Category: Blog Tour

Blog Tour/Guest Post: The Concubine’s Child by Carol Jones

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I’m delighted to be hosting today’s stop on the blog tour for The Concubine’s Child by Carol Jones.  Described as perfect for fans of Amy Tan, Dinah Jefferies, Julia Gregson or Kate Morton, The Concubine’s Child is an evocative, multi-generational tale of a family haunted by the death of a young concubine in 1930s Malaysia.

And if that description doesn’t already have you with your finger hovering over the ‘Buy’ button, I have a fantastic guest post from Carol about how her first trip to Malaysia provided the inspiration for the setting of her novel. Oh, and her experiences with naughty macaques.

Do check out the tour schedule at the bottom of this post to see the other great book bloggers taking part in the tour.  Visit them for reviews, interviews and book extracts.

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The Concubine's ChildAbout the Book

In 1930s Malaya a sixteen-year-old girl, dreaming of marriage to her sweetheart, is sold as a concubine to a rich old man desperate for an heir. Trapped, and bullied by his spiteful wife, Yu Lan plans to escape with her baby son, despite knowing that they will pursue her to the ends of the earth.

Four generations later, her great-grandson, Nick, will return to Malaysia, looking for the truth behind the facade of a house cursed by the unhappy past. Nothing can prepare him for what he will find.

This exquisitely rich novel brings to life a vanished world – a world of abandoned ghost houses, inquisitive monkeys, smoky temples and a panoply of gods and demons. A world where a poor girl can be sold to fulfil a rich man’s dream. But though he can buy her body, he can never capture her soul, nor quench her spirit.

Format: ebook, hardcover (384 pp.)                                  Publisher: Head of Zeus
Published: 1st April 2018 (ebook), 1st June (hardcover) Genre: Historical Fiction

Pre-order/Purchase Links*
Amazon.co.uk ǀ  Amazon.com  ǀ Kobo | Google Play | iBooks | Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Concubine’s Child on Goodreads

Guest Post: ‘Gods, Ghosts and Monkeys in Old Kuala Lumpur’ by Carol Jones

I first visited Malaysia, the setting for The Concubine’s Child, on my honeymoon in 1991. It was my first trip to Asia, and the first time I stepped inside a Chinese temple, or witnessed people making offerings to the gods. Hailing from Queensland originally, the tropical weather was nothing new to me but I was accustomed to backyard wildlife such as possums, lorikeets or the occasional duck in the swimming pool, not monkeys sitting on walls watching me hang out the washing.

Everything about that first visit to Kuala Lumpur was strange and exotic but having returned every year since to stay with my husband’s family, the exotic has become familiar. So much so that I have wanted to write a novel set there for some time, saving up impressions and experiences, collecting memoirs and historical references. But it was a chance remark that my mother-in-law didn’t attend school in the 1930s, instead learning to read and write (Chinese) at her local clan house, which gave me my beginning. The first chapter of The Concubine’s Child introduces Yu Lan, a sixteen year old girl whose father doesn’t think it worthwhile sending her to school but finally allows her to attend lessons at the Chan Clan house.

The Chan See Shue Yuen is a real place, the stunning hall and lineage temple of the Chan clan society in Kuala Lumpur. It has typical Chinese temple architecture and shines with brilliant turquoise tiles. It and many other temples and shop houses in the old Chinatown area were built in the mid- to late-nineteenth century.  It is an area I love to return to for all its colour and history, and it is where the first few chapters of my novel are set.

It was a visit to another temple, this time in China, which inspired the antagonist in the novel. Madam Chan is the childless wife of the wealthy tin miner who buys Yu Lan from her apothecary father. She has a tricky relationship with the gods. She argues and blames them for her troubles, and she is based upon an elderly woman I witnessed tossing moon blocks at a temple in Quanzhou. Moon blocks are a divining tool and this woman wasn’t at all happy with the answers she was receiving. Hence she was complaining and arguing with the gods, who she expected to be far more obliging after all the offerings she had made.

On my earlier trips to Kuala Lumpur I noticed a nearby house had been empty and abandoned for years. It was a perfectly good house but was going to rack and ruin in the tropical climate. When I asked my sisters-in-law why it was empty, they replied nonchalantly that it was a ghost house. As if that were self-evident. I soon discovered that ghost houses are quite common in Malaysia, where people of many faiths believe in ghosts. In fact, when I began researching the phenomenon on the Internet I discovered dozens of websites devoted to the topic, and hundreds of photos of abandoned buildings and reputed ghost houses.

To this day it’s not unusual to read newspaper articles about schoolgirls becoming hysterical after seeing ghosts, or pawangs (traditional Malay healers and shamans) being called in to help bring rain, or find something that has been lost. The pawangs were called in to help locate missing flight MH370. They were far less expensive than the costly undersea exploration carried out by Australia. Of course, neither found very much. Nevertheless, in the 1930s, when much of my novel is set, pawangs reputedly helped miners locate tin, fishermen catch more fish, and they blessed just about anything.

MacaqueMonkeys feature several times in The Concubine’s Child, inspired in part by my encounters with macaques. The macaques near my in-law’s house live in a narrow strip of remnant jungle and roam backyards and local parks searching for food. They live in family groups, usually with at least one large male and several babies. Years ago, I was bailed up by a very large monkey while hanging out washing. He was hissing and snarling at me and his teeth didn’t look at all pleasant. My elderly father-in-law saved me by running out shouting and throwing slippers at it. On another occasion, I came downstairs to find a young macaque sitting on the family altar, snacking on the offerings to the gods. It had snuck in between the window bars.

Twenty-five years of impressions and experiences have gone into the writing of The Concubine’s Child, coupled with thousands of pages of research into the history and culture of the Chinese people in Malaysia, and not a little reminiscing from family.
© Carol Jones

Autosave-File vom d-lab2/3 der AgfaPhoto GmbHAbout the Author

Born in Brisbane, Australia, Carol Jones taught English and Drama at secondary schools before working as an editor of children’s magazines.

She is the author of several young adult novels as well as children’s non-fiction.

Connect with Carol

Website ǀ  Goodreads

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Blog Tour/Q&A: The Picture by Roger Bray

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I’m delighted to be co-hosting today’s stop on the blog tour for The Picture by Roger Bray and thrilled that Roger has agreed to answer some of my questions about the book, its inspiration and his writing journey.

Do check out the reviews of The Picture by my co-hosts, Whispering Stories and Books, Life and Everything.

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The PictureAbout the Book

A warehouse in Japan used as an emergency shelter in the aftermath of the 2011 Tsunami. A distraught, young Japanese woman in dishevelled clothes sits on a box, holding her infant daughter. Ben, a US rescue volunteer, kneels in front of her offering comfort. They hug, the baby between them. The moment turns into an hour as the woman sobs into his shoulder; mourning the loss of her husband, her home, the life she knew.

A picture is taken, capturing the moment. It becomes a symbol; of help freely given and of the hope of the survivors. The faces in the picture cannot be recognised, and that is how Ben likes it. No celebrity, thanks not required.  But others believe that being identified as the person in the picture is their path to fame and fortune. Ben stands, unknowingly, in their way, but nothing a contract killing cannot fix.

Format: ebook, paperback (364 pp.) Publisher:
Published: 13th April 2018                  Genre: Thriller

Pre-order/Purchase Links*
Amazon.co.uk  ǀ  Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find The Picture on Goodreads

Interview: Roger Bray, author of The Picture

Welcome, Roger, to What Cathy Read Next.  Without giving too much away, can you tell me a bit about The Picture?

The Picture tells the story of Ben Davis, a retired Portland Oregon Police officer who volunteers in disaster rescue.  His group is asked to assist in Japan in the aftermath of the 2011 Tōhoku earthquake and tsunami.  While he is there he helps a young Japanese mother and her baby daughter and the eponymous picture is taken of the encounter.  It becomes a symbol of the suffering of the people but also of hope as the world rallied to aid them.  Although the picture becomes famous neither Ben nor the girl can be recognized, which he is happy about because he does not want to gain celebrity or fame on the back of suffering.  There is conjecture as to who the male is and a conman uses the picture for his own ends pretending to be Ben.  The need to use the picture becomes more urgent as a potential reality TV show is offered to him.  Legal means are tried to gain the copyright of the picture, together with a gag order, which Ben refuses so the conman and his business partner decide that Ben must be killed and try to organise an accidental looking death for him.

How did you get the idea for the story?

I had half an idea for a story about vacuous celebrity and the lengths these people will go to to get into and stay in the limelight, and to make money.  I was then standing on my veranda one cloudy, grey morning when a bean of sunlight broke through, very tight and focussed on a small piece of the courtyard.  The moment stayed with me and I imagined how that moment could be adapted into a story line.  I had the picture scene, and the who, where, how and why, set in my mind within a couple of days.  I considered my ‘celebrity’ idea and thought the picture the perfect catalyst as a symbol of hope being corrupted through greed

To what extent is what happens to Ben a reflection of how social media is transforming the way news travels?

Jonathan Swift wrote in The Examiner, Nov. 9, 1710: “Falsehood flies, and the truth comes limping after it” and that is a good reflection of the power and corruption of social media.  If something is repeated sufficiently it enters the social hive mind as the truth.  People take things for granted; accept what is said without the need for verification.  Before social media, what happened to Ben could probably not have occurred.  Since social media the truth is governed by a slick advertising campaign rather than facts.

The Picture explores what people will do for fame and fortune.  What is it about this that interests you?

There is a narcissistic trait in all of us, on, I guess, a sliding scale from imperceptible to governing behaviour.  Celebrity driven people, and I am talking about celebrity for its own sake without any talent like a certain Armenian family whose discernible talents are best described in a Parks and Recreation out-take.  When you add a sociopathic overlay to that you find people who will do anything and trample on anyone to achieve celebrity.  This is not new but social media and myriad cable TV channels have taken the concept to a whole new level.  I find the whole situation absurd, what is important in life, what people should care about is being buried under a mountain of celebrity driven effluent.

Were there particular scenes in the book you found especially challenging – or rewarding – to write?

I was particularly happy with the scene from which the titular picture came from but also the extended scenes of the devastation and survival of the young Japanese woman Ben encounters.

Do you have a favourite place to write or any writing rituals?

No.  I do like to set aside blocks of days to write.  I find my writing benefits from being able to immerse myself in the story to date before continuing.   My favourite place is wherever my wife and her overly cute cat are, although he can make writing difficult when he decides the keyboard is the perfect place for a nap.

What’s your favourite and least favourite part of the writing process?

I enjoy all of the writing process.  I can get frustrated if I hit a block but have found that continuing to write through breaks that.  Don’t expect perfection all the time, just keep the words flowing.  My least favourite part, and it is still part of the writing process, is between typing ‘The End’ and publication.  I have a great editor and the process with her is always a learning experience but the time to publication seems to take forever for all the other things that have to be done: cover proposals, e-books and the like.

Which authors do you admire and enjoy reading?

I like Robert Harris as his novels never cease to entertain.  He is not locked into a genre so each one is new and fresh.  Tom Sharpe is a favourite; I think his books are genius, turning the most absurd situations into hilarity.  Some of his funniest moments could easily be the truth and that makes them all the funnier.  I also enjoy Stuart McBride, Sebastian Faulks and Louis de Bernières, among many others

You describe your life as having been ‘an endless adventure’. What have been some of the highlights?

Normal things I suppose: my marriage to my wife of now 30 + years, the birth of our children.  I served in the Navy as an aircraft armourer and was in the Falklands War on the blunt end of a civilian container ship hastily converted into a helicopter carrier.  I have travelled the world in the Navy from the Arctic to the Great Australian Bight and many places between.  I was a Police Officer for many years and saw the best, and worst, that society can offer.  I lived in Germany for a couple of years, which I loved, and took the opportunity to travel in Europe as much as possible.  I survived a serious spinal injury, because of which I was medically retired from the police, went to University and gained a couple of degrees.  I believe life is about experiences and I am giving it the best go I can.  [Hmm, that doesn’t sound ‘normal’ to me!]

What are you working on next?

I am currently working on a novel, also based in Oregon about a young woman who has fought against her institutionalised upbringing to make something of herself.  She finds that there are people along the way who will help her and some who won’t.  Past events to which she is unknowingly connected are catching up with her and she has to find the truth of them before it too late.

Thanks very much for having me on your blog and giving me the opportunity to answer your interesting questions.

Thank you, Roger, for your fascinating and illuminating answers.

Roger BrayAbout the Author

Roger writes: ‘I have always loved writing; putting words onto a page and bringing characters to life. I can almost feel myself becoming immersed into their lives, living with their fears and triumphs. Thus, my writing process becomes an endless series of questions. What would she or he do, how would they react, is this in keeping with their character? Strange as it sounds, I don’t like leaving characters in cliffhanging situations without giving them an ending, whichever way it develops.

My life to date is what compels me to seek a just outcome, the good will overcome and the bad will be punished. More though, I tend to see my characters as everyday people in extraordinary circumstances, but in which we may all find ourselves if the planets align wrongly or for whatever reason you might consider. Of course, most novels are autobiographical in some way. You must draw on your own experiences of life and from events you have experienced to get the inspiration.

My life has been an endless adventure. Serving in the Navy, fighting in wars, serving as a Police officer and the experiences each one of those have brought have all drawn me to this point, but it was a downside to my police service that was the catalyst for my writing. Medically retired after being seriously injured while protecting a woman in a domestic violence situation I then experienced the other side of life. Depression and rejection. Giving truth to the oft said saying that when one door closes another opens I pulled myself up and enrolled in college gaining bachelor and master degrees, for my own development rather than any professional need. The process of learning, of getting words down onto the page again relit my passion for writing in a way that I hadn’t felt since high school.

So here we are, two books published and another on track.

Where it will take me I have no idea but I am going to enjoy getting there and if my writing can bring some small pleasure into people’s lives along the way, then I consider that I will have succeeded in life.’

Connect with Roger

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