Book Review – Venetian Vespers by John Banville

About the Book

Everything was a puzzle, everything a trap set to mystify and hinder me. . .

1899. As the new century approaches, English hack-writer Evelyn Dolman marries Laura Rensselaer, the daughter of a wealthy American plutocrat. But in the midst of a mysterious rift between Laura and her father, Evelyn’s plans of a substantial inheritance are thrown into doubt.

As the unhappy newlyweds travel to Venice at Palazzo Dioscuri – the ancestral home of the charming but treacherous Count Barbarigo – a series of seemingly otherworldly occurrences exacerbate Evelyn’s already frayed is it just the sea mist blanketing the floating city or is he losing his mind?

Format: Hardcover (368 pages) Publisher: Faber & Faber
Publication date: 25th September 2025 Genre: Historical Fiction

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My Review

Evelyn Dolman’s initial impression of Venice is not of a romantic city, but of a gloomy, cold and damp place hardly worthy of the title ‘La Serenissima’. For him, it’s a place of ‘glancing lights, distorting reflections, looming shadows’.

Venice was not his choice of location for their belated honeymoon but that of his wife Laura. Strangely, on arrival at their lodgings, the many-roomed but gently decaying Palazzo Dioscuri owned by the flamboyant but sinister Count Barbarigo, Laura seems to have no interest in exploring the city. Instead she urges Evelyn to go out on his own.

Arriving at the famous Cafe Florian he meets Freddie who says he went to the same school as Evelyn although, strangely, Evelyn has no memory of him. Freddie introduces Evelyn to his twin sister Francesca, known as Cesca, and Evelyn is instantly smitten by her beauty and wit. Harry and Cesca live a vagabond lifestyle, travelling from place to place and relying, Evelyn suspects, on the generosity of others to fund it. They persuade him to join them for a long series of nightcaps, introducing him to that powerful spirit, grappa.

The first six months of Evelyn and Laura’s marriage have not been a success. Laura rebuffs Evelyn’s sexual advances and in fact seems completely indifferent to him. It has become a source of increasing frustration which leads him in his drunken state to carry out an uncharacteristic act of violence. By the time he awakens the next morning, riven with guilt, Laura has disappeared without trace.

What follows sees Evelyn caught in a web of deceit, increasingly wondering if he can trust those around him or indeed trust in his own sanity. Unwilling to confess his actions prior to Laura’s disappearance, he attempts to hide her absence until the charade is unsustainable and he becomes the object of suspicion. Evelyn is a pompous figure, full of misplaced self-importance, but this hides a deep insecurity. We, the reader, sense fairly quickly that he is being manipulated, but to what end and by whom?

In the author’s hands, Venice is a place of damp, decay and menace in which no-one is quite what they seem. There’s a deliciously sinister atmosphere, with strange occurrences that might be supernatural or might be the work of human hands. There’s a pervasive sexuality to the story whether that’s the Count’s lascivious maid or Cesca’s teasing allure.

Venetian Vespers is an entertainingly sinister tale which effortlessly captures the style of the period in which it is set. Perfect for cold autumn nights.

I received a review copy courtesy of Faber & Faber via NetGalley.

In three words: Atmospheric, intriguing, sensuous
Try something similar: Dangerous by Essie Fox

About the Author

Born in Wexford, Ireland in 1945, John Banville has been the recipient of the Man Booker Prize, the James Tait Black Memorial Prize, the Guardian Fiction Award, the Franz Kafka Prize, the Premio Nonino, a Lannan Literary Award for Fiction, and the Prince of Asturias Award for Literature. He lives in Dublin. (Photo/bio: Publisher author page)

Book Review – The Story of a Heart by Rachel Clarke

About the Book

This is the unforgettable story of how one family’s grief transformed into a lifesaving gift. With tremendous compassion and clarity, Dr Rachel Clarke tells the story of a girl, a boy and the heart they share.

In doing so she explores a history of remarkable medical innovations, stretching back over a century and involving the knowledge and dedication not just of surgeons, but of countless physicians, immunologists, nurses and scientists.

Format: Paperback (288 pages) Publisher: Abacus
Publication date: 5th June 2025 Genre: Nonfiction

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My Review

The Story of a Heart is not just the moving story of Keira and Max, one of whom is destined to die and the other destined to live, but also a fascinating insight into the medical advances that have led to the possibility of successfully transplanting a heart from one person to another, such as respirators, tissue matching and drugs to prevent rejection. However, as the author makes clear, the process is still fraught with risk and uncertain outcomes, the average life expectancy after receiving a heart transplant being only 14 years.

The author’s description of the heart as ‘a toiling, tireless, muscular miracle’ is just one of the striking images in the book. I liked the way she drew attention to the ‘metaphorical richness’ of the heart. ‘Hearts sing, soar, race, burn, break, bleed, swell hammer and melt. They can be won or lost, cut or trampled, and hewn from oak or stone or gold.’ As she points out, such is the heart’s centrality to the English language, its definition in the Oxford English Dictionary runs to 15,000 words.

I particularly enjoyed the sections describing the intricate logistics and the many people involved in the delicate process of moving a heart from the donor to recipient in an optimum condition and in sufficient time to allow it do its life-saving work. The book demonstrates how much of a team effort this is but also that the people involved never lose sight of the fact this is a precious gift that has come about as a result of a person’s death. One of the many moving scenes in the book is Keira’s father waiting outside the hospital to see the box containing her heart being loaded into an ambulance for its onward journey. Another is when a moment of silence is observed by the surgical team before they begin organ retrieval.

The author briefly touches on the ethical dilemmas surrounding transplant surgery given that there are always more patients awaiting a transplant than there are organs available, and that the healthiest organs are likely to be those of a young person. At its most abhorrent, there are countries in the world where organs are for sale.

As you read The Story of the Heart prepare to be moved to tears, to be uplifted by the courage of the individuals involved and to marvel at the skill and dedication of medical professionals, as well as the pioneering individuals responsible for developing technology that seemed unimaginable at the time. The book demonstrates that the NHS at its very best is a remarkable institution and one that we would do well to cherish.

Tackling a difficult, complex subject with clarity and sensitivity, and just about steering clear of sentimentality, The Story of a Heart is a well-deserved winner of the Women’s Prize for Nonfiction 2025.

This was a book club pick (by me) and I’m delighted to say everyone throughly enjoyed the book, including one person who has personal experience of the journey the book depicts.

In three words: Moving, informative, inspiring
Try something similar: Heart: A History by Sandeep Jauhar

About the Author

Dr Rachel Clarke is an NHS palliative care doctor and the author of three Sunday Times bestselling non-fiction books. The most recent of these, Breathtaking (2021), was adapted into an acclaimed television series, broadcast on ITV in 2024. It reveals how she and her colleagues confronted the height of the Covid-19 pandemic. Dear Life (2020), depicting her work in an NHS hospice, was shortlisted for the 2020 Costa Biography Award and longlisted for the 2020 Baillie Gifford Prize. Your Life in My Hands (2017) documents life as a junior doctor.

Before going to medical school, Rachel was a broadcast journalist. She produced and directed current affairs documentaries focusing on subjects such as Al Qaeda, the Iraq War and the civil war in the Democratic Republic of Congo. She continues to write regularly for the GuardianSunday TimesNew Statesman and Lancet among others, and appears regularly on television and radio. Inspired by a visit to Ukraine during the conflict in late 2022, Rachel founded a UK-registered charity, Hospice Ukraine, which supports the work of local palliative care teams in Ukraine. (Photo/bio: Publisher author page)

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