Blog Tour/Q&A: The Room by the Lake by Emma Dibdin

I’m delighted to be joining the launch celebrations for the publication in paperback of Emma Dibdin’s dark, unsettling psychological thriller, The Room by the Lake.   I read the book when it first came out last year and really enjoyed it.  You can read my review below.

I was also thrilled that Emma agreed to answer some questions about The Room by the Lake, the inspiration for the book and her approach to writing.  Oh, and cauliflower rice!

Follow my blog with Bloglovin


Didbin_THE ROOM BY THE LAKE_PBAbout the Book

A sophisticated debut thriller about a young woman drawn in by a cult, from the daughter of crime author, Michael Dibdin. Chilling, thought-provoking and terrifyingly plausible.

Caitlin never meant to stay so long. But it’s strange how this place warps time. Out here, in the middle of nowhere, it’s easy to forget about the world outside.

It all happened so fast. She was lonely, broke, about to give up. Then she met Jake and he took her to his ‘family’: a close-knit community living by the lake. Each day she says she’ll leave but each night she’s back around their campfire. Staring into the flames. Reciting in chorus that she is nothing without them.

But something inside her won’t let go. A whisper that knows this isn’t right. Knows there is danger lurking in that quiet room down by the lake…

Format: Paperback, ebook (320 pp.)                    Publisher: Head of Zeus
Published: 5th April 2018 [10th August 2017]  Genre: Thriller

Purchase Links*
Publisher (save 25%) ¦Amazon.co.uk ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Room by the Lake on Goodreads


Interview: Emma Dibdin, author of The Room by the Lake

Welcome, Emma! Without giving too much away, can you tell us a bit about The Room by the Lake?

The Room by the Lake is about a young English woman, Caitlin, who’s just out of university and on the verge of a breakdown. Desperate to escape after years of being a caretaker to unstable parents, she spontaneously books a flight to New York, which feels like a place she can become truly lost. Once there, she falls hard for Jake, a charming and slightly damaged former soldier who whisks her away to meet his family at their idyllic lakeside house upstate. But his family isn’t what it seems.

How did you get the idea for the book?

The idea to write about a cult came from a surreal encounter I had years ago in Seattle, with a man on the street who was protesting against then-president Barack Obama. The man was very young, about my age at the time (early twenties), and his argument was bizarre, illogical, as though he had learned it by rote or by brainwashing. He was polite, but dead-eyed, and the encounter really haunted me, particularly when I learned he was part of a far-right “political movement” which is essentially a cult. They prey on young people, I was told, often people cut off from their own families, and that got me thinking about what would make someone psychologically vulnerable enough to be sucked in.

The Room by the Lake is your first novel so can you tell us a bit about your writing journey?

I’ve always written fiction, for as long as I can remember – my mum loves to talk about how I used to write my own Animals of Farthing Wood stories when I was really young! Being an author was what I always wanted to do, but I went into journalism because it seemed like the best way of making an actual living from writing, and continued writing fiction in my spare time. I wrote The Room by the Lake during evenings and weekends, over the course of about two years, and I think the best thing about writing with limited time is that you can’t afford to be too precious – there’s no such thing as waiting for “the muse” to come.

In the book, Caitlin sees her move to New York as a form of escape.  Where in the world would be your dream place to escape to?

Well, funnily enough I really did move from London to New York two years ago, although not to escape! I think my dream place to escape to is anywhere my family and friends are. I’ve been craving a trip to Italy a lot lately – my parents lived there for years and we spent a lot of time there in my childhood, so I think my answer right now is Tuscany.

In The Room by the Lake, Caitlin comes across as a troubled, fragile, rather socially awkward young woman.  Do you think it’s necessary for readers to like the main character in a book in order to engage with them?

No, I don’t think so – I prefer characters that lean more towards anti-hero than straight hero, and any protagonist who’s not at least slightly troubled is a non-starter. Caitlin’s not necessarily somebody I’d want to be friends with, at least not at this point in her life, but I think her fears and insecurities make her fairly relatable. Female coming-of-age stories often get boxed into just being about sexual awakening, and while that’s definitely an element in Caitlin’s journey, I wanted her struggle to be psychological, and about the burden of mental illness in families.

How did you hope the setting of the book – the vast forest, the silent lake – would contribute to its atmosphere?  

The isolation of that setting is really key to Caitlin’s unravelling. Getting away from hectic city life and escaping to a peaceful forest sounds dreamy, but that experience can really turn on a dime if you’re feeling fragile. There’s such a weird duality to New York specifically: people always think of the city, which is one of the most densely populated in the world, but there’s also this vast expanse of very, very remote farmland upstate. I wanted to really draw out the contrast between those frenetic early chapters in Manhattan – where Caitlin’s shaky but at least engaged in the world – and this slow-paced retreat upstate, where she’s seemingly getting better.

Have you tried any of the dishes mentioned in the book – the sweet potato brownies, the cauliflower rice, or even the Apfelwein?

I’ve tried pretty much all of them! Cauliflower rice is great – I won’t pretend it tastes like the real thing, because it does not, but it’s a pretty good light alternative. I would never want to be fully paleo (in the immortal words of Oprah, I love bread https://www.youtube.com/watch?v=A2sx8Bc4mAw) but I do enjoy experimenting with ways to make slightly healthier versions of things, although there’s no substitute for a real brownie.

What was the biggest challenge you encountered when writing the book?

The third act was probably my biggest challenge, just working out how things should finally unravel. The first half of the book was always incredibly clear to me, Caitlin walking around New York in this alienated haze and becoming wilfully lost, but the climactic chapters at the cult went through a lot of different iterations. There’s a twist that comes towards the end of the book which wasn’t in my original draft, but came to me suddenly one day last December – and once I’d figured out that turn, everything else fell into place.

Which other writers do you admire?

Margaret Atwood, George Elliot, Elena Ferrante, Cormac McCarthy and Gillian Flynn are a few of my all-time favourites. I just read Robin Wasserman’s Girls On Fire, which was really vivid and intoxicating. I also love to read plays – I saw Angels in America while I was back in London over the summer, and just bought the text so that I can really dig into the language.

What are you working on next?

I’ve just started my second novel, a thriller that takes place in modern Hollywood, following a young journalist who becomes drawn into the life of a very famous actor she’s assigned to interview. Unlike The Room by the Lake, this book draws a bit from my own experiences (I’ve been in entertainment journalism for years) but with the drama cranked up several notches. I’m also working on a short story commissioned by Audible.

Thank you, Emma, for those fascinating answers…and the inside track on your next book.  


My Review

Following the death of her mother after years of acute mental illness, and feeling betrayed by her father’s relapse into alcohol dependency, Caitlin escapes to New York leaving no trace behind of her intended destination. Intelligent but socially awkward, Caitlin is introspective, a loner by nature with no previous serious relationships and hypersensitive to any signs she may have inherited the psychoses of her mother.

Caitlin is seeking a sanctuary and after weeks roaming New York alone dares to believe she has found it in the person of Jake. He seems to understand her and it appears Caitlin has at last found someone with whom she can share the thoughts and fears she’s kept hidden for so long.   When Jake invites her to travel upstate to meet the loving family he’s told her about, Caitlin readily accepts. What follows will test Caitlin’s resilience, her sense of her own identity, her strength of will and her very sanity.

The author creates a convincing picture of a damaged, traumatised individual making subsequent events believable. This is definitely a slow burner that builds in tension as with a growing sense of unease – like Caitlin – the reader starts to question whether what appears benign is really masking something more insidious and much, much darker.

I received an advance reader copy courtesy of NetGalley and publishers Head of Zeus in return for an honest review.


Emma Dibdin NewAbout the Author

Emma Dibdin grew up in Oxford, and now lives in New York. She is a writer and journalist whose work has appeared in Esquire, Marie Claire, Harper’s Bazaar, Cosmopolitan, and Total Film. The Room by the Lake is her first novel.

Connect with Emma

Website ǀ Twitter ǀ Goodreads

Room by the Lake PB blog tour

Blog Tour/Q&A: The Death Chamber by Lesley Thomson

The Death Chamber Blog Tour

I’m thrilled to be co-hosting today’s stop on the blog tour for The Death Chamber by Lesley Thomson, the sixth instalment in the bestselling The Detective’s Daughter series.   I took part in the blog tour for the previous book in the series, The Dog Walker, featuring a fascinating Q&A with Lesley.  I’m delighted that Lesley has agreed to answer some more of my questions and I’m sure you will find her answers this time equally fascinating.

Follow my blog with Bloglovin


Lesley Thomson The Death Chamber_2018About the Book

Queen’s Jubilee, 1977: Cassie Baker sees her boyfriend kissing another girl at the village disco. Upset, she heads home alone and is never seen again.

Millennium Eve, 1999: DCI Paul Mercer finds Cassie’s remains in a field. Now he must prove the man who led him there is guilty.

When Mercer’s daughter asks Stella Darnell for help solving the murder, Stella sees echoes of herself. Another detective’s daughter.   With her sidekick sleuth, Jack, Stella moves to Winchcombe, where DCI Mercer and his prime suspect have been playing cat and mouse for the past eighteen years…

Format: ebook, hardcover (448 pp.)  Publisher: Head of Zeus
Published in UK: 5th April 2018         Genre: Crime

Pre-order/Purchase Links*
Publisher website ǀ Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Death Chamber on Goodreads


Interview with Lesley Thomson, author of The Death Chamber (The Detective’s Daughter #6)

Without giving too much away, can you tell me a bit about The Death Chamber?

The story’s based on an early Neolithic Long Barrow above Winchcombe, a village in the Cotswolds where Victorian archaeologists found 31 bodies. In my novel, on the last day of 1999, the police discover another body. An eighteen-year-old woman who vanished from the village 22 years earlier. Her murder remains unsolved. The discovery is made during the hunt for another young woman also presumed dead. A cloud of suspicion hangs over the village. Someone is guilty, but who?

Set in the countryside, there’s a ruined house, a remote cottage with no electricity and a wandering scarecrow.  Jack and Stella are city people, who take solving a murder in their stride, but negotiating fields and stiles is a challenge. All in all, I hope these are ingredients for a pretty scary story!

The Death Chamber is the sixth book in The Detective’s Daughter series.  How do you approach balancing the needs of readers who have followed the whole series and those reading The Death Chamber as a standalone book?

I take a tip from The Archers of which I’m a diehard fan. The writers create drama that doesn’t depend on knowing the back story to draw in the listener. Equally they mention past events (60 years ago sometimes!) that reward us die-hard listeners.

When I arrive late on in a series, I enjoy going back and starting at the beginning to see how characters got to where they are. I write novels with this in mind. There will be references that new readers won’t get, but I hope not to baffle and divert. I specifically consider how experience has shaped my characters, as it does us. Not mentioning previous events is to foist amnesia on Jack or Stella. Unlike Miss Marple (who I love), they age and develop with each novel.

In The Death Chamber, Stella has another cold case to investigate; this time one dating back over twenty years to the Queen’s Jubilee in 1977.  Do you enjoy the challenge of recreating events and evoking the atmosphere of the past? 

I’m interested in exploring the repercussions of murder. What happens to the people affected? How do they go on with their lives?  To do this, I can set a murder in the past. So far I’ve written about eras that were once my present.  Although not a historian per se, I have to say it’s unsettling to admit that 1977 is history! I do enjoy revisiting the clothes, music and tastes of that time – although not the flares!

How has your lead character, Stella, changed over the course of the series?

In the first novel, Stella can be uptight. It’s giving nothing away to say that her dad has a heart attack at the start of the story and from then on she’s dealing with the aftermath of his death.  She’s rubbish at grief! A woman of action, who is soothed by cleaning – the deeper the better – she gets on with life. Gradually, over the course of each novel, as she and Jack get closer, Stella opens up. I expressed this change by never writing ‘Stella felt’ or ‘Stella imagined’ in the first couple of novels. Now she’s feeling and imagining all the time.

The Death Chamber is an arresting title.  At what point in the writing process do you come up with the title for a book and to what extent is it a collaborative process?

Titles are not my thing. The only one I’ve come up with was The Dog Walker and even then I wasn’t sure. Laura, my editor insisted it was great.  Then take my title for The Detective’s Daughter. In homage to Katherine Mansfield’s ‘The Daughters of the Late Colonel’, I’d called it ‘The Daughter of the Late Detective’. Yeah okay! I’m grateful to my agent Georgina for changing that one.  The House With No Rooms was ‘The Detective’s Shadow’ until Laura thankfully stepped in again. I still get emails from readers who’ve tried to find The Detective’s Shadow.  It truly is a ‘ghostly’ book.  I credit the wonderful crime writer Elly Griffiths with The Death Chamber. Now, she’s great on titles!

Your book, A Kind of Vanishing, featured minor characters that appeared in the first book in the series, The Detective’s Daughter.  Is this something you might repeat?

If I feel a character has more to do, yes. Mrs Ramsay found her way into The Detective’s Daughter because she fascinated me.  A complex woman – beautiful in her youth, washed up and lonely in her old age – I’m still drawn to her. She also features in my short story ‘The Runaway’ about Stella aged seven.  However, I’m about to write a standalone novel in which none of my previous characters will feature.

I know you teach creative writing.  Have you been tempted (or courageous enough) to invite your students to critique your own writing?

Yes absolutely. I teach on an MA and in a session on suspense students have discussed chapter eight in The Detective’s Daughter. They came up with insightful and considered ideas, making connections and seeing resonances that I hadn’t thought of. I hope they also saw how, while writers are conscious of much they put on the page, levels emerge in the storytelling that they didn’t plan, yet still work.

What makes the partnership between Stella Darnell and her sidekick, Jack Harmon, so successful?

I think it’s that old chestnut that opposites attract. Stella, as I said, is all about getting things done, she’s rational and logical. Stain by stain is her motto, when cleaning but also as a detective. Jack is fanciful and whimsical. He believes in ghosts and is always seeing signs and drawing conclusions from them. This has confounded Stella, but with each novel she’s a little more drawn in. She too spots deeper meanings in personalised number plates. Their differing skills make them the perfect team.

Are there elements of Stella’s character that you recognise in yourself?  For instance, are you fond of cleaning?

Hah, so not! My mum always said how cleaning was therapeutic and Stella – if she thought in such terms – would probably agree. I’ve never really got that. Although when I do clean – in the manner of Stella, stain by stain – I get into every nook and cranny. The thing is I’m dumbfounded when, having gone through the house, eradicating dust, like the washing up, it comes back. However, like Stella, I love compiling spreadsheets and eat too many ready meals.

What are you working on next? 

I’m on the seventh in The Detective’s Daughter series. It’s called The Playground Murders – a title that I thought of and wasn’t sure worked but which Laura liked. So, no change there.  In this one Jack and Stella are working on a murder case that was only a couple of years before, so barely cold. However the story will take us back to December 1980, the month that John Lennon was shot when we’ll meet Stella’s dad as a young man.

Thanks for those fascinating answers, Lesley.  Fans of the series will be thrilled by the news of another instalment…and by the prospect of meeting Stella’s dad.


Lesley Thomson NewAbout the Author

Lesley Thomson grew up in west London. Her first novel, A Kind of Vanishing, won the People’s Book Prize in 2010. Her second novel, The Detective’s Daughter, was a #1 bestseller and sold over 500,000 copies.  Lesley combines writing with teaching creative writing. She lives in Lewes with her partner.

Connect with Lesley

Website ǀ  Facebook  ǀ  Twitter ǀ  Instagram ǀ Goodreads