Blog Tour/Book Review: Sadie’s Wars (Currency Girls #3) by Rosemary Noble

Sadies Wars

I’m delighted to be hosting today’s stop on the blog tour for Sadie’s Wars by Rosemary Noble, alongside my tour buddies, Jo at Cup of Toast and Kathleen at CelticLady’s Reviews.  Thanks to Rachel at Rachel’s Random Resources for inviting me to take part in the tour.

Sadie’s Wars is the third book in Rosemary’s ‘Currency Girls’ series, a historical saga spanning continents and generations about a Australian pioneer family.  You can read my review below.


Sadie's WarsAbout the Book

Sadie is brought up amongst the vineyards of the Yarra Valley whilst her work-obsessed father reaps riches from the boom years before the Great War.  With post-war depression looming, Sadie’s only option is to flee from her disastrous marriage, seeking refuge in Cleethorpes, a small seaside town in northern England.

Years later, when her sons are in RAF Bomber Command, she receives a letter from her long-lost brother which forces her to confront the past and her part in her family’s downfall.

Can old wounds be healed? Will she find new love? Will this second war destroy everyone she saved?

Format: Paperback, ebook (310 pp.)    Publisher:
Published: 29th September 2018   Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find Sadie’s Wars (Currency Girls #3) on Goodreads


My Review

Sadie’s Wars is the third book in the author’s ‘Currency Girls’ series, the previous books being Search for the Light and The Digger’s Daughter, (neither of which I have read).

Reading Sadie’s Wars as a standalone, it did take me a little time to work out who all the different characters were in what is a large extended family with lots of siblings, in-laws, nephews and  nieces.  Added to this, the story shifts frequently between two different timelines and locations: Grimsby and Cleethorpes in World War Two, and various places in Australia in the first few decades of the twentieth century, including the years of World War One .  However, stick with it, and you’ll find, as I did, that eventually everything falls into place.

The scenes set in Australia allow the author to conjure up a picture of Sadie’s happy if itinerant childhood due to her father’s career, of her teenage years and disastrous first marriage.  I loved the evocative descriptions of the landscape which skilfully captured the harsh beauty of the Australian outback.  These sections brought home as well the vital part played by Australian troops (and other parts of the then British Empire) in World War One and the terrible losses they incurred.

The sections set in Cleethorpes during World War Two, where Sadie and her sons have made their home for reasons which will become clear as the book progresses, have equally vivid descriptions of the impact of war on the civilian population of Britain.  They also emphasize the vital role that cups of tea played in the war effort!

The ‘wars’ in the book’s title refer both to the actual wars that Sadie lives through.   Her concern for her sons when sending them off to serve in the RAF is all the more powerful knowing she is fully aware of the dangers they face, having experienced the impact of World War One.   However, Sadie is also fighting her own internal ‘wars’ as it were.  She feels guilt over the poor choices she’s made in the past leaving her reluctant to relinquish control over her life again as a consequence. Past presentiments of imminent danger to those close to her fuel her fears even more.  Sadie’s desire for independence, such as that enjoyed by her brothers, comes into conflict with a world in which seemingly everything is controlled by men.

A chance meeting provides the opportunity for Sadie’s life to take a more positive course and offer the prospect of a happier future.  But can Sadie find the courage to listen to her heart rather than be held back by fears of repeating mistakes of the past?  I really felt for Sadie as she struggles with the dilemmas that face her.  Knowing she made the wrong choice once (even if that was through the malign actions of others) and believing that in some way she is still being punished for it, she fears that grasping happiness for herself will necessarily demand a greater sacrifice than she’s prepared to make.

I enjoyed Sadie’s Wars and, having finished the book, was fascinated to learn from the Author’s Note how much was based on real events.

I received a review copy courtesy of the author and Rachel’s Random Resources.

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In three words: Engaging, emotional, dramatic

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OLYMPUS DIGITAL CAMERAAbout the Author

Rosemary writes: ‘I worked as a librarian, mostly with young people, so books have been my life, ever since I first stepped into a library and found a magical treasure trove. My other love is social history. Retirement gave me the opportunity to travel to Australia where I discovered stories that deserved to be written. I found a new career as an author which gives me immense pleasure. I write for myself but am delighted that others enjoy my books.’

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Blog Tour/Book Review: Once Upon A River by Diane Setterfield

I’m thrilled to be kicking off the blog tour for Once Upon A River by Diane Setterfield.  My grateful thanks to Doubleday and Henley Literary Festival for my (signed) proof copy of  Once Upon A River and to Anne at Random Things Tours for inviting me to participate in the blog tour and for giving me the honour of the first stop.  Do check out the tour banner at the bottom of this post so you can follow the other fabulous book bloggers taking part in the tour.

Once Upon A River is published tomorrow (4th December) in ebook format and in the US and Canada in hardback as well.  It will be published in hardback in the UK on 17th January 2019.


Once Upon A RiverAbout the Book

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child.

Hours later the dead girl stirs, takes a breath and returns to life.

Is it a miracle? Is it magic? Or can it be explained by science?

An exquisitely crafted multi-layered mystery brimming with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s bestseller The Thirteenth Tale.

Format: Hardcover, ebook (432 pp.)    Publisher: Doubleday
Published in UK: 4th December 2018 (ebook), 17th January 2019 (hardcover)
Genre: Historical Fiction, Mystery

Pre-order/Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find Once Upon A River on Goodreads


My Review

The dramatic moment early in the book when an injured stranger arrives at the riverside Swan inn with what seems to be the lifeless body of a child sets in motion a search for answers to many questions.  It’s a quest for the truth involving the weighing up of competing claims about the child’s identity, the resolution of previously unresolved mysteries and the seeming contradiction between scientific fact and perceived events.  More than anything, it’s a yearning for a story that makes sense.  Having witnessed the dramatic arrival, the regulars at the Swan, a place known for its storytelling, immediately begin to talk, ‘finding words to turn the night’s events into a story’.

The concept of story-telling forms a key part of the book.  The telling of stories is shown to be variously a source of entertainment, a skill, a tradition handed down through the generations, a way of making a living or impressing others.  The book explores how stories may be rooted in a geographical area or a period of history.  What also emerges from the book is that stories can be a means of trying to make sense of things but that the ownership of stories can be transitory as they travel, mutate or are embellished in the retelling.  And, who doesn’t crave to know how a story ends?

The richly drawn characters in the book embody all aspects of human nature – the good and the bad – and cleverly address the nature versus nurture debate.  My favourite character was Rita.  Independent minded and self-educated in nursing and midwifery, she has a logical, questioning approach to things using astute observation to analyse people and situations.  She proves herself to be brave, resourceful and daunted only by very particular fears about one aspect of life.

The river, described at one point as ‘majestic, powerful, unknowable’, plays a central role in the book – almost becoming a character in its own right.  I particularly loved the chapter ‘Tributaries’ in which the author cleverly uses the river as a model for introducing other characters into the story.

The river is frequently a source of metaphor too.  For example, at one point a character finds himself hemmed in by a crowd of people – a ‘throng thickened to stagnation’ – until he eventually finds space and ‘a sluggish current’ that allows him to progress.  A group of drinkers at the Swan, trying to make sense of events find their thoughts have ‘eddied round, discovered currents within currents, met counter currents.’  Another character, facing a moral dilemma, finds himself ‘no more able to direct the current of his life than a piece of debris can control the stream that carries it.’

The river is not the only elemental force in the book.  The changing seasons, particularly the points of the year marked by the solstices and equinoxes, are the backdrop to pivotal moments in the book.  Although set in the age of scientific discovery – Darwin’s theory of evolution, the dawn of the study of psychology and the human mind – the characters in the book come across things that seemingly can’t be explained by logic, facts or reason.  Some choose to fall back on the supernatural and stories older than the one they are currently living through.   At times, characters experience presentiments about future events which, as well as tapping into the supernatural aspect of the book, also create narrative tension.

In the breathless final chapters, a positive torrent of secrets is unleashed, the true nature of things becomes evident and natural instincts are proved correct.  At the end, everything feels perfectly in balance with the rhythms of life from birth to death.  Like the ebb and flow of the tide, if you like.  (Sorry, these water metaphors are catching.)

I was lucky enough to hear Diane Setterfield talk about Once Upon A River at this year’s Henley Literary Festival, as it happens whilst sailing up the River Thames that is such an important part of the story.  (You can read my write-up of the event here.)  Hearing her talk about the book gave me additional insight into the themes it explores and resulted in a few ‘Ah, yes’ moments of recognition while I was reading it.

I think you can probably tell that I absolutely loved this book.  To borrow a watery metaphor from the author, I was swept away by the story and the skill with which it was told.   I closed Once Upon A River with a sigh of satisfaction, if I’m honest a little teary-eyed, and certain in the knowledge this will be one of my favourite books of the year.  Right now, it’s definitely challenging for the top spot.

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In three words: Magical, atmospheric, suspenseful

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Diane Setterfield Author PictureAbout the Author

Diane Setterfield’s bestselling novel, The Thirteenth Tale, was published in 38 countries, sold more than three million copies, and was made into a television drama scripted by Christopher Hampton, starring Olivia Colman and Vanessa Redgrave. Her second novel was Bellman & Black, and her new novel is Once Upon a River. Born in rural Berkshire, she now lives near Oxford, by the Thames.

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FINAL Once Upon A River BT Poster