Book Review: All the Beautiful Girls by Elizabeth J. Church

All the Beautiful Girls UKAbout the Book

It was unimaginable. When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief.  Dancing proves to be Lily’s only solace, and eventually, she receives a “scholarship” to a local dance academy – courtesy of a mysterious benefactor.

Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust’s Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men – and figure out what real love looks like.

Format: ebook, hardcover (368 pp.)                   Publisher: 4th Estate
Published: 6th March (ebook), 5th April 2018    Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting local UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find All the Beautiful Girls on Goodreads


My Review

From the book description, I was expecting to be immersed in the atmosphere of 1960s Las Vegas and I definitely got that.  Elizabeth Church shows the reader both the surface glamour – the famous names, the glitzy costumes, the fantastic parties, the extravagant gifts – and the seedy underbelly – the drugs, the physical toll, the expectation to charm men attracted to the casinos by the beauty of the showgirls, to ‘give them memories’ to take home to their dull, everyday lives.  Lily/Ruby mingles with Dean Martin, Sammy Davis Jr. (‘a hepcat seducer who lured with junkie, fast-talking patter’), Paul Anka, Joe DiMaggio, Tom Jones.  She learns of key events of the 1960s – the assassinations of Martin Luther King and Robert Kennedy, the moon landings – while Vegas carries on regardless. However, eventually the glitter fades revealing a life that is shallow and empty. ‘Ruby was well aware that no one wanted her for who she was, for what she read or thought…To them, she was just like Vegas – all glitz and glamour.  An anonymous blur, like a passing freight train.’

However All the Beautiful Girls is more than just the story of a Las Vegas showgirl.  It’s a bildungsroman that charts Lily’s emotional journey as she struggles to overcome family tragedy, a traumatic childhood, thwarted ambition, the lure of the darker side of the showgirl lifestyle and find a sense of self-worth, acceptance and love.

When she leaves her hometown of Kansas, she seeks to reinvent herself, adopting a new name – Ruby Wilde.  ‘If Kansas could go from sea to prairie, if a frog egg could radically transform itself from an almost-fish with gills to an amphibian that left water for land, then Lily could transform, too.’  She dreams of becoming a dancer; dance being the one thing in her life that brings her joy.  Arriving in Las Vegas she sees only possibility, star struck by the glamour of her new surroundings.  ‘This, Ruby realized, is what happiness feels like.  Freedom.  Bubbling champagne, yellow birds, music and dance and neon and possibility.’

You somehow know it’s not going to be that easy.  The scars Lily bears are not just psychological and hers will be an emotional journey of success, love, loss and betrayal.  Aside from a few valued friends, the one positive and constant presence in Lily’s life is her faithful benefactor – the equivalent of a ‘fairy godmother’ – driven by motivations of their own.   In the end, it transpires that Lily is not the only one with secrets and I’ll readily admit the author took me completely by surprise at one point.  I do love an “I wasn’t expecting that!” moment in a novel.

I really enjoyed All the Beautiful Girls.  It turned out to be a much more intense read than I’d been expecting – in a good way – but it has to be said there are some scenes that are hard to read.   I loved Lily for her determination to follow her dream and to believe in herself, despite everything that happens to her along the way.  The way Lily overcomes the tragedies that befall her made me think a little bit of the film ‘A Star Is Born’, starring the wonderful Judy Garland.  What made it just short of 5 stars for me was the ending which wrapped up everything a little too quickly.

I received an advance reader copy courtesy of NetGalley and publishers, 4th Estate, in return for an honest and unbiased review.

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In three words: Powerful, emotional, intense

Try something similar…Woman Enters Left by Jessica Brockmole (click here to read my review)


Elizabeth J ChurchAbout the Author

Elizabeth J. Church is the author of The Atomic Weight of Love, which was a #1 Indie Next List selection and a Target Club Pick, and was shortlisted by the ABA Indies Choice Book Awards for adult debut book of the year and the Reading the West Book Awards for best adult fiction. All the Beautiful Girls is her second novel.

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Throwback Thursday: The Things We Learn When We’re Dead by Charlie Laidlaw

ThrowbackThursday

Throwback Thursday is a weekly meme hosted by Renee at It’s Book Talk.  It’s designed as an opportunity to share old favourites as well as books that we’ve finally got around to reading that were published over a year ago.  If you decide to take part, please link back to It’s Book Talk.

Today I’m reviewing The Things We Learn When We’re Dead by Charlie Laidlaw, published in January 2017.


TheThingsWeLearnWhenWereDeadAbout the Book

With elements of The Wizard of Oz, The Hitchhiker’s Guide to the Galaxy and The Lovely Bones, The Things We Learn When We’re Dead shows how small decisions can have profound and unintended consequences, and how sometimes we can get a second chance.

On the way home from a dinner party, Lorna Love steps into the path of an oncoming car. When she wakes up she is in what appears to be a hospital – but a hospital in which her nurse looks like a young Sean Connery, she is served wine for supper, and everyone avoids her questions. It soon transpires that she is in Heaven, or on HVN. Because HVN is a lost, dysfunctional spaceship, and God the aging hippy captain. She seems to be there by accident… Or does God have a higher purpose after all?

At first Lorna can remember nothing. As her memories return – some good, some bad – she realises that she has decision to make and that maybe she needs to find a way home.

Format: Paperback (501 pp.)       Publisher: Accent Press
Published: 26th January 2017      Genre: Fantasy, Science Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting local UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Things We Learn When We’re Dead on Goodreads


My Review

As Lorna adapts to her new surroundings on the spaceship, random objects she sees – M&S underwear, lamb cutlets, even a hamster – trigger memories from her past life.  At first these are fragmented, incomplete and often confusing.  Some are pleasant memories: childhood holidays, family picnics, games with friends, the first stirrings of interest in the opposite sex.  Others are reminders of loss and grief.

Many of Lorna’s memories revolve around exploits with her stylish friend, Suzie, and Lorna’s relationships with men that, it has to be said, have not been entirely successful.   I confess to feeling a pang of sympathy for poor sweet, stolid Austin (described at one point as ‘a rather dull dog with very few tricks’).  As the book progresses, the reader sees that actions do indeed have consequences, even if unintended, and may set in motion a chain of events that can end tragically.

The book blurb describes The Things We Learn When We’re Dead as having ‘elements of The Wizard of Oz, The Hitchhiker’s Guide to the Galaxy and The Lovely Bones’. Personally, I couldn’t detect that much of a connection with The Lovely Bones and only slight allusions to The Hitchhiker’s Guide to the Galaxy. (I understand these comparisons were the publisher’s decision.) If looking for cultural references, I would say the depiction of the stranded HVN spaceship draws more from Star Trek than anything else with its transporters, holographs and replicators.  I enjoyed Lorna’s pleasure at the small, surprising miracles on the spaceship, like the ability of a chilled glass of wine to stay chilled even when drunk in the bath.

When it comes to The Wizard of Oz, certainly there are characters described as lacking courage and not having much of a brain that remind one of the Cowardly Lion and the Scarecrow.   However, I think a reader expecting this book to be a straight retelling of The Wizard of Oz may be disappointed.  What they won’t be disappointed in is the quality of the writing, the quirky humour and the authenticity with which Lorna’s memories of her childhood and young adult experiences are described.

I really enjoyed The Things We Learn When We’re Dead.  As someone who reads very little fantasy and science fiction only occasionally (and then more of the dystopian variety), I wasn’t really disappointed that the extra-terrestrial element takes more of a back seat as the book progresses.  The ending left me wishing Lorna well in the future choices she makes.

I received a personally inscribed review copy from the author in return for an honest and unbiased review.   I’d like to thank the author for his patience in waiting for his book to reach the top of my review pile.

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In three words: Quirky, engaging, imaginative

Try something similar…for more space-based fantasy, Spaceman of Bohemia by Jaroslav Kalfar (click here to read my review)


Charlie LaidlawAbout the Author

Charlie Laidlaw is the author of two novels, The Herbal Detective (Ringwood Publishing) and The Things We Learn When We’re Dead (Accent Press).

Charlie writes: ‘I was born in Paisley, central Scotland, which wasn’t my fault. That week, Eddie Calvert with Norrie Paramor and his Orchestra were Top of the Pops, with Oh, Mein Papa, as sung by a young German woman remembering her once-famous clown father. That gives a clue to my age, not my musical taste.  I was brought up in the west of Scotland (quite near Paisley, but thankfully not too close) and graduated from the University of Edinburgh. I still have the scroll, but it’s in Latin, so it could say anything.

I then worked briefly as a street actor, baby photographer, puppeteer and restaurant dogsbody before becoming a journalist. I started in Glasgow and ended up in London, covering news, features and politics. I interviewed motorbike ace Barry Sheene, Noel Edmonds threatened me with legal action and, because of a bureaucratic muddle, I was ordered out of Greece.  I then took a year to travel round the world, visiting 19 countries. Highlights included being threatened by a man with a gun in Dubai, being given an armed bodyguard by the PLO in Beirut (not the same person with a gun), and visiting Robert Louis Stevenson’s grave in Samoa. What I did for the rest of the year I can’t quite remember.

Surprisingly, I was approached by a government agency to work in intelligence, which just shows how shoddy government recruitment was back then. However, it turned out to be very boring and I don’t like vodka martini.  Craving excitement and adventure, I ended up as a PR consultant, which is the fate of all journalists who haven’t won a Pulitzer Prize, and I’ve still to listen to Oh, Mein Papa.

I am married with two grown-up children and live in East Lothian.’

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