Book Review – Diva by Daisy Goodwin

About the Book

Book cover of Diva by Daisy Goodwin

In the glittering and ruthlessly competitive world of opera, Maria Callas is known simply as la divina: the divine one. With her glorious voice, instinctive flair for the dramatic and striking beauty, she’s the toast of the grandest opera houses in the world. Yet her fame has been hard won: raised in Nazi-occupied Greece by a mother who mercilessly exploited her, Maria learned early in life how to protect herself.

When she meets the fabulously rich shipping magnate, Aristotle Onassis, her isolation melts away. For the first time in her life, she believes she’s found a man who sees the woman rather than the legendary soprano. Desperately in love, Onassis introduces her to a life of unbelievable luxury, mixing with celebrities like Elizabeth Taylor, Richard Burton and the Duke and Duchess of Windsor.

And then, suddenly, it’s over. The international press announce that Onassis will marry the most famous woman in the world, former First Lady Jacqueline Kennedy, leaving Maria to pick up the pieces.

Format: eARC (336 pages) Publisher: Head of Zeus
Publication date: 14th March 2024 Genre: Historical Fiction

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My Review

It’s 1956 and Maria Callas is at the height of her fame but conscious that her extraordinary vocal ability cannot last forever. Her life is a whirlwind: travelling to different cities across the globe for performances, having dress fittings with her couturier and attending glamorous parties – the sort of parties where Cary Grant greets you as he walks past your table, Maurice Chevalier comes over to wish you happy birthday, and the Duke and Duchess of Windsor pop over for a chat.

But maintaining the persona of la divina comes at a cost. Conscious of having been overweight as a child, Maria seemingly subsists on a diet of steak tartare and green salad in order to maintain an unnaturally trim figure, hides her shortsightedness behind sunglasses and avoids anything that might risk damaging her voice.

The author shows us Maria the woman, not just the diva. Maria’s relationship with her mother – never strong because of Maria’s suspicion that she always favoured her sister – has broken down completely and will later descend into a war of words and accusations. She’s in a stale marriage in which her husband has become more a manager of her theatrical engagements than a lover. (He, however, remains fiercely devoted to her and I felt great sympathy for him.) Although surrounded by people, she comes across as rather lonely, with her maid the only person she can truly rely on or confide in.

It’s no surprise then that Maria is attracted to Aristotle Onassis, who showers her with attention and a constant stream of expensive gifts. She believes it is Maria Callas the woman he desires, not Maria Callas the opera star. They embark on a passionate affair, under the nose of Onassis’s wife who is finding her own pleasure elsewhere. (I confess I found the sex scenes between Onassis and Maria a little squirmy.) Ignoring the warnings of others and despite being aware of Onassis’s many past dalliances, she believes their relationship is different. ‘Maria knew that she was not some conquest, she was his equal: a Greek of humble origins who had made herself into a world-famous star but who, underneath, was like him – a simple soul.’

Oh dear, how wrong can she be… As she eventually discovers – and only after an act of the utmost cruelty and a very public humiliation – she’s just one in a long line of conquests. Another notch on his bedpost, if you like. While he’s servicing the current conquest, he’s already grooming the next one. And setting his sights higher than the world’s most famous opera singer, as it turns out.

In the end, all Maria is left with is what dignity she can muster and her ability to hold an audience spellbound with that glorious voice, a thing that only time can take away.

Diva gives us the highs and lows, the triumphs and tragedies of Maria’s life. It’s an absorbing work of fiction but necessarily departs from fact in some places.

Book cover of The Callas Imprint: A Centennial Biography by Sophia Lambton

If you’re keen to learn more about the life and career of Maria Callas, The Callas Imprint: A Centennial Biography by Sophia Lambton contains never-before-seen correspondence, including letters between Callas and her manager, and interviews with friends of Callas, many of whom have rarely spoken before.

The Callas Imprint was published on 2nd December 2023, the 100th anniversary of Maria Callas’ birth. You can find more details about the book here.

I received a digital review copy of Diva courtesy of Head of Zeus via NetGalley.

In three words: Romantic, glamorous, compelling
Try something similar: The Second Marriage by Gill Paul


About the Author

Author Daisy Goodwin

Daisy Goodwin’s work as a TV producer and presenter includes Reader I Married HimBookworm and The Nation’s Favourite Poems; she is also the creator of Grand Designs and the hit Itv drama Victoria, which has sold to 134 countries. She has edited numerous poetry anthologies, including the bestselling 101 Poems That Could Save Your Life, and is the author of Silver River, a memoir, as well as three bestselling novels: My Last DuchessThe Fortune Hunter and Victoria. Her work has been translated into seventeen languages. (Photo/bio: Publisher author page)

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Kill All The Dogs by Rick Berry @rickberryauthor @SpellBoundBks

My guest today on What Cathy Read Next is Rick Berry whose debut novel Kill All The Dogs was published on 28th January by SpellBound Books and is described as ‘jaw-dropping part psychological drama, part political satire. As every author knows, promoting your book to potential readers is a task that never ends. That’s where book bloggers come in, so I’m pleased to be able to bring you an extract from the book that will, I hope, whet your appetite to click on that ‘Buy Now’ button.

Kill All the Dogs is available to purchase from Amazon UK in paperback and as an ebook.


About the Book

Book cover of Kill All The Dogs by Rick Berry

Are we defined by the things that happen to us, or the things we make happen to others?

Ten-year-old Nathan Hyde is playing in a tree house, when he witnesses a vicious attack on his best friend’s younger sisters. Life is never the same again.

Many years later, Nathan finds himself in the lower reaches of a government department, when an opportunity to confront his demons and enact revenge presents itself.

A mystery illness is taking hold in the population, at the very moment a scheming, attention-seeking politician becomes Nathan’s new boss.

It can’t happen, can it? In the farcical world of politics, anything is possible. Nathan Hyde is going to kill all the dogs.

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Extract from Kill All The Dogs by Rick Berry

Skye is Nathan’s office friend. She’s been away for six months on secondment to another team, and this is her first day back. He’s been looking forward to her return. That was another reason to hide in the meeting room, to not let her see that. 

“You’re back,” Nathan says.

“Before you decide whether to talk to me, let me tell you the most interesting thing I learned during my time in medical regulation. Then you can determine whether I am entertaining enough for you.”

She used to have her hair down, hanging just below her shoulders. Today she has it tied up. Nathan wants to know how it’s fastened but he can’t tell. Two loose strands, faintly brown, almost yellow, are hanging around her neck, the ends touching the skin.

“I’m listening,” Nathan says, smoothing down the corners of his newspaper.

The thing Nathan likes best about Skye is that she always wants to talk about work. Nathan is similar, except that he can only talk about work, but that makes them compatible enough.

“Great,” Skye says. She pulls out the chair next to Nathan’s so it’s diagonal to the table, and sits down. She’s beside him and facing him at the same time. He wants her to cross her legs so her foot dangles near to him, but she doesn’t. She puts both feet down on the floor like she doesn’t care where they go. Nathan likes that even more.

“Before I start, tell me everything you know about the regulation of dandruff shampoo.”

Nathan lets a second pass, then says, “Done.”

Skye laughs. “Well, let me educate you. We were being lobbied quite hard by a start-up pharmaceutical with a new product under development, you know, to help smooth their way to regulatory approval. Same as always, you’ll say. But it threw up some questions that none of us could really answer, so I was asked to write a report on it. I was annoyed at first, but it ended up being a fascinating case study of post-Brexit regulatory mayhem.”

“My favourite words in the English language.”

“It turns out that three distinct legal regimes can apply to dandruff products. Three, Nathan!” Skye holds three fingers up in the air and spins them around, “And the manufacturers essentially get to choose which one they comply with.”

Nathan is interested now.

“Firstly,” she says, “it could be regulated as a medicine.” One finger in the air. “The shampoo is treating a medical condition, so it should be, really. But that’s a very strict set of rules to follow, with years of tests needed to prove efficacy before you can even market the product. So, we looked at option two.”  

She forgets to do the fingers, so Nathan holds his own up.

“Exactly,” she says. “They can call it a cosmetic instead, which might make sense, seeing as it’s on the same aisle as all the lime, honey and elderflower shampoos in the supermarket. But if it’s a cosmetic, then they can’t make any medicinal claims on the packaging. Even if it does have a medicinal effect. Isn’t that funny? They have to deliberately downplay the quality of their product.”

Nathan and Skye have had drinks after work a few times. The last time, at the end of the night Skye leaned in close to him. I think something’s happening, she whispered to him, but I want to be sure. The conference room has a frosted glass wall, so no-one would see if Nathan leaned over towards her now and asked quietly in her ear, Are you sure yet? But he doesn’t. He doesn’t want to stop her from talking. 

“What’s the third?” he asks. I’ll get another chance, he thinks.

But Skye’s stopped talking anyway. She leans back in her chair and stares at him for a few seconds. “Oh, the dandruff!” she says, finally. She holds three fingers in the air. “The third option is to have it regulated as a biocide. This is more of a catch-all regime, for anything that acts against a biological agent, and isn’t subject to other regulation. Standards are lower. But this is supposed to be for industrial products. Big shampoo doesn’t like the idea of their fancy products being regulated like common bleach, so they volunteer for one of the tougher regimes.”

Nathan laughs. “People can get away with anything in politics, can’t they?” he says. “Just make everyone look where you want them to look.”

“Well, they’re paying my wages and keeping me intellectually stimulated, so I can’t complain,” she says. “Anyway, now I’ve said all this, revealing myself to be the biggest policy nerd in the universe, it’s time you told me your thing.”

“What thing?”

“Your thing, Nathan. The thing that has kept you going recently. The problem you’re trying to figure out or the new idea you’re trying to get implemented.”

“I don’t have a thing,” he says. “There’s no point in anyone as far down the hierarchy as me having a thing.”

Skye tuts and gets up, says she has something to do before the meeting. “You’re wrong,” she adds. “It’s only the people at the bottom who do have things. They make you discard them before they promote you.” 

Skye leaves the room and Nathan is alone again. She is the one he likes.


About the Author

Author Rick Berry

Rick Berry is an author from Greater Manchester, now living in London. His debut novel, Kill All The Dogs, was published by SpellBound Books in January 2024. His short fiction has been published by Dream Catcher, The Letters Page, Cafe Irreal, Planet Raconteur and Bandit Fiction. In his day job he works in politics.

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