Throwback Thursday: The Dark Tide by Vera Brittain

ThrowbackThursday

Throwback Thursday is a weekly meme originally created by Renee at It’s Book Talk.  It’s designed as an opportunity to share old favourites as well as books that we’ve finally got around to reading that were published over a year ago.

Today I’m reviewing a book from my Classics Club list – The Dark Tide by Vera Brittain.  You can find my full list here.


The Dark TideAbout the Book

Bright, romantic and vivacious, Daphne Lethbridge is back at Oxford after a period of voluntary work.  The First World War has ravaged Europe, but it has done nothing to daunt her spirit, and she plunges headlong into the whirl of college dinners, debates and romances.  Her enjoyment, though, is soured by her cynical contemporary Virginia Dennison, who spars with Daphne on every occasion. Beneath their surface civility seethes a deep envy.

Daphne seems to triumph over Virginia when she makes a brilliant marriage to a rising political star.  But after they settle in London, she begins to realize the bitter truth of her marriage. It takes a chance encounter with her old enemy for her disillusionment to give way to a mature understanding of a woman’s destiny and a woman’s friendship.

Format: Paperback (260 pp.)    Publisher: Virago Modern Classics
Published: 1999 [1923]              Genre: Fiction

Find The Dark Tide on Goodreads


My Review

Better known for her autobiographical works, in particular Testament of Youth, Vera Brittain also wrote a number of novels.  The Dark Tide was in fact her first novel and, although I hesitate to say so, it shows.  However, you don’t need to take my word for it because the author herself was fairly critical about this first attempt at fiction in her foreword to the reprinted 1935 edition.  Although defending the accuracy of the novel’s depiction of the life of women students in the 1920s, she concedes ‘the crude violence of its methods and unmodified black-and-whiteness of its values’.

As Mark Bostridge, Vera Brittain’s biographer, observes in his introduction to the 1999 edition of The Dark Tide, the book created a minor sensation when first published on account of its portrayal of an Oxford women’s college (a thinly veiled Somerville College).  It also risked causing offence to her friend, Winifred Holtby, caricatured as the character Daphne Lethbridge in the novel.   He describes the characters in The Dark Tide as ‘not so much imaginatively redeveloped as simply transferred direct from fact to fiction’.  One of the key scenes in the book describing a college debate in which Daphne and Virginia cross verbal swords re-enacts an actual event involving Vera Brittain and Winifred Holtby during their time at Somerville (described by Brittain in Testament of Youth).

My main issue with the book is that I felt I was being invited to see aspects of Virginia’s character as faults when they seemed to me mostly positive traits.  Conversely, Daphne, whom I felt I was supposed to admire, came across as spiteful, vindictive and envious of Virginia’s achievements and intellect.   My view of Daphne was redeemed to a certain extent by her developing self-awareness at the book progresses but it’s difficult to like a character who displays snobbery such as in the following passage: ‘She flung her books and papers in a heap on the table, and took down her new green coat and skirt from the wardrobe.  It was very expensive, and Daphne loved it – especially as it would make her appear such a contrast to Virginia. Virginia always seemed so fond of black; it was sheer affectation, Daphne thought, to adopt such a sombre style.’

The character I really liked was History Tutor, Miss O’Neill, for her kindliness towards the students.  She came across as perceptive, intelligent and successful but not arrogant about that success; a really positive role model for a woman of that time.    I do thought have to give the author credit for conveying the insular, slightly claustrophobic and at times bitchy atmosphere of an institution where people are thrown together in close proximity and in academic competition.

Towards the end of the book, I began to feel more sympathy for Daphne and the situation in which she finds herself.  However, I still found myself frustrated at her submissiveness and how, for a clearly intelligent woman, she had the wool pulled over her eyes so comprehensively.

The Dark Tide is interesting from the point of view of its place in the evolution of  Vera Brittain’s writing but I believe she definitely wrote better novels and that her non-fiction remains her crowning achievement.  If you feel inclined to explore her fiction, Honourable Estate or Born 1925 may be better places to start.

Follow my blog with Bloglovin


Vera BrittainAbout the Author

Vera Mary Brittain (1893 – 1970) grew up in provincial comfort in the north of England.  In 1914 she won an exhibition to Somerville College, Oxford, but a year later abandoned her studies to enlist as a VAD nurse.  She served throughout the war, working in London, Malta and the Front in France.

At the end of the war, with all those closest to her dead, Vera Brittain returned to Oxford.  There she met Winifred Holtby – author of South Riding – and this friendship which was to last until Winifred Holtby’s untimely death in 1935 sustained her in those difficult post-war years.

Vera Brittain was a convinced pacifist, a prolific speaker, lecturer, journalist and writer, devoting much of her energy to the causes of peace and feminism.  She wrote 29 books in all – novels, poetry, biography, autobiography and other non-fiction – but it was Testament of Youth which established her reputation and made her one of the best loved writers of her time.

Vera Brittain married George Catlin in 1925 and had two children.  Her daughter is Shirley Williams, Baroness Williams of Crosby, who is a British politician and academic who represents the Liberal Democrats in the House of Lords.

Blog Tour/Book Review: The Black Prince by Adam Roberts and Anthony Burgess

I’m delighted to be hosting the penultimate stop on the blog tour for The Black Prince by Adam Roberts.  It’s described as ‘a kaleidoscopic historical novel’ and is based on unpublished material by Anthony Burgess.

Do check out the tour banner at the bottom of this post to see the other great book bloggers taking part in the tour and supporting authors by sharing their love of books.


The Black PrinceAbout the Book

‘I’m working on a novel intended to express the feel of England in Edward III’s time… The fourteenth century of my novel will be mainly evoked in terms of smell and visceral feelings, and it will carry an undertone of general disgust rather than hey-nonny nostalgia’ – Anthony Burgess, Paris Review, 1973

The Black Prince is a brutal historical tale of chivalry, religious belief, obsession, siege and bloody warfare.  From disorientating depictions of medieval battles to court intrigues and betrayals, the campaigns of Edward, the Black Prince, are brought to vivid life by an author in complete control of the novel as a way of making us look at history with fresh eyes, all while staying true to the linguistic pyrotechnics and narrative verve of Burgess’s best work.

Praise for The Black Prince

‘Burgess’s compulsive inventiveness has found its rightful twenty-first-century heir… cleverer than Cloud Atlas, bloodier than Blood Meridian’ [Francis Spufford, author of Golden Hill]

Format: Hardback (320 pp.)           Publisher: Unbound
Published: 4th October 2018          Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Black Prince on Goodreads


My Review

Edward of Woodstock, known as the Black Prince, was the eldest son of King Edward III of England.  Heir to the English throne, he died before his father and so his son, Richard II, succeeded to the throne instead.  Edward the Black Prince was a successful commander, leading the vanguard against the French at the Battle of Crecy, one of the key battles of the Hundred Years’ War.

According to some history books, Edward the Black Prince was regarded by his contemporaries as a model of chivalry.  The Black Prince gives the reader a very different view of the man.  The book reveals all too clearly how the chivalry lauded in poetry and knightly talk was sadly absent both on and off the battlefield.  Instead there is murder, rape and ruthless pillaging of towns and villages as Edward’s army sweeps across France.  Granted, the French army are no angels either.  While the French are falling prey to Edward’s army, the population back in England is falling prey to a similarly merciless, indiscriminate and deadly enemy: the plague.

As well as a lesson in 14th century history, I got a lesson in literary history from this book.  Adam Roberts expands on Anthony Burgess’s unpublished screenplay and notes for the novel using narrative techniques pioneered by American writer, John Dos Passos, whom Burgess admired.  (Full disclosure: I’d never heard of Dos Passos before starting this book but was inspired to do some research as I was reading The Black Prince.)

The inclusion of sections entitled ‘Camera Eye’ written in ‘stream of consciousness’ style, ‘Newsreel’ reports written as if the events were happening now, illustrations, excerpts from poems and songs, potted biographies and even banquet menus alongside the accounts of Edward’s campaign create a ‘narrative collage’.  There are changes in formatting and text size as well.  The narrative incorporates multiple points of view representing all strata of society: from kings and queens, princes and nobles to soldiers and serfs.  I’ll admit I found the stylistic inventiveness and the frequent switching of points of view a little challenging at times.  However, I definitely admired the author’s creativity and the way the book paid homage to Anthony Burgess.

The creativity extends to the use of language as well.  There are evocative descriptions, sentences with unusual words and rhythms, playful phrases and touches of humour. A few examples:

  • ‘Overhead birds unspooled silver threads of song.’
  • ‘Still: duty was duty. Honey twat. Key: many prance, and so on.’
  • ‘And here was Old Sir Tom Felton, who had fought at Cressy, and who told everybody all about it every bloody day and twice on Sunday.’
  • [From one of the ‘Newsreel’ sections] ‘BATTLE OF GATASKOGEN Swede battles Swede over which Swede is to sit on the Swedish throne.  Albert III, the Sweet Swede of Sweden, sweeps swiftly the battleground.’ 
  • ‘In Spain, in pain in Spain. Ill in Castile. Weary, weary.’
  • ‘The English were an irrelevance to the splendour of Europe: a small, rainy and unfertile cluster of islands hidden in the fog, the very definition of marginal.’

[That last example is not intended to summarise the EU’s attitude to Brexit as far as I know….]

The Black Prince is a historical novel full of verve and wit, crammed with vivid period detail.  It brings to life the violence of war in all its gory detail.  As someone who has read and admired many of Anthony Burgess’s books (such as Earthly Powers with its memorable opening line, “It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me.”), I believe that, in The Black Prince, Adam Roberts has achieved the next best thing to reading the novel envisaged by Anthony Burgess himself.

I received a review copy courtesy of publishers, Unbound and Random Things Tours.

Find out more about how the book came about here.

Follow my blog with Bloglovin

In three words: Imaginative, dynamic, compelling

Try something similar…The Gallows Pole by Benjamin Myers (read my review here)


About Anthony Burgess

Anthony Burgess—the pen name of John Anthony Burgess Wilson—was born in Manchester in 1917. He studied English at the Victoria University of Manchester between 1937-1940 and began writing poetry and prose; he also began composing music, in which discipline he was entirely self-taught.

During World War 2 he was posted to Gibraltar, and after the war he worked as a teacher in England, Malaya and Brunei, and published his first novel Time for a Tiger in 1958.  Diagnosed with an inoperable brain tumour and believing (erroneously) that he had less than a year to live he quit teaching in 1959, returned to Britain and wrote six novels in short order, so as to provide financially for his wife after his death—amongst these were A Clockwork Orange (1962) and Inside Mr Enderby (1963).

Through the 1960s he published prolifically, establishing a reputation as one of the leading writers of his generation. His first wife, Lynne, died in 1968 and Burgess married the Italian translator Liana, moving to Continental Europe where he spent most of the rest of his life. Stanley Kubrick’s film of A Clockwork Orange (1971) brought Burgess global fame, and the 1970s saw him produce some of his best work, including the historical novels Napoleon Symphony: a Novel in four Movements (1974), Abba Abba (1977) and Earthly Powers (1980), considered by many his masterpiece. He continued writing, publishing and composing until his death in 1993.

Adam RobertsAbout the Adam Roberts

Adam Roberts is a writer, critic and academic based in the south East of England. He is the author of sixteen novels and many shorter works, including the prize-winning Jack Glass (2012) and The Thing Itself (2015).  He is Professor of Nineteenth-century Literature at Royal Holloway, University of London, and has published critically on a wide range of topics, including 19th and 20th-century fiction and science fiction.

Connect with Adam

Website  ǀ  Twitter  ǀ  Goodreads

FINAL The Black Prince Blog Tour Poster