#BookReview The Assistant by Kjell Ola Dahl @OrendaBooks @RandomTTours

Welcome to today’s stop on the blog tour for The Assistant by Kjell Ola Dahl, translated by Don Bartlett. My thanks to Anne at Random Things Tours for inviting me to participate in the tour and to Orenda Books for my digital review copy.


The AssistantAbout the Book

Oslo, 1938. War is in the air and Europe is in turmoil. Hitler’s Germany has occupied Austria and is threatening Czechoslovakia; there’s a civil war in Spain and Mussolini reigns in Italy.

When a woman turns up at the office of police-turned-private investigator Ludvig Paaske, he and his assistant – his one-time nemesis and former drug-smuggler Jack Rivers – begin a seemingly straightforward investigation into marital infidelity.

But all is not what it seems, and when Jack is accused of murder, the trail leads back to the 1920s, to prohibition-era Norway, to the smugglers, sex workers and hoodlums of his criminal past … and an extraordinary secret.

Format: Paperback (276 pages)   Publisher: Orenda
Publication date: 13th May 2021 Genre: Historical Fiction, Crime, Thriller, Mystery

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My Review

The Assistant switches back and forth between two timelines, one set in 1924/25 (when Oslo was still known as Kristiania) and the other in 1938. The leading characters, Ludvig Paaske and Jack Rivers, appear in both timelines, as do other individuals but only gradually does it become clear how they and the events described interact. At one point, on returning to a house he visited fourteen years earlier, Jack observes how ‘time can go round in circles’ and I had much the same feeling. Thankfully, the chapter headings clearly identify which of the two timelines the reader is in.

The dictionary defines an assistant as ‘person who assists or gives aid and support; helper, a person who is subordinate to another in rank, function, etc.; one holding a secondary rank in an office or post’. I liked how the author plays with the concept of being an assistant.

When we initially meet Jack Rivers he is working for Arvid Bjerke, the owner of a transport company, driving vehicles carrying goods, including contraband alcohol, to Bjerke’s customers. In other words, Jack is assisting in criminal activity. Moving forward fourteen years, Jack is working as assistant to Ludvig Paaske, a former police office who now runs a private investigation business. Ludvig has hired Jack despite his criminal record so you could say Paaske is assisting Jack to go straight.

If only the relationship between the two men was as straightforward as that. For example, does the role of assistant imply a degree of loyalty to the person you are assisting? From Paaske’s point of view it seems clear it does. ‘An assistant means outgoings, but he has to be able to repay investment, to add value.’  But if this is the case, should there be an expectation of the same in return?

Ludwig and Jack are both flawed characters who have done bad things and made poor decisions in the past (although many of the female characters are not much better).  But which of them has damaged their integrity the most as a result?  Can the reader forgive either of them for their past actions?

At one point in the earlier timeline, Jack gets the sense he is being manipulated by unknown individuals, that someone is standing above him pulling the strings.  There’s something in that as he seems to have the uncanny habit of being in the wrong place at the wrong time, sometimes even at the site of a murder.

With a storyline containing so many twists and turns it’s occasionally easy to feel lost so I welcomed Jack sharing his theories in such a cogent manner in the final chapter. Setting out of the moves made by the various characters and their motivations for doing so in the way he does neatly references his own love of solving chess problems. And his piecing together of the disparate parts of the metaphorical jigsaw to reveal the full picture brings to mind Paaske undertaking the same task with the handmade jigsaws sent to him by his artist daughter.

One of the reasons I enjoy historical fiction so much is that I invariably learn things I would have never otherwise known about. For example, I wasn’t aware that Norway had a period of prohibition in the interwar years or that the Norwegian government opposed its citizens joining those fighting the fascists in the Spanish Civil War. Along with the historical detail, the book conjures up a vivid picture of Norwegian lifestyle which is clearly much influenced by its landscape – the lakeside summer houses, swimming and sailing, travelling on the ferries that ply between Oslo and the small islands that surround it.

I believe the mark of a skilful translation is if at no time you feel you are reading a book translated from another language; such was the case here. The book moves along at pace, rather in the manner of the oncoming train in the opening scene. With its intricate plot, The Assistant will keep you guessing until you turn the final page and quite possibly pondering on what you’ve read for some time after that.

In three words: Complex, suspenseful, accomplished

Try something similar: The Night of Shooting Stars by Ben Pastor

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DahlKjellOlaAbout the Author

One of the fathers of the Nordic Noir genre, Kjell Ola Dahl was born in 1958 in Gjøvik. He made his debut in 1993, and has since published eighteen novels, the most prominent of which form a series of police procedurals-cum-psychological thrillers featuring investigators Gunnarstranda and Frølich. In 2000 he won the Riverton Prize for The Last Fix, and he won both the prestigious Brage and Riverton Prizes for The Courier in 2015 (published in English by Orenda Books in 2019). His work has been published in fourteen countries. He lives in Oslo.

Connect with Kjell
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About the Translator

Don Bartlett completed an MA in Literary Translation at the University of East Anglia in 2000 and has since worked with a wide variety of Danish and Norwegian authors, including Jo Nesbø and Karl Ove Knausgård. For Orenda he has translated several titles in Gunnar Staalesen’s Varg Veum series: We Shall Inherit the Wind, Wolves in the Dark, the Petrona award-winning Where Roses Never Die and Fallen Angels. He has also translated three books in Kjell Ola Dahl’s Oslo Detectives series for Orenda – Faithless, The Ice Swimmer and Sister – as well as The Courier.

The Assistant BT Poster

#BookReview My Dark Vanessa by Kate Elizabeth Russell #SUDTP21 @dylanthomprize @MidasPR

Dylan Thomas Prize 2021My Dark Vanessa by Kate Elizabeth Russell is one of the books on the shortlist for the Swansea University Dylan Thomas Prize 2021, the winner of which will be announced later today. You can watch the award ceremony live here.  My thanks to Bei Guo at Midas PR for offering me the opportunity to read one of the shortlisted books.

About the Dylan Thomas Prize

Launched in 2006, the annual Swansea University Dylan Thomas Prize is one of the most prestigious awards for young writers, aimed at encouraging raw creative talent worldwide. It celebrates and nurtures international literary excellence.

Worth £20,000, it is one of the UK’s most prestigious literary prizes as well as one of the world’s largest literary prizes for young writers. Awarded for the best published literary work in the English language, written by an author aged 39 or under, the Prize celebrates the international world of fiction in all its forms including poetry, novels, short stories and drama

The prize is named after the Swansea-born writer, Dylan Thomas, and celebrates his 39 years of creativity and productivity. One of the most influential, internationally-renowned writers of the mid-twentieth century, the prize invokes his memory to support the writers of today and nurture the talents of tomorrow


My Dark VanessaAbout the Book

Vanessa Wye was fifteen years old when she first had sex with her English teacher.

Now the teacher, Jacob Strane, has been accused of sexual abuse by another former student, and a journalist has asked Vanessa to contribute to a story about him. But no one seems to understand that what Vanessa and Strane had together wasn’t abuse. It was love.

Wasn’t it?

Format: Paperback (384 pages)        Publisher: 4th Estate
Publication date: 21st January 2021 Genre: Contemporary Fiction, Thriller

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My Review

The book is narrated in the first person and switches between two timelines. In the earlier timeline, set in 2000, the reader witnesses the beginnings of Vanessa Wye’s relationship with Jacob Strane, her English teacher at Browick, a boarding school. In the Afterword, the author writes that, after discarding many earlier drafts of the book, “I unapologetically centred Vanessa in a first person, present-tense narrative, and by doing so I forced the reader to experience the story through her voice”.  The later timeline charts the impact of the relationship over the following seven years.

The book raises all sorts of questions about abuse of power, the insidious nature of grooming and the need for safeguarding. The latter seems to be sadly lacking at Browick despite the presence of ‘dorm parents’ and counsellors.

Although sometimes involving subterfuge, Vanessa’s actions always seem instinctive, albeit naive. On the other hand, Strane’s come across as premeditated, even practised.  For example, his asking for permission as things progress from kisses to more intimate contact (in scenes that I found disturbing to read).  They might be sincere but, as the reader suspects, are more likely to be a ruse to make Vanessa believe she’s in control, that she’s not being coerced.  Likewise, his statements that he thinks about her constantly and misses her when they cannot meet are surely uttered knowing these are just the sort of things a lonely, friendless girl would want to hear.  Similarly, his lavish praise of her work.

At times, it felt almost voyeuristic watching him manipulate Vanessa into doing what he wants. For Vanessa, Strane’s attention gives her a feeling of value she otherwise lacks. ‘He thinks about me. He thinks about me so much, certain things remind him of me. That means something.’ Oh, Vanessa, it means nothing only that his manipulation is working.

Vanessa’s growing disillusionment and eventual realisation about the nature of her relationship with Strane is hard to witness. As she reflects, ‘How easy it is to be tricked into building a narrative out of air, out of nothing’.  Although one might expect Vanessa to feel solidarity towards the other abused women as more cases come to light and to be prepared to share her story for ‘the greater good’, she continues to feels protective towards Strane, having swallowed the lie that she is as complicit in their relationship as him, if not more so. In this version of reality, he simply could not help himself because it was she who ‘brought out the darkness in him’.

My Dark Vanessa is a compelling but, at times, disturbing book to read. Having said that, it’s also a deeply impressive and confident debut. It must take some courage as an author to tackle such controversial subject matter, especially in your first novel. Since the author reveals in the Afterword that the book is the product of eighteen years work, it is clearly a subject she feels strongly about. I can understand why My Dark Vanessa has divided readers but also why it has earned a place on the shortlist for such a prestigious prize.

In three words: Unsettling, provocative, compelling

Try something similar: Lolita by Vladimir Nabokov

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Kate Elizabeth Russell

About the Author

Kate Elizabeth Russell is originally from eastern Maine. She holds a PhD in Creative Writing from the University of Kansas and an MFA from Indiana University.

My Dark Vanessa is her first novel. (Photo credit: Author website)

Connect with Kate
Instagram | Goodreads | Website