Author Interview – The Keeper of Secrets by Maria McDonald @mariamacwriter @Bloodhoundbook

Publication of your novel is always a special day for an author so I’m grateful to Maria McDonald for letting me join in with the celebrations to mark the publication today of her latest book, The Keeper of Secrets. You can read Maria’s fascinating answers to my questions below as well as read an extract from the book.

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About the Book

Book cover of The Keeper of Secrets by Maria McDonald

In May 1917 the Americans sailed into Cork to join the Great War. When they left two years later, they brought their war brides with them, including Lizzie McCarthy. Still reeling from the tragic death of her sister Maggie, Lizzie leaves Ireland hoping for a better life with her new husband Ed Anderson.

Lizzie soon finds that America is not the land of opportunity she thought it was. Despite the obstacles in her path, she makes a good life for herself and her family. Ed’s sisters become her closest friends and allies. At home, Ireland’s bloody civil war ends. Lizzie’s brother Jimmy joins her and becomes part of the family until he feels compelled to return to a new independent Ireland.

But another conflict is on the horizon, and as their family grows and plants roots in America, they take the once-unimaginable step of boarding a plane and visiting Ireland. Once there, will Lizzie finally learn the truth about her sister’s death? 

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Q&A with Maria McDonald, author of The Keeper of Secrets

Q. The Keeper of Secrets is set in the aftermath of the First World War. What attracted you to this period in particular?
A. I am fascinated by this period in Irish history. What happened in Ireland, and worldwide, still resonates today. As a country we finished our Decade of Commemorations last year. Those commemorations marked the 100th anniversary of the First World War, The Home Rule Campaign, The Easter Rising, The War of Independence, The partition of Ireland and the Irish Civil War. It was a complex time in our county’s history.

Q. How did you go about creating your main character, Lizzie McCarthy? Did she change much during the time you were writing the book?
A. A few years ago, I saw a documentary about Irish war brides made by historian Damien Shiels. His research was fascinating and sparked an idea to write their story. Lizzie is an amalgamation of several of those war brides and other strong women I have encountered over the years. The story begins when Lizzie is twelve and her Irish twin Maggie dies in awful circumstances. It ends shortly after Lizzie returns to an Ireland changed beyond recognition. The original title of the book was Lucky Lizzie. It was a nickname her father gave her in childhood and one she felt she earned throughout her life, despite the hardships she had to endure. Lizzie was a born optimist.

Q. How did you approach your research for the book, and did you discover anything that surprised you?
A. The stories of the War Brides were a revelation. I started with the documentary, then looked up Damien Shiels website. From there Google became my best friend. I read newspaper articles, old and new, both Irish and American. There are numerous websites offering information and photographs on Irish history. Because it is a time period in Irish history that I am familiar with, I enjoyed writing Lizzie’s story until she left to travel to America. Then I got stuck. It took some time and a lot of research to decide where she was going to. I settled on Pensacola in Florida. I made that decision based on the history of that area. Construction of the naval base in Pensacola commenced in 1826. I have cousins who live there, emigrants from Ireland in the 1960s.

When I investigated life in Florida in the 1920s, I was shocked by the extent of the Jim Crow laws on legal racial segregation. Like many people I was aware of the racial discrimination in the American south, but I don’t think I understood the impact until I realised that Lizzie would have lived through it. As a young Irish woman in 1919 she would never have seen a person of colour before. But as an Irish woman born to farm labourers on an estate owned by English gentry, she would have experienced prejudice based on her religion, her nationality and her socio-economic background.

Q. Were there any scenes that were particularly challenging to write? If so, why?
A. The scenes where Lizzie and her mother visit her sister Maggie in hospital were hard to write. There are so many Irish women who suffered at the hands of the Catholic church who still have never received justice.

Q. What is your favourite and least favourite part of the writing process?
A. Research is my favourite part of writing. So much so, that sometimes I get lost in the research and forget to write the story. In The Devil’s Own my editor cut whole chapters, where I wrote too much fact and not enough fiction.

Q. How will you be celebrating publication day?
A. I may venture to my local, O’Rourke’s Bar, which has been a feature of the main street in Newbridge for over 120 years and in the hands of same family all that time. It started life as a grocery store cum pub cum off license. The father of the current owner was one of the original firefighters in our town. But it is also a busy week with adult children returning home for Easter. My local bookshop, Farrell and Nephew, are hosting a book launch of The Keeper of Secrets on Saturday 6th April at 2pm. I look forward to that and will celebrate on that day.

Q. What are you working on next?
A. I am currently working on a new book about yet another strong Irish woman. Amanda was born in County Down into a Unionist family. Her father was an officer in the British forces, her friends are landed gentry. She marries Lord Glassdrumman, but her married life is not what she expected it to be. She finds herself drawn to the Irish Literary Revival and to the cause for women’s suffrage. As usual, I have bogged myself down in the research and am now only halfway through writing the story when my first draft should have been finished. I can only say that the stories of these strong Irish women have kept me enthralled. Women such as Maud Gonne, Countess Markievicz, Eva Gore Booth, Alice Milligan, Anna Johnston and Lady Gregory.

I am also working on a joint project with my writers Group. The Ink Tank Creative Writing Group have been meeting since 2018. We published two anthologies in 2019 and in 2020, each raising €3000 for charity, but our latest project was a challenge. We wrote a relay book. The premise was: ‘What happens when a small-town writing group is taken hostage in their local library? Lives will be threatened, and mayhem will ensue. Will anyone survive unscathed?

Seven members of the group took up the writing challenge, while several others took up the task of editing. We didn’t expect the twists and turns our story took but with seven different writers, it was inevitable. The final product is now ready for readers. We launch in Newbridge library on 4th April with all proceeds going to our local Samaritans.


Extract from The Keeper of Secrets by Maria McDonald

Chapter 1 – Knockrath Manor, 1912

It was Da who nicknamed me Lucky Lizzie. I was born in the first minute of the first day of the 20th century. Da said that I brought luck and joy to the whole family, but mostly luck, for it was after I was born their fortunes changed for the better. Our family was offered a cottage on the grounds of the big house Ma and Da both worked in. Primrose Cottage sat at the edge of the woods, its half door permanently open, slivers of smoke trailing into the sky from the open fire which always had a pot of soup or stew bubbling away in preparation for the family evening meal together. My mother insisted that we always ate together. She swore that the family who eat together and pray together, stay together. So that’s what we did.

The Haughton family were in residence in the big house during the summer months and during those months my ma, Catherine McCarthy, spent her morning baking bread and cakes for the family then hurried home to cook and clean for her own family. My da, Mick McCarthy, worked on the estate. He was a large man, hands like shovels they used to say, which everyone continued saying for years afterward, the one abiding memory of Mick McCarthy, big hands, big heart. He would arrive home in the evenings and grab Ma, the two of them laughing as his hands encircled her narrow waist and he danced her around the table, before whisking his children to join in, his rich baritone booming out, warm and engulfing everyone. Our home was a happy one, full of love and laughter.

My sister Maggie and I are what was known as Irish twins: born in the same year, me in January, Maggie in November. Maggie was the pretty one, dark hair, slim figure, everyone said so. Da used to say that she’d steal hearts when she was older. Jimmy was the baby, three years younger than Maggie. Blond, bonny and smart as a whippet, us girls treated him like a doll. We walked the two miles to school in the village every morning and back to the estate in the afternoon. Then after we’d finished the jobs set out for us by Da, we frolicked in the woods, gathering flowers in the spring and berries in the autumn. Da taught us how to grow vegetables in a plot to the side of our cottage and Ma taught us how to make preserves from the berries we picked in the autumn. It was an idyllic life.

I’ll never forget my first interaction with Lord Haughton, the landowner and master of the estate. It was on a summer afternoon when I went to the kitchen door of the big house with Ma’s coat. She had left it on the hook on the back of the door on that bright sunny morning, but the afternoon had brought dull and persistent rain. We had spent the morning picking strawberries. I left Maggie and Jimmy washing them for Ma to make jam when she got home. It was a short ten-minute walk to the back of the big house, and I could feel the rain soaking through my outer clothing as I reached the kitchen yard. I turned to look back but from that vantage point all that could be seen of our home was a wisp of smoke blending into the grey sky. “Good afternoon.” The strange voice came out of nowhere. I stepped back abruptly, my hand to my chest. The outline of a tall, thin person stood in the open doorway of a small building to the left of the yard. Recognising Lord Haughton, I recovered my composure, nodded and curtsied in his direction.

“Hello, sir.”

“And what are you doing, sneaking around the backyard of Knockrath Manor?”

“My mother’s coat, sir. I thought she might need it.”

He beckoned me and, with a glance at the firmly shut kitchen door, I stepped towards him. He lunged forward and grabbed my hand, pulling me forcefully into the shed. It smelt of butter and cream and I realised that it was the outhouse used for making and storing cheese. “And your mother is?”

Stunned, I stared into the face of the master. He was towering over me, taller than my da even, but thin like a rake, with thin pale lips drawn in a straight line.

“Mrs… Catherine McCarthy, sir.” I stuttered over my mother’s name as if I had never said it before.

“And you are…?”

“Lizzie, sir.” And I curtsied again.

“Well, well.” He spun me around. “Quite the young woman now, Lizzie McCarthy. You certainly have grown up since I saw you last.”


About the Author

Author Maria McDonald

Originally from Belfast, Maria McDonald lives in Kildare, with her husband Gerry. After raising four children to adulthood, they are having great fun with their grandchildren. 

Maria is an avid reader who loves to write but only indulged in her passion for writing fiction after retirement. Since then, her short stories and articles have been published in Woman’s Way and Ireland’s Own, as well as numerous anthologies; Intermissions, Grattan Street Press Melbourne; Same Page Anthology, University College Cork; Fragments of Time, Amber Publishers.

Maria is a founder member of Ink Tank Writing Group, based in Newbridge library and contributed to their anthologies, Timeless in Kildare and Let Me Tell You Something.

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Book Review – Death on the Thames by Alan Johnson

About the Book

Book cover of Death on the Thames by Alan Johnson

1999. A young Detective Constable Louise Mangan crosses the Thames one misty morning in pursuit of a killer. She finds a tranquil community on a leafy island close to Hampton Court Palace, but soon realises that all is not as it seems. There is something evil at play in this quiet suburb, and this junior detective’s questions seem only to scratch the surface.

Twenty years later, a horrific fire brings Detective Chief Superintendent Mangan back to that same island. Soon, she discovers that murder was just a drop in these dark waters.

The river runs deep, and the tide is rising at last. Will the truth rise with it?

Format: eARC (336 pages) Publisher: Wildfire
Publication date: 28th March 2024 Genre: Crime

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My Review

Alan Johnson moved from writing award-winning memoirs to writing crime fiction in 2021 with the publication of The Late Train to Gipsy Hill, a book I very much enjoyed.

In the first half of this third book in the series, we travel back to 1999 to meet the young Louise Mangan, then a Detective Constable. Despite being obviously capable, she is experiencing the persistent and ‘casual’ misogyny that pervaded the Metropolitan Police at the time. (Many would argue it still does, and this is picked up again in the second part of the book.) Louise is frustrated at being sidelined from major operations and having her suspicions that the man arrested for a series of assaults on women may not be the culprit. Louise decides to pursue her own enquiries but the success of a major police operation to close down a drug smuggling operation sees her moved off the case despite, in her mind, there being plenty of loose ends still to be tied up.

One of the interesting things about this part of the book is how much that we now take for granted in police investigations was in its infancy in 1999. For example, the DNA database was still regarded as ‘nascent technology’ and DNA samples were not routinely checked. And the Metropolitan police were only just beginning to use electronic forms of communication, in the face of some resistance.

The second half of the book moves us on twenty years, to 2019. This is where I came a little unstuck because, although I own a copy of the second book, One of Our Ministers is Missing, I haven’t yet read it. Between the first and this third book, Louise Mangan’s career has obviously progressed significantly. There have also been big changes in her private life since 1999. The latter go pretty much unexplored with some surprising omissions. The misogyny Louise experienced in the first part of the book, although less widespread, is still there and, mirroring recent events in the Metropolitan police, there are officers whose conduct really should mean they have no place in the police force. Louise is also frustrated about the Met’s record on tackling violence against women and girls, again reflecting contemporary concerns.

The author really ups the twists and turns of the plot, and the thriller element in the final quarter of the book. Louise’s persistence – and some intelligence from an unlikely source – eventually leads to a group of dangerous criminals being brought to book and a longstanding mystery being resolved. And perhaps never believe what you’re told unless you’ve double-checked it, even triple-checked it, is sage advice? Louise also discovers startling evidence of an operation sanctioned at the highest level which raises the question: can the end ever justifies the means?

Death on the Thames is another well-crafted police procedural that left me hoping Louise can be persuaded against retiring for a little while longer.

I received an advance reader copy courtesy of Wildfire via NetGalley.

In three words: Intriguing, authentic, absorbing
Try something similar: Payback by R. C. Bridgestock


About the Author

Author Alan Johnson

Alan Johnson’s childhood memoir This Boy was published in 2013. It won the Royal Society of Literature Ondaatje Prize, and the Orwell Prize, Britain’s top political writing award. His second volume of memoirs, Please Mr Postman (2014), won the National Book Club award for Best Biography. The final book in his memoir trilogy, The Long and Winding Road (2016), won the Parliamentary Book Award for Best Memoir. In My Life – A Music Memoir was published in 2018 and his highly acclaimed first novel, The Late Train to Gipsy Hill, was published in 2021.

Alan was a Labour MP for 20 years before retiring ahead of the 2017 general election. He served in five cabinet positions in the Governments of Tony Blair and Gordon Brow, including Education Secretary, Health Secretary and Home Secretary.

He and his wife Carolyn live in East Yorkshire.