#BookReview The Young Survivors by Debra Barnes @Duckbooks

EdS7yG3XsAEgMZ2Welcome to today’s stop on the blog tour for The Young Survivors by Debra Barnes which will be published on Thursday 23rd July 2020. My thanks to Fanny at Duckworth for inviting me to take part in the tour and for my proof copy.


9780715653555About the Book

What if everyone you loved was suddenly taken away?

When Germany invades France in the Second World War, the five Laskowski children lose everything: their home, their Jewish community and, most devastatingly, their parents who are abducted in the night. There is no safe place left for them to evade the Nazis, but they cling together – never certain when the authorities will come for what is left of them.

Inspired by the poignant, true story of the author’s mother, this moving historical novel conveys the hardship, the uncertainty and the impossible choices the Laskowski children were forced to make to survive the horrors of the Holocaust.

Format: Paperback (304 pages)    Publisher: Duckworth
Publication date: 23rd July 2020 Genre: Historical fiction

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Pre-order/Purchase links*
Amazon UK | Hive (supporting UK bookshops)
*links provided for convenience not as part of an affiliate programme


My Review

The Young Survivors concerns the children of the Laskowski family – eldest son, Pierre, his younger brothers, Samuel and Claude, and his two young sisters, twins Georgette and Henriette. Alternating between the first person narratives of Pierre, Samuel and occasionally Georgette, their experiences are related without any literary flourishes, reflecting both their youth and the fact they don’t always understand, at least to begin with, the full import or implications of the things they see and hear. Indeed, for the younger children, moving to a new place is often merely an opportunity for exploration or to make new friends.

Opening in 1938, initially the prospect of war seems a distant possibility despite the fact the family live in Metz, close to France’s border with Germany. They, like so many others, place their faith in the Maginot line. Only gradually do the youngsters become aware of the consequences of their Jewish faith as playground abuse by other children develops into more virulent anti-Jewish sentiment, fuelled by broadcasts of Hitler’s speeches, and then to legal restrictions on their daily lives. Forced to move to Sally, a village near Poitiers, it places them in the demarcation zone beyond Vichy France when the Germans invade.

Through the children’s faithful accounts of everything that happens to them, the book reveals how life in wartime France for Jewish families like the Laskowskis, whichever side of the demarcation line, becomes increasingly difficult and dangerous. The Vichy government collaborates in the implementation of anti-Jewish laws and the rounding up of Jews to meet German quotas. Only the courage of a few French men and women keeps the children safe, even if that does involve frequent moves. Nevertheless, they still suffer the anguish of separation and not knowing what has become of their parents.

As the end of the war approaches, there are increasingly dramatic scenes with narrow escapes and sudden changes of location. Yet when peace does finally come it does not necessarily bring an end to the challenges faced by the children. For me, it was at this point in the book that the author really captured the emotional and psychological toll of their experiences. In Samuel’s words: “The hope, the anticipation, the wait…and then the disappointment and despair”.

Pierre’s narrative gives the reader a picture of a young man with a keen sense of responsibility to protect his younger siblings. With the arrest of his mother and father, aunt and uncle, he’s suddenly thrust into the position of having to make potentially life or death decisions on behalf of others even as the world he knows crumbles around him.

The chapters narrated by Georgette I found especially poignant. As a twin, the threat of separation is even more overwhelming and, for such a young child, the hatred her family face is difficult for her to understand. “Without our parents to explain it to us, we had no idea what it was to be Jewish except it meant the Germans and many of the French hated us.” It was heart-warming to witness her enjoyment of simple, if rare, pleasures like a visit to the park or playing with her doll.

In war, there are rarely happy endings but in the final chapters the reader does at least get some answers to the questions raised in the prologue.

Books, even if works of fiction, that tell the stories of Holocaust survivors are often difficult to read. However, they are usually an inspiring testament to the resilience of the human spirit. The Young Survivors is no exception. In her introduction, Debra writes, “As the generation of Holocaust survivors pass away, the mantel of responsibility for telling survival stories rests on the second generation.” I would go further and say even those with no direct connection owe it to those who suffered to ensure their stories continue to be heard. Indeed, the fact The Young Survivors is written from the perspective of the Laskowski children, I think means the book would be both accessible and educational for teenage readers.

I found The Young Survivors an absorbing story of loss, separation, courage and hope.

In three words: Authentic, factual, moving

Try something similar: The Hidden Village by Imogen Matthews or Living Among the Dead by Adena Bernstein Astrowsky

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Debra Barnes
©Adam Soller Photography

About the Author

Debra Barnes studied journalism and has contributed to the Jewish News. Since January 2017 she has run a project called My Story for The Association of Jewish Refugees (AJR) to produce individual life story books for Holocaust survivors and refugees. She has been interviewed by BBC Radio regarding her mother’s story and has had a short documentary made about her research. Debra lives in North London and The Young Survivors is her first book.

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#BookReview Paris Savages by Katherine Johnson @AllisonandBusby

Paris Savages twitter blog tourI’m thrilled to be joining my tour buddies, Adele at Kraftireader and Laura at Laura Patricia Rose, in hosting the first stop on the blog tour for Paris Savages by Katherine Johnson. The book will be published by Allison & Busby on Thursday 23rd July but is available to pre-order now.

My thanks to Lesley at Allison & Busby for inviting me to take part in the tour and for my digital review copy via NetGalley. 


9780749026028 paris savages hbAbout the Book

Fraser Island, 1882. The population of the Badtjala people is in sharp decline following a run of brutal massacres. When German scientist Louis Muller offers to sail three Badtjala people – Bonny, Jurano and Dorondera – to Europe to perform to huge crowds, the proud and headstrong Bonny agrees, hoping to bring his people’s plight to the Queen of England.

Accompanied by Muller’s bright, grieving daughter, Hilda, the group begins their journey to belle-epoque Europe to perform in Hamburg, Berlin, Paris and eventually London. While crowds in Europe are enthusiastic to see the unique dances, singing, fights and pole climbing from the oldest culture in the world, the attention is relentless, and the fascination of scientists intrusive.

When disaster strikes, Bonny must find a way to return home.

Format: Hardcover, ebook (352 pages) Publisher: Allison & Busby
Publication date: 23rd July 2020           Genre: Historical fiction

Find Paris Savages on Goodreads

Pre-order/Purchase links*
Publisher | Hive (supporting UK bookshops)
*links provided for convenience not as part of an affiliate programme


My Review

In her Author’s Note, Katherine Johnson describes Paris Savages as “a work of imagination” inspired by a little-known true story. That story involves three Aboriginal people – Bonangera (known as Bonny), Dorondera and Jurano – members of the Badtjala tribe, who were taken from their home on K’gari (Fraser Island) to Europe as living exhibits in 1882-83.

Katherine also explains her choice not to assume Aboriginal viewpoints in telling the story. So, alongside the narrative told from the point of view of Hilda Muller, daughter of the German scientist who organises the trip, and excerpts from Hilda’s journal, a “ghost storyteller” provides the reader with an insight into Bonny’s experiences. Initially, I was unsure about this element of magic realism but I came to see it as a way of replicating, honouring even, the belief of the Badtjala people in spirit guides and an oral storytelling tradition.

For Hilda, the trip to Europe is a process of disillusionment as her trust in her father’s judgment and motives are tested. “Surely he would not have anything to do with a venture that collects people as curiosities and promises them ‘fancy articles’, as if they were children.” She is torn between her love for her father, still grieving the death of Hilda’s mother, Christel, her desire to support him in bringing to fruition her mother’s dream of a reserve for the threatened Badtjala people, and her doubts about the trip.

When they arrive in Europe, the initial excitement that greets them soon gives way to misgivings about how they are being represented in the displays organised for the paying public. They are exhibited as curiosities, forced to engage in often unrepresentative activities, or dance displays that ignore their traditional meaning. “That is where the interest lies. Natural. Exotic. Picturesque.” It poses the question, who are the savages? Those on display, or those who watch?

Alongside the “human zoos”, I’m sure I’m not the only reader to share Hilda’s growing sense of horror at the indignities and pseudo-scientific procedures to which the three Badtjala people are subjected. With a growing sense of guilt she wonders if she has led her ‘friends’, as she thinks of them, into a terrible trap.

Hilda becomes increasingly dismayed at the gulf between the enlightened views inherited from her mother and those of many of the supposedly educated individuals she encounters. She wonders, “Was she so different from most whites in her beliefs? Had her mother indeed been as alone in her opinions as she had said?” She recalls the words of her mother that “we do not need rulers and lengths of tape to see that our friends are as human as we are”.

At one point the ghost storyteller whispers to Bonny’s son back on K’gari, “Sorry, Little Bonny, if this story is becoming difficult for you to hear. It is becoming difficult, too, to tell.” The story of Bonangera, Dorondera and Jurano is a difficult one to read, especially as it is based on fact. I think we’d all like to imagine we have come a long way since the days when human beings were exhibited in zoos and freak shows. However, as recent events have demonstrated, ending inequality, valuing other cultures, and protecting the natural world are still live issues.

In highlighting the story of Bonangera, Dorondera and Jurano, Paris Savages not only provides a fascinating, if disturbing, insight into the past but is a timely reminder that challenges still remain in how we treat one another.

In three words: Fascinating, moving, thought-provoking,

Try something similar: Mr Peacock’s Possessions by Lydia Syson

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Katherine Johnson author Paris SavagesAbout the Author

Katherine Johnson lives in Tasmania with her husband and two children. She is the author of three previous novels and her manuscripts have won Varuna Awards and the Tasmanian Premier’s Literary Prizes. She recently completed a PhD, which forms the basis of her latest novel, Paris Savages.

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