Blog Tour/Review/Q&A: The Things We Learn When We’re Dead by Charlie Laidlaw

The Things We Learn When We're Dead Blog Tour Banner

Having really enjoyed The Things We Learn When We’re Dead when I read it earlier this year, I was delighted to receive an invitation from R&R Book Tours to join the blog tour for Charlie Laidlaw’s book.   You can read my review below but I also have a fantastic Q&A with Charlie with some serious – and not so serious – questions.

Do look out for posts by the other great book bloggers taking part in the tour for more reviews, interviews, guest posts, book extracts and giveaways.


TheThingsWeLearnWhenWereDeadAbout the Book

With elements of The Wizard of Oz, The Hitchhiker’s Guide to the Galaxy and The Lovely Bones, The Things We Learn When We’re Dead shows how small decisions can have profound and unintended consequences, and how sometimes we can get a second chance.

On the way home from a dinner party, Lorna Love steps into the path of an oncoming car. When she wakes up she is in what appears to be a hospital – but a hospital in which her nurse looks like a young Sean Connery, she is served wine for supper, and everyone avoids her questions. It soon transpires that she is in Heaven, or on HVN. Because HVN is a lost, dysfunctional spaceship, and God the aging hippy captain. She seems to be there by accident… Or does God have a higher purpose after all?

At first Lorna can remember nothing. As her memories return – some good, some bad – she realises that she has decision to make and that maybe she needs to find a way home.

Format: Paperback (501 pp.)   Publisher: Accent Press
Published: 26th January 2017 Genre: Literary Fiction, Fantasy, Science Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Things We Learn When We’re Dead on Goodreads


Q&A with Charlie Laidlaw, author of The Things We Learn When We’re Dead

First some serious questions…

Without giving too much away, can you tell me a bit about The Things We Learn When We’re Dead?

It’s literary fiction, and a modern fairytale.  It’s about the power of memory to shape us.  In the book, the central character is involved in a car accident and begins to remember her life in a slightly different way.  It’s a book that asks: if you could remember your life differently, would that change you as a person?

How did you get the idea for the story?

To be honest, I have no idea.  The initial idea came to me out of the blue on a train from Edinburgh to London.  I suppose it was an apt place for inspiration because Edinburgh is the only city in the world to have named its central railway station after a book.

Do you have a favourite place to write or any writing rituals?

I write in my home office, although I do always carry a notebook.  In a sense, I write everywhere because the main part of writing (apart from editing) is thinking about writing!

What’s your favourite and least favourite part of the writing process?

I enjoy the creativity, and finding the right words to describe something.  I enjoy it when a main character tells me that what I’ve written is gibberish because he/she would never say or do that.  In a way, I am always being guided by my characters.  When it’s going well, they write the book – not me.

Conversely, sometimes they don’t speak to me and it can be a bit of a struggle!

Which authors do you admire and enjoy reading?

I enjoy reading mostly contemporary literary fiction.  Joanne Harris, Kate Atkinson and Fay Weldon are authors that spring to mind, so I suppose that I like accessible fiction.

Now some silly quick-fire questions that will, I hope, raise a chuckle from those who’ve read the book and intrigue those who haven’t…

Star Trek or Star Wars?

Star Wars (except for the prequels which were rubbish).

Carpet burns or sand in your knickers?

Being Scottish, I don’t wear knickers.  My wife wears knickers, and they wouldn’t fit me.

Lamb cutlets or beef & horseradish sandwiches?

Lamb in the evening, beef sandwich at lunch.  That said, I rarely eat either.

Greek beach bar or North Berwick seaside?

I love North Berwick, because it’s home.  But, given the weather, I’d rather be in a Greek bar right at the moment.  Greece is my most favourite foreign country.

Titanic or Four Weddings and a Funeral?

Titanic I’ve seen twice, and couldn’t watch again.  Four Weddings is one of those films that I could watch again and again.

Tinman, Scarecrow or Lion?

They’re all in my book for readers who want to seek them out.  I would have to say Lion because I have hopes for Lorna in that direction…

Transition or stasis?

I quite welcome change because, frankly, change happens.  Staying still isn’t much of an option unless you’re a goldfish.

Lorna, Suzie, Irene – Snog, Marry, Avoid?

The only character I could possibly snog is Irene, because she might be persuaded to be anyone I wanted her to be.


My Review

As Lorna adapts to her new surroundings on the spaceship, random objects she sees – M&S underwear, lamb cutlets, even a hamster – trigger memories from her past life.  At first these are fragmented, incomplete and often confusing.  Some are pleasant memories: childhood holidays, family picnics, games with friends, the first stirrings of interest in the opposite sex.  Others are reminders of loss and grief.

Many of Lorna’s memories revolve around exploits with her stylish friend, Suzie, and Lorna’s relationships with men that, it has to be said, have not been entirely successful.   I confess to feeling a pang of sympathy for poor sweet, stolid Austin (described at one point as ‘a rather dull dog with very few tricks’).  As the book progresses, the reader sees that actions do indeed have consequences, even if unintended, and may set in motion a chain of events that can end tragically.

In the book blurb, the publisher describes The Things We Learn When We’re Dead as having ‘elements of The Wizard of Oz, The Hitchhiker’s Guide to the Galaxy and The Lovely Bones’. Personally, if looking for cultural references, I would say the depiction of the stranded HVN spaceship draws more from Star Trek than anything else with its transporters, holographs and replicators.  I enjoyed Lorna’s pleasure at the small, surprising miracles on the spaceship, like the ability of a chilled glass of wine to stay chilled even when drunk in the bath.

When it comes to The Wizard of Oz, certainly there are characters described as lacking courage (the Cowardly Lion) and not having much of a brain (the Scarecrow).   However, I think someone reading this book in the expectation of it being a strict retelling of The Wizard of Oz may be disappointed.  What they won’t be disappointed in is the quality of the writing, the quirky humour and the authenticity with which Lorna’s childhood and young adult experiences are described.

I really enjoyed The Things We Learn When We’re Dead.  As someone who reads very little fantasy and reads science fiction only occasionally (and then more of the dystopian variety), I wasn’t that disappointed that the extra-terrestrial element takes more of a back seat as the book progresses.  The ending didn’t particularly surprise me but I found myself wishing Lorna well in the future choices she makes.

I received a personally inscribed review copy courtesy of the author in return for an honest and unbiased review.

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In three words: Quirky, engaging, fun

Try something similar… for more space-based fantasy, Spaceman of Bohemia by Jaroslav Kalfar (click here to read my review)


Charlie LaidlawAbout the Author

Charlie Laidlaw is the author of two novels, The Herbal Detective (Ringwood Publishing) and The Things We Learn When We’re Dead (Accent Press).

Charlie writes: ‘I was born in Paisley, central Scotland, which wasn’t my fault. That week, Eddie Calvert with Norrie Paramor and his Orchestra were Top of the Pops, with Oh, Mein Papa, as sung by a young German woman remembering her once-famous clown father. That gives a clue to my age, not my musical taste.  I was brought up in the west of Scotland (quite near Paisley, but thankfully not too close) and graduated from the University of Edinburgh. I still have the scroll, but it’s in Latin, so it could say anything.

I then worked briefly as a street actor, baby photographer, puppeteer and restaurant dogsbody before becoming a journalist. I started in Glasgow and ended up in London, covering news, features and politics. I interviewed motorbike ace Barry Sheene, Noel Edmonds threatened me with legal action and, because of a bureaucratic muddle, I was ordered out of Greece.  I then took a year to travel round the world, visiting 19 countries. Highlights included being threatened by a man with a gun in Dubai, being given an armed bodyguard by the PLO in Beirut (not the same person with a gun), and visiting Robert Louis Stevenson’s grave in Samoa. What I did for the rest of the year I can’t quite remember.

Surprisingly, I was approached by a government agency to work in intelligence, which just shows how shoddy government recruitment was back then. However, it turned out to be very boring and I don’t like vodka martini.  Craving excitement and adventure, I ended up as a PR consultant, which is the fate of all journalists who haven’t won a Pulitzer Prize, and I’ve still to listen to Oh, Mein Papa.

I am married with two grown-up children and live in East Lothian.’

Connect with Charlie

Website ǀ  Twitter  ǀ  Facebook ǀ Goodreads

 

 

Blog Tour/Q&A: The Picture by Roger Bray

I’m delighted to be co-hosting today’s stop on the blog tour for The Picture by Roger Bray and thrilled that Roger has agreed to answer some of my questions about the book, its inspiration and his writing journey.

Do check out the reviews of The Picture by my co-hosts, Whispering Stories and Books, Life and Everything.

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The PictureAbout the Book

A warehouse in Japan used as an emergency shelter in the aftermath of the 2011 Tsunami. A distraught, young Japanese woman in dishevelled clothes sits on a box, holding her infant daughter. Ben, a US rescue volunteer, kneels in front of her offering comfort. They hug, the baby between them. The moment turns into an hour as the woman sobs into his shoulder; mourning the loss of her husband, her home, the life she knew.

A picture is taken, capturing the moment. It becomes a symbol; of help freely given and of the hope of the survivors. The faces in the picture cannot be recognised, and that is how Ben likes it. No celebrity, thanks not required.  But others believe that being identified as the person in the picture is their path to fame and fortune. Ben stands, unknowingly, in their way, but nothing a contract killing cannot fix.

Format: ebook, paperback (364 pp.) Publisher:
Published: 13th April 2018                  Genre: Thriller

Pre-order/Purchase Links*
Amazon.co.uk  ǀ  Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find The Picture on Goodreads


Interview: Roger Bray, author of The Picture

Welcome, Roger, to What Cathy Read Next.  Without giving too much away, can you tell me a bit about The Picture?

The Picture tells the story of Ben Davis, a retired Portland Oregon Police officer who volunteers in disaster rescue.  His group is asked to assist in Japan in the aftermath of the 2011 Tōhoku earthquake and tsunami.  While he is there he helps a young Japanese mother and her baby daughter and the eponymous picture is taken of the encounter.  It becomes a symbol of the suffering of the people but also of hope as the world rallied to aid them.  Although the picture becomes famous neither Ben nor the girl can be recognized, which he is happy about because he does not want to gain celebrity or fame on the back of suffering.  There is conjecture as to who the male is and a conman uses the picture for his own ends pretending to be Ben.  The need to use the picture becomes more urgent as a potential reality TV show is offered to him.  Legal means are tried to gain the copyright of the picture, together with a gag order, which Ben refuses so the conman and his business partner decide that Ben must be killed and try to organise an accidental looking death for him.

How did you get the idea for the story?

I had half an idea for a story about vacuous celebrity and the lengths these people will go to to get into and stay in the limelight, and to make money.  I was then standing on my veranda one cloudy, grey morning when a bean of sunlight broke through, very tight and focussed on a small piece of the courtyard.  The moment stayed with me and I imagined how that moment could be adapted into a story line.  I had the picture scene, and the who, where, how and why, set in my mind within a couple of days.  I considered my ‘celebrity’ idea and thought the picture the perfect catalyst as a symbol of hope being corrupted through greed

To what extent is what happens to Ben a reflection of how social media is transforming the way news travels?

Jonathan Swift wrote in The Examiner, Nov. 9, 1710: “Falsehood flies, and the truth comes limping after it” and that is a good reflection of the power and corruption of social media.  If something is repeated sufficiently it enters the social hive mind as the truth.  People take things for granted; accept what is said without the need for verification.  Before social media, what happened to Ben could probably not have occurred.  Since social media the truth is governed by a slick advertising campaign rather than facts.

The Picture explores what people will do for fame and fortune.  What is it about this that interests you?

There is a narcissistic trait in all of us, on, I guess, a sliding scale from imperceptible to governing behaviour.  Celebrity driven people, and I am talking about celebrity for its own sake without any talent like a certain Armenian family whose discernible talents are best described in a Parks and Recreation out-take.  When you add a sociopathic overlay to that you find people who will do anything and trample on anyone to achieve celebrity.  This is not new but social media and myriad cable TV channels have taken the concept to a whole new level.  I find the whole situation absurd, what is important in life, what people should care about is being buried under a mountain of celebrity driven effluent.

Were there particular scenes in the book you found especially challenging – or rewarding – to write?

I was particularly happy with the scene from which the titular picture came from but also the extended scenes of the devastation and survival of the young Japanese woman Ben encounters.

Do you have a favourite place to write or any writing rituals?

No.  I do like to set aside blocks of days to write.  I find my writing benefits from being able to immerse myself in the story to date before continuing.   My favourite place is wherever my wife and her overly cute cat are, although he can make writing difficult when he decides the keyboard is the perfect place for a nap.

What’s your favourite and least favourite part of the writing process?

I enjoy all of the writing process.  I can get frustrated if I hit a block but have found that continuing to write through breaks that.  Don’t expect perfection all the time, just keep the words flowing.  My least favourite part, and it is still part of the writing process, is between typing ‘The End’ and publication.  I have a great editor and the process with her is always a learning experience but the time to publication seems to take forever for all the other things that have to be done: cover proposals, e-books and the like.

Which authors do you admire and enjoy reading?

I like Robert Harris as his novels never cease to entertain.  He is not locked into a genre so each one is new and fresh.  Tom Sharpe is a favourite; I think his books are genius, turning the most absurd situations into hilarity.  Some of his funniest moments could easily be the truth and that makes them all the funnier.  I also enjoy Stuart McBride, Sebastian Faulks and Louis de Bernières, among many others

You describe your life as having been ‘an endless adventure’. What have been some of the highlights?

Normal things I suppose: my marriage to my wife of now 30 + years, the birth of our children.  I served in the Navy as an aircraft armourer and was in the Falklands War on the blunt end of a civilian container ship hastily converted into a helicopter carrier.  I have travelled the world in the Navy from the Arctic to the Great Australian Bight and many places between.  I was a Police Officer for many years and saw the best, and worst, that society can offer.  I lived in Germany for a couple of years, which I loved, and took the opportunity to travel in Europe as much as possible.  I survived a serious spinal injury, because of which I was medically retired from the police, went to University and gained a couple of degrees.  I believe life is about experiences and I am giving it the best go I can.  [Hmm, that doesn’t sound ‘normal’ to me!]

What are you working on next?

I am currently working on a novel, also based in Oregon about a young woman who has fought against her institutionalised upbringing to make something of herself.  She finds that there are people along the way who will help her and some who won’t.  Past events to which she is unknowingly connected are catching up with her and she has to find the truth of them before it too late.

Thanks very much for having me on your blog and giving me the opportunity to answer your interesting questions.

Thank you, Roger, for your fascinating and illuminating answers.


Roger BrayAbout the Author

Roger writes: ‘I have always loved writing; putting words onto a page and bringing characters to life. I can almost feel myself becoming immersed into their lives, living with their fears and triumphs. Thus, my writing process becomes an endless series of questions. What would she or he do, how would they react, is this in keeping with their character? Strange as it sounds, I don’t like leaving characters in cliffhanging situations without giving them an ending, whichever way it develops.

My life to date is what compels me to seek a just outcome, the good will overcome and the bad will be punished. More though, I tend to see my characters as everyday people in extraordinary circumstances, but in which we may all find ourselves if the planets align wrongly or for whatever reason you might consider. Of course, most novels are autobiographical in some way. You must draw on your own experiences of life and from events you have experienced to get the inspiration.

My life has been an endless adventure. Serving in the Navy, fighting in wars, serving as a Police officer and the experiences each one of those have brought have all drawn me to this point, but it was a downside to my police service that was the catalyst for my writing. Medically retired after being seriously injured while protecting a woman in a domestic violence situation I then experienced the other side of life. Depression and rejection. Giving truth to the oft said saying that when one door closes another opens I pulled myself up and enrolled in college gaining bachelor and master degrees, for my own development rather than any professional need. The process of learning, of getting words down onto the page again relit my passion for writing in a way that I hadn’t felt since high school.

So here we are, two books published and another on track.

Where it will take me I have no idea but I am going to enjoy getting there and if my writing can bring some small pleasure into people’s lives along the way, then I consider that I will have succeeded in life.’

Connect with Roger

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