Book Review – Swan Song by Kelleigh Greenberg-Jephcott

About the Book

To the outside world, they were the icons of high society — the most glamorous and influential women of their age. To Truman Capote they were his Swans: the ideal heroines, as vulnerable as they were powerful. They trusted him with their most guarded, martini-soaked secrets, each believing she was more special and loved than the next…

Until he betrayed them.

Format: Paperback (496 pages) Publisher: Windmill
Publication date: 14th June 2018 Genre: Historical Fiction

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My Review

Capote believed his (never-finished) novel, Answered Prayers, would be his crowning achievement as an author, a work comparable (in his own mind) to that of Marcel Proust. Crippled with writer’s block he decided to allow the first few chapters of the novel to be published in Esquire magazine. They depicted the thinly disguised lives and scandals of his closest female confidantes, the six women he referred to as his ‘swans’ – C.Z. Guest, Babe Paley, Marella Agnelli, Slim Keith, Lee Radziwill, and Gloria Guiness  They never forgave him.

Pretty soon after I began reading Swan Song I wondered if I really wanted to spend time amongst a group of privileged women whose most pressing decisions seemed to be what to wear, where to lunch and with whom. Or with a man, Truman Capote, who was prepared to reveal their most intimate secrets – shared with him, so they believed, in confidence – in order to perpetuate his reputation as an author. In addition, a man with the most affected speech and mannerisms, who created cringeworthy nicknames for his ‘swans’ and possessed an insatiable appetite for gossip, the more scurrilous the better.

Slowly though I began to become more interested in these women, particularly those who had taken charge of their own destinies, working their way up from nothing. I started to see the women beneath the glitzy lifestyle of endless parties, vacations in glamorous locations, visits to the beauty parlour and costumiers. I got an insight into their frustrations, disappointments and failed relationships and began to see them as individuals not as some homogenous group. I found myself particularly drawn to Barbara “Babe” Paley’s story and moved by events later in her life.

The author’s bold choice to have the women act like a Chorus in a Greek tragedy, recounting their stories but also, omnisciently, Capote’s story did work for me. Often astute, sometimes wry and acerbic, they tempered their disappointment at Capote’s betrayal with a degree of compassion. After all he was excellent company, an entertaining conversationalist and a generous host for whom no extravagance seemed too over the top. Many of them looked upon him as a friend, a confidante with whom to share problems and someone to cheer them up when they felt down.

I’m not sure I ever got over my dislike of Truman Capote although the author made a great effort to detail his troubled childhood, abandoned for long periods by a mother he nevertheless adored. He came across as needy, self-absorbed and at times rather cruel. I had little sympathy for his ostracization by the women whose confidence he betrayed. Having said that I couldn’t help being moved as we witness his gradual decline, the result of alcohol and drug abuse.

The book moves back and forth in time so does demand a degree of concentration from the reader. However, Swan Song is a fascinating glimpse into the lives of the rich and famous in 1960s and 1970s New York with walk-on parts for celebrated film stars, authors and politicians. Above all, it’s a story of hubris. I’m glad I (finally) made time to read it.

I listened to the audiobook read by Debora Weston. Overall I think she did a great job but I found Truman Capote’s high-pitched, rather child-like voice (although no doubt a fairly accurate representation) grated on me over the 17 hours it took to listen to the book.

In three words: Fascinating, incisive, authentic

About the Author

Kelleigh Greenberg-Jephcott was born and raised in Houston, Texas, before coming to call Los Angeles and London her adopted homes. She is a graduate of UEA’s Creative Writing MA course and was the winner of the Bridport Prize Peggy Chapman-Andrews Award. Swan Song, her first novel, was longlisted for the Women’s Prize for Fiction 2019.

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The Winston Graham Historical Prize 2026 @Cornwall_Museum @ardevor #WGHPrize

It’s a busy time of year for literary prizes, whether it’s the announcement of winners (The Baillie Gifford Prize for Nonfiction, The Booker Prize), the publication of longlists and shortlists, or the closing dates for submission of entries (The Women’s Prize for Fiction/Nonfiction 2026, The Walter Scott Prize for Historical Fiction 2026). Also in the latter category is The Winston Graham Historical Prize 2026, entries for which closed on 1st October.

Author Winston Graham
Winston Graham

The Prize is the result of a bequest by Winston Graham, author of the Poldark series, to the Royal Institute of Cornwall, the charity which runs the Cornwall Museum & Art Gallery in Truro. Winston Graham researched many of his bestselling novels in the Royal Cornwall Museum’s Courtenary Library. Originally limited to books set in Cornwall or the South West, the Prize was relaunched in 2024 with a nationwide scope.

To be eligible for the 2026 Prize, novels must have been published in the UK between 30 September 2024 and 30 September 2025, set at least 60 years ago in the UK and Ireland with a strong sense of place, and written by authors resident in the UK. The prize is unusual in that the shortlist is created by a Readers’ Committee who whittle down the entries to just a handful of novels.

Last year’s prize was awarded to Andrew Miller’s novel The Land in Winter, which also won the Walter Scott Prize for Historical Fiction 2025 and is shortlisted for the Booker Prize. Many of the books on last year’s shortlist I’ve either read or have in my TBR pile.

Previous winners of the Winston Graham Historical Prize include Benjamin Myers for Cuddy, Kayte Nunn for The Botanist’s Daughter, Ian Mortimer for The Outcasts of Time and Martin Sutton for Lost Paradise.

The shortlist for the 2026 Prize will be published in January (something for us fans of historical fiction to look out for) and the winner, determined by a judging panel chaired by author Charlotte Hobson, will be announced at a ceremony at the Cornwall Museum & Art Gallery in March.