#BookReview Ghosts of Spring by Luis Carrasco @epoque_press

Ghosts of Spring Final Cover ImageAbout the Book

A young girl, anonymous and ignored, sits through a cold, hard west-country winter, begging for change and searching for a warm place to sleep.

Ghosts of Spring explores one girl’s desire to transcend the limits of her environment and forge a new life against all the odds.

Format: Paperback (192 pages)       Publisher: époque press
Publication date: 24th March 2022 Genre: Contemporary Fiction

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My Review

When a book is described by Claire Fuller, author of the Costa Award winning Unsettled Ground, as a ‘carefully observed and deeply moving story’ and its author is described as ‘a wonderful writer’ by Sharon Duggal, author of Should We Fall Behind, you know you’re in for something special.

At first sight, Ghosts of Spring is very different from the author’s previous novel, El Hacho. It’s a story about urban homelessness and the day-to-day challenges of living on the streets told from the point of view of one young woman. We never learn her name or what precisely has occurred in her life to bring her to the point where she is alone and homeless. What we do know is it’s cold, bleak and winter is coming with a vengeance. We live alongside her as she struggles through each day, rummaging through charity bags for clothing to help withstand the cold or begging for change so she can buy a cup of tea, all the time guarding her meagre possessions from being stolen. The level of detail is extraordinary even down to the practicalities of dealing with menstruation.

The book is unflinching in its depiction of the plight of those forced to live on the streets, how they become seemingly invisible to the rest of society. ‘Hidden in plain sight amongst them, in nooks and doorways and sitting with heads hanging against cold stone walls are huddled shapes, blanketed and inert… Ghosts of flesh, they are here and everywhere and nobody sees a thing’.  Just as the girl is nameless so are the other street dwellers she encounters, known only by the monikers she has given them – ‘Tiger-Beard’, ‘Shouts-A-Lot’ or ‘Lives-In-A-Tent’.

The girl’s experiences have forced her to develop ‘gnarly protective instincts’ and to trust no-one.  The exception is Suni, a woman in a similarly vulnerable position but who is at least able to offer the girl a meal from time to time. When a series of events occur that starkly illustrate the dangers of life on the streets, for women in particular, the girl leaves the city without much idea of her destination. She arrives in the picture postcard village of Burford, thinking there may be rich pickings from the tourists who flock there.

Initially, the girl finds herself just as invisible as she did in the city until a random act of kindness changes everything. She is introduced to the beauty of the natural world exploring a very different landscape to the grim one she left behind.  ‘She looks up over the fields to a fleet of sculpted white clouds running across the swathe of blue sky.’ We learn that generosity does exist in the world and there is the possibility of a different future.

I was one of the legion of fans of Luis Carrasco’s first novel El Hacho. It’s a skill to be able to pack so much into a relatively short book but, in Ghosts of Spring, he has managed it again. The book pulls no punches in its depiction of the daily experience of homelessness but it is, ultimately, a story of hope and the resilience of the human spirit.

My thanks to Sean at époque press for my review copy.

In three words: Tender, thought-provoking, eloquent

Try something similar: Small Things Like These by Claire Keegan

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Luis Carrasco PhotoAbout the Author

Luis Carrasco lives and writes in Gloucestershire. His debut novel El Hacho was published by époque press in 2018.

Ghosts of Spring is his second novel.

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#Extract Ranger by Timothy Ashby

I really enjoyed Timothy Ashby’s book In Shadowland, the second in his series featuring Special Agent Seth Armitage, when I read it back in 2017. You can read my review of In Shadowland here and also my earlier Q&A with Timothy about the book.

He’s now back with a new book, Ranger, an adventure novel set in the 18th century featuring a mixed-raced hero who overcomes overwhelming obstacles to succeed as a British military officer. The author describes him as ‘a black Sharpe, a la Bernard Cornwell´s famous series’.

I’m delighted to be able to bring you an extract from Ranger but before that let’s find out a bit more  about the book.

Ranger CoverWest Indies, 1796. Alexander Charteris – the mixed-race son of an aristocratic planter and a slave mother – is raised as a gentleman amidst the country houses and London drawing rooms of Georgian England. Tricked out of his inheritance by his cousin Pemberton – Chart is kidnapped and transported to the island of Grenada where he endures the hell of slavery on a sugar plantation. When Pemberton arrives at the plantation, accompanied by Chart’s former lover, Lady Arabella, he orders Chart’s torture and execution.

A slave revolt ensues, before the order can be carried out. Chart initially joins the revolutionaries but is sentenced to death for refusing to take part in a massacre of British colonists. Aided by the beautiful daughter of the rebel general, Julian Fédon, Chart escapes. He is recruited into a new British unit called the Loyal Black Rangers and promised freedom if he fights against the French.

Chart confronts conflicting loyalties as he leads his men in vicious bush-fighting. He rises through the ranks and plays a pivotal role in the bloody battle that crushes the rebellion. But the soldier must confront one more enemy, that of his treacherous cousin, before he can find peace.

If you like the sound of Ranger as much as I do it’s available to purchase now either as an ebook or in paperback from Amazon UK and Amazon US. Look out for my review of the book just as soon as I can find the time to read it.


Extract from Ranger by Timothy Ashby

Julien Fédon had not slept. His entire being was suffused with bitter disappointment that had long since swept away the vestiges of defiance. He had stood by the battery below the guillotine for most of the night after drafting his final manifesto under the brooding eyes of his officers. Just before midnight his daughter Céleste had begged him in choking sobs to go to the side of her dying mother who was asking for him. But he ignored her and sent her back to the family’s simple hut under guard.

Now he watched hundreds of bivouac fires dotting the dark valley around his former home, seeing how they flickered like fireflies as troops moved past them. Abercromby’s army was massing at the foot of the mountain and he knew the redcoats would attack at dawn. The Brigands could delay the infantrymen as they struggled up the slope but would be unable to repel them. He was especially fearful of the Black Rangers and their German comrades in arms, who he expected to be in the vanguard. But the rebel general had an escape plan; it was risky but needed to bolster his men’s spirits so they would not feel trapped.

A last act of revolutionary bravado was needed. When Abercromby trained his telescope on Camp de la Mort as the sun rose, he would see the quartered pieces of the English milord dangling from the top of the guillotine, and his aristocratic head would be the final missile launched from the mortar.

Fédon turned to the renegade French captain Noguet. “Fetch the English colonel here. Take two men in case he must be carried.”

******

Chart’s fingers scrabbled across the side of the rough-hewn stock until he found the crude dowels securing Hugh’s arms and legs. Both were hammered too tightly into the holes to extract with his fingers.

“Is anyone else here with you?” he rasped.

“I’m the only living one left,” Hugh answered in a barely perceptible voice. “Couple of bodies in the far corner, I think.”

“Are you injured? Can you walk?”

“No and hopefully. Need water.”

“Need to get you out of here,” said Chart, coming to a decision. He took the mallet from his belt, felt for the bottom of the lowest dowel, and began gently tapping to loosen it. As he finished the upper pin a light appeared outside the doorway accompanied by voices speaking in guttural patois.

Chart leaned close to Hugh’s ear. “Keep still!” he hissed, then moved swiftly to the side of the doorway with a cutlass in one hand and sword bayonet in the other.

******

“You hear that?” the man carrying a rushlight torch said in a tremulous voice. “Coming from inside.”

“Lot of jumbies here round this place,” another Brigand said. “They make tapping sound like that!”

“Primitive nonsense!” snarled Noguet, who had failed to hear the noise which had now ended. “Ghosts do not exist!”

As the two ragged soldiers with slung muskets hesitated fearfully at the prison entrance, the French captain thrust forward, seized the torch and opened the door.

“Follow me,” he ordered, sweeping the torch over Hugh’s inert form as the men hesitantly followed.

“You see, no ‘jumbies’ here,” Noguet sneered, “just the milord, although he does look dead.”

Chart sprang from the darkness, whirling like the dervishes he had seen in Bengal. He swung the cutlass, nearly scalping Noguet, who screamed and let the torch fly into a heap of rags and dried thatch. Simultaneously, Chart stabbed the bayonet into the chest of one of the soldiers. Pivoting, he hacked and stabbed with an almost superhuman fury at the other man. Both Brigand soldiers were dead in seconds.

“Behind you, Chart!” Hugh gasped.

Chart spun to see Noguet, face twisted in a rictus of agony, fumbling for a pistol in his belt. Despite his blood-curtained face, in the light of the spreading flames Chart recognised him as the French officer who had ordered the killing of his friend Titus, the murderer of the concubine at La Sagesse and the commander of the firing squad that had massacred the British prisoners. Teeth bared in rage bordering on madness, Chart slashed open the Frenchman’s belly spewing his entrails like purplish serpents down his waist. Chart was on the verge of beheading Noguet as he dropped the pistol and doubled over, but halted the cutlass in mid-swing.

“Non,” he hissed in French, “you die slowly.”

Hooking the bloody cutlass to his cross belt, he dragged Noguet to the fire consuming the bamboo walls of the prison and hurled him into the flames, where the Frenchman convulsed and screamed weakly. Panting, he returned to Hugh, pulled out the loosened dowels and flipped open the heavy wood stocks.

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Timothy AshbyAbout the Author

Timothy writes: I explore the nuances of history through fiction and non-fiction.

I’ve always had a passion for history… and adventure. My formative years were spent on the Caribbean island of Grenada, where I rarely attended school, spending my days indulging in archaeology, sailing, diving and exploring. I spent my 21st birthday partying at the British Army’s Jungle Warfare Training camp – “Hummingbird Cottage” in Belize – and later I held a Top Secret security clearance while working throughout Latin America and the Caribbean on counter-narcotics and counter-terrorism operations with the US Joint Special Operations Command (JSOC).

To the surprise of family and friends (not to mention myself), I eventually added the alphabet soup of PhD, JD and MBA after my name, became a senior official in the US government, and spent the following years as an international lawyer and entrepreneur, during which time I rose early and spent weekends to indulge another passion – writing. During that time, I published four books and over 100 articles including scholarly pieces on Caribbean colonial history – “Fedon’s Rebellion” (Journal of the Society for Army Historical Research 1984) – and Scottish history – “Walsingham and the Witch: England´s Failed Attempt to Pacify King James VI” (History Scotland, August-September 2021). I also wrote for the Harvard International Review, The New York Times, US Naval Institute Proceedings and the RUSI Journal.

I’m now devoting 100 percent of my time to building my literary career. My narrative non-fiction biography, Elizabethan Secret Agent: The Untold Story of William Ashby (1536-1593) will be released in hardback on 30 March 2022 by Scotland Street Press, Edinburgh.

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