Book Review: The Lost Letters of William Woolf by Helen Cullen

The Lost Letters of William WoolfAbout the Book

Lost letters have only one hope for survival . . .

Inside the Dead Letters Depot in East London, William Woolf is one of thirty letter detectives who spend their days solving mysteries: Missing postcodes, illegible handwriting, rain-smudged ink, lost address labels, torn packages, forgotten street names – they are all the culprits of missed birthdays, broken hearts, unheard confessions, pointless accusations, unpaid bills and unanswered prayers.

When William discovers letters addressed simply to ‘My Great Love’ his work takes on new meaning. Written by a woman to a soul mate she hasn’t met yet, the missives stir William in ways he didn’t know were possible. Soon he begins to wonder: could William be her great love?

William must follow the clues in Winter’s letters to solve his most important mystery yet: the human heart.

Format: Hardcover, ebook, audiobook (336 pp.)    Publisher: Michael Joseph
Published: 12th July 2018                                              Genre: Contemporary Fiction

Purchase Links*
Amazon.co.uk ǀ  Kobo ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Lost Letters of William Woolf on Goodreads


My Review

‘More than kisses, letters mingle souls.’ John Donne

From the description, I was expecting this book to concentrate a lot more on the attempts of William and his fellow ‘letter detectives’ to reunite the ‘lost letters’ of the title with their intended recipients.  (The one ‘reunion’ we do get to witness, of an object with someone very significant for its previous owner, I found so touching.) Personally, I would also have liked to learn a bit more about William’s colleagues as we get only teasing insights into their own particular, idiosyncratic interests – Trevor and his philately, Marjorie with her lonely hearts, and so on.   I found myself thinking how much easier it would be today with access to the Internet but, as the book is set in 1989, the letter detectives have to rely on telephone directories, other paper-based research methods and not a little gut instinct.  Incidentally, I loved the description of the Dead Letters Depot as ‘this museum of missed messages’.

What I did enjoy was the reminder of a time when people communicated in writing and, from the evidence of some of the lost letters William deals with, weren’t afraid to express their feelings honestly and eloquently.   William himself wonders, ‘How much would be left unsaid if people were devoid of the opportunity that pen and paper offered to speak from a safe distance?’ Really this epitomises the issue at the heart of the problems William and his wife, Clare, are experiencing in their relationship.  I have to say at this point that I thought the way the author explores the ups and downs of their marriage shows great insight and is the real achievement of this book.

It’s a portrait of a marriage that has gone slightly astray between two people who, when it comes to it, still care for each other.  William and Clare have lost the ability to communicate openly and honestly about their feelings, their hopes and ambitions.   Clare recalls, ‘In the past, theirs had been a gentle love, not prone to arguments, accusations, recriminations.’   But now, ‘Their words rushed at each other like foot soldiers, focused only on their own purpose: not to listen, just to be heard.’  William and Clare have allowed the freedom and joy of their early years together – parties, madcap adventures, laughter and shared interests – to be replaced with the dull, drudgery of domestic life: whose turn is it to put out the bins, who was supposed to buy fresh milk, when is that mirror finally going to get put up on the wall?  Those who have been in a relationship for any length of time will probably recognise this (although will hopefully have found ways to overcome it).

William’s discovery of the letters addressed to ‘My Great Love’ really brings home to him the disappointing change in his relationship with Clare.  After all, wasn’t Clare once his ‘Great Love’?  But is she still?  The reader gets a sense that part of the problem may be William is still surprised even after all these years that the beautiful, talented Clare should have chosen him.  Clare’s frustration with their relationship takes her in a different direction fuelled partly by childhood experiences that haunt her, chiefly a fear (without any real evidence to support it) that she will make the same mistakes as her mother.

I loved the concept of the ‘letter detectives’ and, although I didn’t get as much of their detective work as I’d hoped for, I admired the insightful way the author explored the stresses and strains of the relationship between William and Clare.  Although I enjoyed the book, I confess to being left a little perplexed, and slightly let down, by its open-ended conclusion.   I guess it does allow the reader to write their own ending for William and Clare.  I know the one I wanted.

I received an advance review copy courtesy of publishers, Michael Joseph, and NetGalley in return for an honest and unbiased review.

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In three words: Tender, insightful, emotional

Try something similar…Entanglement by Katy Mahood (read my review here)


Helen CullenAbout the Author

Helen Cullen is an Irish writer living in London. She worked at RTE (Ireland’s national broadcaster) for seven years before moving to London in 2010. In the UK, Helen established a career as an events and engagement specialist before joining the Google UK marketing team in 2015.

The first draft of her debut novel The Lost Letters of William Woolf was written while completing the Guardian/UEA novel writing programme under the mentorship of Michèle Roberts. Helen holds an M.A. Theatre Studies from UCD and is currently completing an M.A. English Literature at Brunel University.

Helen is now writing full-time and working on her second novel.

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Throwback Thursday: Grace by Paul Lynch

ThrowbackThursday

Throwback Thursday is a weekly meme created by Renee at It’s Book Talk.  It’s designed as an opportunity to share old favourites as well as books that we’ve finally got around to reading that were published over a year ago.

Today I’m reviewing a book that was on the shortlist for The Walter Scott Prize for Historical Fiction 2018 – Grace by Paul Lynch.   I had intended to read all of the shortlisted books before the winner was announced at the Borders Book Festival in June but I fell two short – this book, and Jennifer Egan’s Manhattan Beach, which I still have to read.

Grace was published in hardback, ebook and audiobook on 11th July 2017 and is now also in paperback.  You can find purchase links below.


GraceAbout the Book

Early one October morning, Grace’s mother snatches her from sleep and brutally cuts off her hair, declaring, ‘You are the strong one now.’ With winter close at hand and Ireland already suffering, Grace is no longer safe at home. And so her mother outfits her in men’s clothing and casts her out. When her younger brother Colly follows after her, the two set off on a remarkable journey in the looming shadow of their country’s darkest hour.

The broken land they pass through reveals untold suffering as well as unexpected beauty. To survive, Grace must become a boy, a bandit, a penitent and, finally, a woman – all the while afflicted by inner voices that arise out of what she has seen and what she has lost.

Format: Hardcover, ebook, paperback (368 pp.)  Publisher: Oneworld Publications Published: 11th July 2017                                           Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  | Hive.co.uk (supporting local UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find Grace on Goodreads


My Review

It has taken me quite a few weeks to finish Grace and I’ll admit I did struggle with it at times, finding myself skimming the last few chapters.  There always seemed to be another book that was more demanding of my attention or more in tune with my reading mood.  However, I have now finished it and the book is certainly notable for its lyrical, poetic language, imaginative metaphors and at times impressionistic style (most clearly illustrated in the chapter entitled ‘Crow’ which approaches stream of consciousness).

Some examples of the book’s striking descriptive language:
‘The rain comes yoked to a hooded sun, unfastens and falls like a cloak.’
‘Hedgerows huddle along the road and mutter the breeze like watchers.’
‘Rain suddens heavy and tuneful, makes all the earth sing a blind song of itself.’

And this arresting metaphor, as Grace desperately seeks shelter at cottages she passes on the road:
‘Every ear listening for the sound of coughing, for sickness tramps through the snow and leaves footprints and when it knocks at your door it wants to come in, lean over the fire, take a sup of your soup, lie down on the straw, spread itself out, and bring everybody else into its company.’

The book depicts in harrowing detail the intense suffering of the Irish people during what came to be known as the ‘Great Hunger’ or ‘Great Famine’ between 1845 and 1849 when the potato crop failed in successive years.  Each day became a struggle for food, warmth and shelter and people were forced to steal, beg or worse to find sustenance.  Through Grace’s eyes the reader witnesses the dreadful scenes of starvation, disease and death and the appalling contrast between the rich unaffected by food shortages and the poor of the towns or countryside reduced to destitution.

Grace’s brother, Colly, becomes her ever-present conscience, guiding her thoughts and actions with, at times, remarkable insight and always with impish, black humour.   Grace is a story of courage, despair, suffering, cruelty and resilience.  Towards the end of the book, a seemingly miraculous and life changing act of mercy turns out to mask something baser.  However, the concluding pages of the book suggest there may be hope of something better.

For me, Grace was definitely a book to admire rather than to love.   However, I’m aware that there are many readers who have both admired and loved it.  It certainly merits its Goodreads description as ‘an epic coming-of-age novel and a poetic evocation of the Irish famine as it has never been written.’  Furthermore, I can definitely understand how its lyrical language and the nature of the events it depicts would have attracted the admiration of the judges of The Walter Scott Prize for Historical Fiction.  However, I’ll confess that it is my least favourite of all the shortlisted books I’ve read.

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In three words: Lyrical, harrowing, immersive

Try something similar…The Good People by Hannah Kent (read my review here)


About the Author

Paul Lynch is the prizewinning Irish author of two previous novels, Red Sky in Morning and The Black Snow.   Red Sky in Morning was a finalist for France’s Prix du Meilleur Livre Etranger (Best Foreign Book Prize).  The Black Snow won the French booksellers’ prize, Prix Libr’a Nous, for Best Foreign Novel.  He lives in Dublin with this wife and daughter.

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