Buchan of the Month: Introducing Augustus by John Buchan #ReadJB2019

buchan of the month 2019 poster

In honour of Nonfiction November, I’ve chosen John Buchan’s biography of the Roman Emperor Augustus as my Buchan of the Month. You can find out more about the project and my reading list for 2019 here. What follows is an introduction to Augustus.   I will be publishing my review of the book later this month.


AugustusBuchanAugustus was published by Hodder & Stoughton in the UK and by Houghton Mifflin in the US in October 1937.

Buchan (by this time, Lord Tweedsmuir) started work on the book soon after his arrival in Canada following his appointment as Governor-General. Janet Adam Smith, Buchan’s first biographer, records how when he had completed his official duties and ‘disposed of the day’s chores, he would turn at once to the biography of Augustus’. Buchan received long distance help with research for the book from two friends: Hugh Last, Professor of Ancient History at Oxford (where Buchan had studied) and Roberto Weiss. The latter looked out newly published material, checked references and later oversaw the book’s translation into Italian.

Professor Last was suitably impressed with the finished product, remarking that the book ‘puts us so-called experts as much in your debt for its demonstration of the way in which Augustus should be treated as it does the larger public’, going on to describe it as ‘by far the best general interpretation of its subject’. The book was greeted with approval by many other historians.

David Daniell praises Buchan as a painstaking historian and a ‘modern interpreter who had a powerful sense of the future’. Buchan himself was conscious of the parallels with contemporary events given he was working on the book at the same time as Europe was witnessing the rise of Mussolini and Hitler. In the preface to the book he writes: ‘The convulsions of our time may give an insight into the problems of the early Roman empire which was perhaps unattainable by scholars who lived in easier days‘. Buchan even sent a copy of Augustus to President Roosevelt, saying ‘I hope it may interest you for many of his problems are your own’.

At the end of the book, Buchan points out similarities between the two ages: Once again the crust of civilization has grown thin, and beneath can be heard the muttering of primeval fires. Once again many accepted principles of government have been overthrown, and the world has become a laboratory where immature and feverish minds experiment with unknown forces.‘ (The concept of the thin crust of civilization was one Buchan had previously explored in his adventure novels, notably The Power-House.)

Despite its positive reception by historians, Augustus sold only 5,000 copies in the UK in the first year of its publication. By 1960, that figure had reached 36,000 boosted by the release of a cheap edition in 1942.

My Buchan of the Month for December will be the final Richard Hannay adventure, The Island of Sheep.

Sources:

Janet Adam Smith, John Buchan: A Biography (OUP, 1985 [1965])
David Daniell, The Interpreter’s House: A Critical Assessment of John Buchan (Nelson, 1975)
Kenneth Hillier and Michael Ross, The First Editions of John Buchan: A Collector’s Illustrated Biography (Avonworld, 2008)

buchan of the month 2019

Nonfiction November Week 1: My Year in Nonfiction #NonficNov

nonficnovgraphic-e1569211904841-768x768Nonfiction November has commenced – and, yes, I do know it’s still October.

The first of this year’s weekly discussion prompts is Your Year in Nonfiction, hosted by Julz of Julz Reads. Julz asks us to take a look back at our year of nonfiction and reflect on the following questions:

  • What was your favourite nonfiction read of the year?
  • Do you have a particular topic you’ve been attracted to more this year?
  • What nonfiction book have you recommended the most?
  • What are you hoping to get out of participating in Nonfiction November?

So far this year I’ve read five works of nonfiction – although I’m hoping to add to that during November as you can see from my reading list. My main motivation for taking part this year is to encourage me to read a few of the nonfiction books in my TBR pile and take a temporary break from a diet solely made up of fiction.

Links from the titles will take you to my full review.

Memoir

Where The Hornbeam Grows by Beth Lynch – the author reflects on her experience of making a garden in a new country
In My Life: A Music Memoir by Alan Johnson – the author looks back at key events in his personal and political life through the music that has meant the most to him

Biography

Beyond The Thirty-Nine Steps: A Life of John Buchan by Ursula Buchan – a new biography by the granddaughter of John Buchan that argues there was much more to him than just the author of the famous spy thriller
Untitled: The Real Wallis Simpson, Duchess of Windsor by Anna Pasternak – the author’s attempt to rehabilitate the reputation of the woman for whom Edward VIII gave up the throne of the United Kingdom

History

Monopoli Blues by Tim Clark and Nick Cook – a search for the truth about Tim Clark’s parents’ wartime service in the SOE

 

I think to anyone who knows me well my choice of titles won’t come as much of a surprise. To those who don’t, my list reveals my interest in the life and works of John Buchan (witness my ongoing Buchan of the Month reading project), in gardening and in 20th century history, especially the Second World War. A common thread is literary festivals I’ve attended as both Alan Johnson, Beth Lynch and Anna Pasternak have appeared at Henley Literary Festival and Ursula Buchan at Oxford Literary Festival.

Although I’ve published reviews of all these books on my blog, Ursula Buchan’s book appears as a reference source in all my reviews of the John Buchan books I read so I’d have to pick that as the one I’ve recommended most. It’s also my favourite not least because I heard Ursula talk about the book at Oxford Literary Festival and had my copy signed by her afterwards. So, as well as being a fascinating book, that makes it special.

What does your year in nonfiction look like?