Book Review – Six Lives by Lavie Tidhar @HoZ_Books

About the Book

Book cover of Six Lives by Lavie Tidhar

Six lives, connected through blood and history, each rooted in the dirt of their inheritance, look to the future, and what it might hold.

THE GUANO MERCHANT – In 1855, Edward Feebes travels to the guano islands of South America, to investigate an irregularity in the accounts of the House of Feebes & Co.

THE BLACKMAILER – In 1912, post-mortem photographer and reluctant blackmailer Annie Connolly plots her escape from Ireland to America on board the Titanic.

THE IDEALIST – In 1933, idealistic Edgar Waverley faces a choice of the heart when he becomes embroiled in a country house murder.

THE SPY – In 1964, hapless KGB agent Vasily Sokolov makes his career conjuring valuable information from worthless detritus.

THE MOVIE STAR – In 1987, actor Mariam Khouri looks back at ‘Black Dirt’, the movie that lifted her from the streets of Cairo.

THE HEIRESS – In 2012, Isabelle Feebes attempts to break with her poisonous heritage once and for all. Can she forge a new life for herself in the New World? Can you ever truly escape your past?

Format: Hardcover (464 pages) Publisher: Apollo
Publication date: 29th August 2024 Genre: Historical Fiction

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My Review

Having very much enjoyed Lavie Tidhar’s novel Adama, I was pleased to spot Six Lives on NetGalley, especially since I’ve lately become a fan of interconnected stories.

I particularly enjoyed the first four stories. The fifth set in Cairo was interesting for its insight into the political history of Egypt in the 1970s and 1980s but I couldn’t warm to the angst of Isabelle, the subject of the sixth story. Having said that there are some clever touches in this final story such as the bookshelf of Isabelle’s adopted mother, Henrietta, which contains volumes with titles that relate to the previous five stories. And there’s an object that appears in each story, handed down the generations sometimes purposefully, sometimes accidentally.

Each story skilfully evokes the milieu of the period. The first set in mid-nineteenth century Peru is particularly notable for the amount of historical detail, meaning I learned more about the trade in guano than I ever thought possible. And I had no idea there was such a thing as memento mori photography which features in the second story. The third, written in the style of a ‘Golden Age’ murder mystery complete with country house setting, a brutal murder, a range of characters (including an Agatha Christie-like author of detective stories) and lots of possible motives, was the most entertaining. I imagine the author having a lot of fun writing this one, ticking off one trope of the genre after another.

It’s possible to detect several themes in the book. One is the value to be found in detritus, such as the guano which is the source of Feebes family’s prosperity – ‘the birds rained excrement upon those lonely outcrops of rock, and their shit turned to gold’ – or the intelligence material that KGB agent Vasily Sokolov harvests from the discarded papers of foreign embassies. Neatly, the film which makes actress Mariam Khouri a star is entitled ‘Black Dirt’.

Another theme is the consequences of actions and the moral choices people make. For example, the guano traded by Feebes & Co is used not only as fertiliser but increasingly for manufacturing munitions. And the Chinese workers who dig the stuff and load it onto waiting ships are pretty much slave labour, their lives merely an entry in a profit and loss account. Ironically, it is the Chinese from whom Edward Feebes obtains the supplies of laudanum he has become reliant on. These consequences become part of the inheritance of those who come later, often unaware their good fortune may have been earned through the suffering of others.

Even if I warmed to some of characters more than others, there’s no doubting the storytelling ability of the author. And who can resist chuckling at an absurd sentence like, ‘Rain rained and snails snailed and squirrels squirrelled squirrelly things‘. I enjoyed coming across the little connections between the stories, especially the ones that could easily pass you by. I was thoroughly entertained by Six Lives which I think demonstrates the author’s versatility, mastery of detail and sly humour.

I received a review copy courtesy of Head of Zeus via NetGalley.

In three words: Absorbing, assured, clever
Try something similar: Ancestry by Simon Mawer or Held by Anne Michaels


About the Author

Author Lavie Tidhar

Lavie Tidhar’s work encompasses literary fiction (MarorAdama and Six Lives), cross-genre classics such as Jerwood Prize winner A Man Lies Dreaming (2014) and World Fantasy Award winner Osama (2011), and genre works like the Campbell and Neukom prize winner Central Station (2016). He has also written comics (Adler, 2020) and children’s books such as Candy (2018) and A Child’s Book of the Future (2024).

He is a former columnist for the Washington Post and a current honorary Visiting Professor and Writer in Residence at the American International University in London.

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Book Review – The Instrumentalist by Harriet Constable @BloomsburyBooks

About the Book

Book cover of The Instrumentalist by Harriet Constable

Venice. 1704. In this city of glittering splendour, desperation and destitution are never far away. At the Ospedale della Pietà, abandoned orphan girls are posted every through a tiny gap in the wall every day.

Eight-year-old Anna Maria is just one of the three hundred girls growing up within the Pietà’s walls – but she already knows she is different. Obsessive and gifted, she is on a mission to become Venice’s greatest violinist and composer, and in her remarkable world of colour and sound, it seems like nothing with stop her.

But the odds are stacked against an orphan girl – so when the maestro selects her as his star pupil, Anna Maria knows she must do everything in power to please this difficult, brilliant man. But as Anna Maria’s star rises, threatening to eclipse that of her mentor, the dream she has so single-mindedly pursued is thrown into peril…

From the jewelled palaces of Venice to its mud-licked canals, this is a story of one woman’s irrepressible ambition and rise to the top, of loss and triumph, and of who we choose to remember and leave behind on the path to success.

Format: Hardcover (336 pages) Publisher: Bloomsbury
Publication date: 15th August 2024 Genre: Historical Fiction

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My Review

Anna Maria della Pietà (all the orphan girls are given the surname della Pietà) has an innate talent for music. She is determined to become a member of the Ospedale’s famous orchestra – an intensely competitive environment – to become first violinist of the orchestra and, eventually, be acclaimed maestro. The alternative is either marriage when she reaches child-bearing age or a life of drudgery. For Anna Maria music is everything and nothing will stand in her way, not even friendships, something she comes to regret when it’s too late.

The girl had notes before she had words, and those notes have always had colours’. Anna Maria experiences musical notes and melodies in the form of colours. Even the sounds of everyday life in early 18th century Venice – the songs of gondoliers, the cries of street traders, the chiming of church bells – are a kaleidoscopic symphony. ‘Tones and hues float up, high above the city, hanging like notes on a stave, matching the sounds below.’

To borrow a phrase from art, there’s a strong element of chiaroscuro (the use of light and dark elements) in the story. So we have the contrast between the glittering palazzos of the rich and the dank alleyways housing brothels where young people, even children, are forced to sell themselves for a few denari. Even within the Ospedale della Pietà there’s a contrast between the privileges given to the girls in the orchestra – better food, better clothing – and the privations experienced by the other orphans. And whilst frequently reminded they are the offspring of ‘monsters’ and fortunate not to have been drowned at birth, the Ospedale is reliant on their musical talents for donations from wealthy patrons.

And then there’s Antonio Vivaldi, newly arrived as music tutor at Ospedale della Pietà. On the plus side, he’s a virtuoso violinist, a talented composer and an inspirational teacher who is instrumental (sorry!) in facilitating Anna’s membership of the orchestra and acquisition of her own custom-made violin. But he’s also egotistical, demanding that Anna’s early attempts at composition match his own style, and becoming vengeful when her talent threatens to outshine his own. And, as the historical evidence shows, he’s not averse to taking credit for the work of others – the author has Anna give him an idea about a composition based on the seasons – or of cultivating unsavoury relationships with young pupils.

Told in lush prose, Anna Maria’s story is one of ambition and an unwavering determination to succeed, but also the personal cost that comes with it.

I received a review copy courtesy of Bllomsbury via NetGalley.

In three words: Fascinating, immersive, passionate
Try something similar: A Light of Her Own by Carrie Callaghan


About the Author

Author Harriet Constable

Harriet Constable is an award-winning journalist and filmmaker living in London. Her work has been featured by the New York Times, the Economist, and the BBC, and she is a grantee of the Pulitzer Center. Raised in a musical family, The Instrumentalist is her first novel. It has been selected as one of the Top 10 Debuts of 2024 by the Guardian. (Photo: Goodreads author page)

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