For Anna Maria music is everything and nothing will stand in her way, not even friendships, something she comes to regret when it’s too late.

The girl had notes before she had words, and those notes have always had colours’. Anna Maria experiences musical notes and melodies in the form of colours. Even the sounds of everyday life in early 18th century Venice – the songs of gondoliers, the cries of street traders, the chiming of church bells – are a kaleidoscopic symphony. ‘Tones and hues float up, high above the city, hanging like notes on a stave, matching the sounds below.’

To borrow a phrase from art, there’s a strong element of chiaroscuro (the use of light and dark elements) in the story. So we have the contrast between the glittering palazzos of the rich and the dank alleyways housing brothels where young people, even children, are forced to sell themselves for a few denari. Even within the Ospedale della Pietà there’s a contrast between the privileges given to the girls in the orchestra – better food, better clothing – and the privations experienced by the other orphans. And whilst frequently reminded they are the offspring of ‘monsters’ and fortunate not to have been drowned at birth, the Ospedale is reliant on their musical talents for donations from wealthy patrons.

And then there’s Antonio Vivaldi, newly arrived as music tutor at Ospedale della Pietà. On the plus side, he’s a virtuoso violinist, a talented composer and an inspirational teacher who is instrumental (sorry!) in facilitating Anna’s membership of the orchestra and acquisition of her own custom-made violin. But he’s also egotistical, demanding that Anna’s early attempts at composition match his own style, and becoming vengeful when her talent threatens to outshine his own. And, as the historical evidence shows, he’s not averse to taking credit for the work of others – the author has Anna give him an idea about a composition based on the seasons – or of cultivating unsavoury relationships with young pupils.

Told in lush prose, Anna Maria’s story is one of ambition and an unwavering determination to succeed, but also the personal cost that comes with it.

I received a review copy courtesy of Bllomsbury via NetGalley.

In three words: Fascinating, immersive, passionate
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About the Author

Author Harriet Constable

Harriet Constable is an award-winning journalist and filmmaker living in London. Her work has been featured by the New York Times, the Economist, and the BBC, and she is a grantee of the Pulitzer Center. Raised in a musical family, The Instrumentalist is her first novel. It has been selected as one of the Top 10 Debuts of 2024 by the Guardian. (Photo: Goodreads author page)

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