Extract: In The Cage Where Your Saviours Hide by Malcolm Mackay

Mackay_In the Cage

In The Cage Where Your Saviours Hide by Malcolm McKay has been described as ‘a remarkable novel of crime and corruption…set in a brooding, rain-swept Scottish city burdened by a history that is compellingly different from the one we think we know.’

Intrigued?  Good because I have an extract from the book for you below.

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In the Cage where Your Saviours HideAbout the Book

The independent kingdom of Scotland flourished until the beginning of the last century. Its great trading port of Challaid, in the north west of the country, sent ships around the world and its merchants and bankers grew rich on their empire in Central America.

But Scotland is not what it was, and the docks of Challaid are almost silent. The huge infrastructure projects collapsed, like the dangerous railway tunnels under the city. And above ground the networks of power and corruption are all that survive of Challaid’s glorious past.

Darian Ross is a young private investigator whose father, an ex cop, is in prison for murder. He takes on a case brought to him by a charismatic woman, Maeve Campbell. Her partner has been stabbed; the police are not very curious about the death of a man who laundered money for the city’s criminals. Ross is drawn by his innate sense of justice and his fascination with Campbell into a world in which no-one can be trusted.

Praise for Malcolm Mackay and In The Cage Where Your Saviours Hide

‘Fascinating speculative fiction.’ The Bookseller
‘Mackay’s writing is clean and spare, with flashes of dark humour.’ The Herald
‘A real revelation, a real find for me.’ Kate Mosse
‘A really unique voice.’ Mark Billingham

Format: ebook, hardcover (276 pp.) Publisher: Apollo
Published: 5th April 2018                    Genre: Crime

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find In The Cage Where Your Saviours Hide on Goodreads


Extract from In The Cage Where Your Saviours Hide by Malcolm Mackay

Darian Ross might have been the only person who enjoyed the commute to work in Challaid, or at least admitted it. A short walk down to the crowded Bank Station, making his way through the bustle of bleary-eyed miserablists at half-eight. Onto the train and east through the tunnel, off at the next stop, which was Glendan Station. That was the closest stop to the tunnel where all those people were killed digging it, so they claimed they would name the station in honour of those lost. Their choice? The title of the company the dead men worked for, that had sent them to excavate in treacherous conditions with no thought for their safety. Apparently the people of influence who picked the name couldn’t understand why none of the families accepted their invitations to the opening. Anyway, that was also the closest stop to Darian’s work, and it was a twelve-minute walk through the morning to Cage Street. On a nice day, admittedly rare, the stroll through busy streets could be pleasant.

Here we’ll talk a little about what Darian did for a living. He was, in truth, a sort of private detective, but if you asked him about his job those would be the last two words that would fight their way through his lips. He worked for a man called Sholto Douglas, a former detective now running Douglas Independent Research. How Sholto had managed to last fifteen years as a detective was one of the great many mysteries he never solved, and he was relieved to get out of it. Now he was in a single-room office on the second floor of a building in need of repair on a narrow old street in the city centre, pretending his company limited itself to market research and credit checks.

When he started Darian asked Sholto about the fact he was a private detective dressed up as something else and nearly provoked an aneurysm. Sholto growled and said, ‘It is research, really, when you think about it. That’s what all of police work is, or detective work, or whatever you want to call it.’

Then the conversation would switch to who was to blame, and while Scotland hadn’t had a proper war with England since the Trade Wars of the eighteenth century, Sholto was all for kicking off another.

‘And the licences, and the restrictions, they’re all nonsense anyway, just there to stop you doing the work. They only did it because the English put the same stuff into law so they thought they had to copy it. Just copying another country because they couldn’t think of anything better to do with their time, that’s all it was. Bloody English. Bloody Scottish government. You look at the two laws; they’re almost identical except ours are harsher. Also, it’s Raven’s fault… Don’t get me started on Raven…’

Raven Investigators was a large firm of private detectives based in Edinburgh and with offices in our own fair city who were raking up more muck than a landscape gardener. Their respect for the law was considered inadequate, so the law was tightened hard and Raven Investigators shrank accordingly. Companies like Douglas Independent Research existed so that people who couldn’t afford the shiny corporate professionalism of Raven had someone to pester small-scale criminals for them, or that’s how Sholto liked to present it, anyway. So that was the not exactly noble world of half-truths and delusions that Darian walked into each morning, including this Saturday.


Malcolm MackayAbout the Author

Malcolm Mackay was born in Stornoway on Scotland’s Isle of Lewis. His Glasgow Trilogy has been nominated and shortlisted for several international prizes, including the Edgar Awards’ Best Paperback Original and the CWA John Creasey (New Blood) Dagger award. His second novel, How a Gunman Says Goodbye, won the Deanston Scottish Crime Book of the Year Award. Mackay still lives in Stornoway.

Connect with Malcolm

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Blog Tour/Extract: Stories We Tell Ourselves by Sarah Françoise

I’m delighted to be co-hosting today’s stop on the blog tour for Stories We Tell Ourselves by Sarah Françoise, alongside the lovely people at the ChickLit Club.  Described as being ‘written with a rare precision and insight’, Stories We Tell Ourselves explores ‘the thorniness of familial love and its capacity to endure with warmth, wit and disarming honesty.’

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Stories We Tell OurselvesAbout the Book

Frank and Joan’s marriage is in trouble. Having spent three decades failing to understand each other in their unfinished house in the French alps, Joan’s frustrations with her inattentive husband have reached breaking point. Frank, retreating ever further into his obscure hobbies, is distracted by an epistolary affair with his long-lost German girlfriend. Things are getting tense. But it’s Christmas, and the couple are preparing to welcome home their three far-flung children.

The children, though, are faring little better in love themselves. Maya, a gender expert mother-of-two, is considering leaving her family and running off with a woman; Wim is considering leaving his girlfriend; and Lois, who spends her time turning war documentaries into love poems, is facing a change of heart.

Format: ebook, hardcover (240 pp.) Publisher: Apollo, an imprint of Head of Zeus Published: 5th April 2018                    Genre: Contemporary Fiction

Purchase Links*
Publisher (buy direct and save 25%) ǀ Amazon.co.uk ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find Stories We Tell Ourselves on Goodreads


Extract from Stories We Tell Ourselves by Sarah Françoise

In September 2015, Frank started frequenting an inexpensive restaurant behind the train station called Chez Josée. The restaurant had a white formica bar, a Pacman pinball machine out front, and a small, windowless dining room in the back. It also had Wi-Fi and beef heart on the menu. The beef heart was served braised, with a garnish of green beans or lamb’s lettuce.

Frank started frequenting the restaurant not because of the heart, but because of the Wi-Fi, and because they tolerated the dog. The heart came later.

Every Wednesday, he sat at the back of the restaurant and opened his laptop to work on one of two projects: 1) the ‘bor’ project, or 2) the Caspar David Friedrich project.

The ‘bor’ project was an exhaustive compilation of French place names derived from the aforementioned pre-Indo-European root. Its purpose was to settle once and for all the toponymic debate surrounding the precise meaning of the syllable ‘bor’, itself a rare derivation of the root ‘bar’. Many etymologists espoused the theory that the inclusion of ‘bor’ in a place name suggested a protruding geographical formation. There was a certain degree of discord even within this group, and a broad spectrum of interpretation of the word ‘protruding’, which included everything from escarpments to huts, copses to knolls, via good old-fashioned hills. A smaller number of fantasists on the fringes of the field pretended that ‘bor’ meant apiary, citadel, etc. – opinions that were refuted in unison by the other camps.

It seemed that ‘bor’ was all things to all people – the kind of generous imprecision that kept Frank awake at night. And so Frank took it upon himself to resolve the issue once and for all, through exhaustive, map-based research of the Hexagon.

To do this, he combed through the country inch by inch, circling ‘bor’ hamlets, villages, hills and plateaux on blue French ordnance survey maps. He travelled an average five miles per hour, walking his index finger and tiring his eyes over the blue-green 1:25,000-ratio atlas. Sometimes his eyelid would start to twitch, and Joan was called to squirt artificial tears into Frank’s feverish eyes. He organised the place names he stumbled upon in a sophisticated maze of Excel spreadsheets, and highlighted some of his breakthroughs in online cartography forums under the alias Borax.

The Caspar David Friedrich project was a dissertation on the topography of Romanticism that was now twenty years in the making. Forty, if you counted the research. Sixty, if you took into account the conditioning of Frank’s childhood. About a year ago, Frank had started publishing instalments of his thesis on a blog, which was followed by a handful of scholars, and almost as many webcam models in the US and Eastern Europe.

Frank saw these projects as his service to humanity – his humble contribution to the keeping of mankind’s history. After all, what was geography if not history in relief? Mountains pushed up out of the earth’s crust, and then eroded. Their names, too, erupted from language, over time picking up letters and syllables which might later be shed.  As for his interest in German Romanticism, it too was born of a seismic vibration.


Sarah FrancoiseAbout the Author

Sarah Françoise is a French-British writer and translator currently living in Brooklyn, NYC. Her writing has appeared in Joyland, Bone Bouquet, Hobart and Poor Claudia.

Connect with Sarah

Goodreads

Stories We Tell Ourselves blog tour